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The Zombies

Aside from the Beatles and perhaps the Beach Boys, no mid-'60s rock group wrote melodies as gorgeous as those of the Zombies. Dominated by Colin Blunstone's breathy vocals, choral backup harmonies, and Rod Argent's shining jazz- and classical-influenced organ and piano, the band sounded utterly unique for their era. Indeed, their material -- penned by either Argent or guitarist Chris White, with unexpected shifts from major to minor keys -- was perhaps too adventurous for the singles market. To this day, they're known primarily for their three big hit singles, "She's Not There" (1964), "Tell Her No" (1965), and "Time of the Season" (1969). Most listeners remain unaware that the group maintained a remarkably high quality of work for several years.

The Zombies formed in the London suburb of St. Albans in the early '60s, and didn't actually entertain serious professional ambitions until they won a local contest, the prize being an opportunity to record a demo for consideration at major labels. Argent's composition "She's Not There" got them a deal with Decca, and the song ended up being their debut release. It was a remarkably confident and original first-time effort, with a great minor melody and the organ, harmonies, and urgent, almost neurotic vocals that would typify much of their work. It did well enough in Britain (making the Top 20), but did even better in the States, where it went to number two.

In fact, throughout their career, the group would experience a lot more success across the waters than they did at home. In early 1965, another piece of classic British Invasion pop, "Tell Her No," went into the Top Ten. Yet that was as much Top 40 success as the group would have for several years. The tragedy was that throughout 1965 and 1966, the Zombies released a string of equally fine, intricately arranged singles that flopped commercially, at a time in which chart success of 45s was a lot more important to sustain a band's livelihood than it would be a few years down the road. "Remember When I Loved Her," "I Want You Back Again," "Indication," "She's Coming Home," "Whenever You're Ready," "Gotta Get a Hold of Myself," "I Must Move," "Remember You," "Just Out of Reach," "How We Were Before" -- all are lost classics, some relegated to B-sides that went virtually unheard, all showing the group eager to try new ideas and expand their approaches. What's worse, the lack of a big single denied the group opportunities to record albums -- only one LP, rushed out to capitalize on the success of "She's Not There," would appear before 1968.

Their failure to achieve more widespread success is a bit mystifying, perhaps explained by a few factors. While undeniably pop-based, their original compositions and arrangements were in some senses too adventurous for the radio. "Indication," for instance, winds down with a lengthy, torturous swirl of bitter organ solos and wordless, windblown vocals; "Remember When I Loved Her," despite its beautiful melody, has downbeat lyrics that are almost morbid; "I Want You Back Again" is arranged like a jazz waltz, with the sorts of sudden stops, tempo shifts, and lengthy minor organ solos found in a lot of their tunes. The Zombies were also, perhaps unfairly, saddled with a somewhat square image; much was made of their formidable scholastic record, and they most definitely did not align themselves with the R&B-based school of British bands, preferring more subtle and tuneful territory.

By 1967, the group hadn't had a hit for quite some time, and reckoned it was time to pack it in. Their Decca contract expired early in the year, and the Zombies signed with CBS for one last album, knowing before the sessions that it was to be their last. A limited budget precluded the use of many session musicians, which actually worked to the band's advantage, as they became among the first to utilize the then-novel Mellotron to emulate strings and horns.

Odessey and Oracle was their only cohesive full-length platter (the first album was largely pasted together from singles and covers). A near-masterpiece of pop/psychedelia, it showed the group reaching new levels of sophistication in composition and performance, finally branching out beyond strictly romantic themes into more varied lyrical territory. The album passed virtually unnoticed in Britain, and was only released in the States after some lobbying from Al Kooper. By that time it was 1968, and the group had split for good.

The Zombies had been defunct for some time when one of the tracks from Odessey, "Time of the Season," was released as a single, almost as an afterthought. It took off in early 1969 to become their biggest hit, but the members resisted temptations to re-form, leading to a couple of bizarre tours in the late '60s by bogus "Zombies" with no relation to the original group. By this time, Rod Argent was already recording as the leader of Argent, which went in a harder rock direction than the Zombies. After a spell as an insurance clerk, Colin Blunstone had some success (more in Britain than America) in the early '70s as a solo vocalist, with material that often amounted to soft rock variations on the Zombies sound.

Much more influential than their commercial success would indicate, echoes of the Zombies' innovations can be heard in the Doors, the Byrds, the Left Banke, the Kinks, and many others. After a long period during which most of their work was out of print, virtually all of their recordings have been restored to availability on CD. Blunstone and Argent reunited for an album, Out of the Shadows, and toured together in 2003 as Blunstone & Argent, playing live shows into 2004 when they began gigging again as the Zombies, with an album and DVD set, Live at the Bloomsbury Theatre, appearing under that name in 2005. To honor the 40th anniversary of Odessey and Oracle, the four surviving original members of the group reunited for a series of three concerts at London's Shepherd's Bush Empire Theatre in March of 2008, with a CD and DVD set of the shows hitting the market later that summer. A new studio album, Breathe Out, Breathe In, attributed to the Zombies featuring Colin Blunstone & Rod Argent, appeared in 2011. ~ Richie Unterberger & Steve Leggett, Rovi
full bio

Selected Discography

Comments

f**k da police drugsR4every o n e
drugs r just for thugs
abcdefghijkl m n o p q r s t u v w x y z
Aaaaaaah...l i g h t it up!
Nothing mentioned oft Blunstone's involement with The Alan Parsons Project. Old and Wise was probably the best work he'd ever done outside of his Zombies and solo careers.
I love you Colin! You and me forever…Your voice is so incredible my friend! You are the real DEAL! So sexy and sweet on key and perfect pitch! Please be mine always! XO XO XO love u! so...
lashaerich
like
Tulip
linda.huffma n 7
The Guess Who did a version
In fact I do
Like this band!!!
Oddesy and oracle. One of the greatest albums in history
Damn I remember when I first heard this band, I was probably about 10 or 11 and my parents use to jam to this song all the time now looking back on it my mom was a little bit of a hippie which I found kinda weird because my father hates hippies so I still to this day can't figure out how they came together it's still mind boggling to make even before I had this traumatic brain injury and even a few years she's been dead
The Zombies were unfortunatel y under appreciated. Their masterpiece Time of the Season released after they disbanded. What a shame. What a great song.
Utterly unique for their time, I can really dig on all these 45 A & B sides I've never heard before.....
Yeah, found the Zombies radio station for very old classic pop
the hollies
Just for the heck of it, what radio station besides the Byrds were u listening to: I bet fifty stations carried this Well known Zombie tune.
Wish I could go back
It's the time and season for looove The Zombies Time of season
The Zombies...Ro c k ! I need to update my music; their is a place in my hear for Classic Rock! :-)
eminem version of this
Dumb asses, Zombies were the Beatles without the hype.
ms.kgonzales
Ohhh, the memories with siblings... wish I can go back!
Summertime live at the Bloomsbury theater popped up in my shuffle feed. Great recording... Very clean made me so sad I never saw them. Love this band!
People had one hit called I love u. Follow for follow.
black sabbath...ma n
jerrynyquist
Does anyone remember a version of this song done by another group, The People, I believe?
jerrynyquist
Anyone remember a version of this song by another group, I believe they were The People?
Like!
I love this song :);) <3<3
drod32530
Who's your daddy is he rich like me
wow nothing in the bio on Colin Blunstone's work with the Alan Parsons Project?
The Zombies were one of my favorite groups of the mid-60s
thugqueen420 2 0 0 1
I like that
I REALLY NEED TO DRESS MYSELF PROPERLY FOR THIS SPECIAL OCCASION
WHERE'S MY TURTLE NECK AND KEDS?!?!?!?! ? ! ? ! ? !
Wanted Colin in the 60's....stil l love his face.....
Amazing song. This is one song that can sum up the 60s!
Time of season classic zombies
��
saraistiny
It the time for a new hit the zombies
I grew up in S.F. during the 60's & was a witness to flower power 1 st hand. It was cool until ALL those kids from around the country showed up at one time in '67. A beautiful thought, the summer of love, but, the reality of life also showed up. Food, shelter & money were indeed needed! Believe me, we really tried to make a difference socially. Maybe we did to a small degree.in any case, the music kept up thevibe & spirit of the masses. PEACE & love to you all.
dellis430
Love this...my mom was a hippie type so I was forced..over time it grew on me..you can't tell me nothing now MY JAM
YUP.ITS.GOOD . A L L . O L D I E . . m u s i c . A R E . b e t t e r . t h a n . t o d a y . m u s i c
One of my all time faves. All on Blind Faith Radio.
Great music....... . . . . c o n f l i c t e d times
Santanas cover of she's not there on the Moonflower album is gold. The zombies are a long time favorite. He opened on a rainy night in Philly at the Mann in 82 or 83. A full moon broke out as he opened. 3 hours 5 encores. Last one an up tempo she's not there. Still get goosebumps !!!!!! Opened and closed with the same song. Each different and a tribute to the zombies
Cool song
What's your name
-Shady
Who's your Daddy
-l don't give a f**k
Show more

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