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Willie Colon / Hector Lavoe

Trombone player, composer, and bandleader Willie Colón is one of the pioneers of Latin American music. Despite initial criticism, Colón's album El Malo has become known as one of the first albums to feature the "New York Sound" that sparked a renewed interest in Latin music during the 1970s. Colón has been instrumental in the careers of such Latin musicians as Rubén Blades, who first sang with Colón's band in 1975, and Celia Cruz, for whom Colón has produced such albums as Only They Could Have Done This Album in 1977 and the highly successful duet album Celia & Willie in 1981. Colón has also produced albums for Ismael Miranda, Sophy, Soledad Bravo, and the late Hector Lavoe, who sang with his band in the early '70s. Inspired by the music of various cultures, Colón has recorded with such musicians as Puerto Rican cuatro player Yomo Toro and David Byrne. Colón's composition "Che Che Cole," adapted from a Ghanaian children's song, was used by Ntozake Shange in the musical play For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf. In addition to 11 Grammy nominations and one Grammy award, Colón has received a CHUBB fellowship from Yale University, the most prestigious award given by the Ivy League school. Colón ran for the United States Congress, representing New York's 17th Congressional District, in 1992.

Starting to play the trumpet at the age of 12, Colón switched to the trombone two years later. Making his recording debut in 1967, for Al Santiago's Futura label, Colón became a victim of misfortune when the label folded. Colón was much more successful when he signed with Johnny Pacheco's Fania label. When his vocalist failed to make Colón's first session for the label, Pacheco suggested Hector Lavoe as a replacement. The collaboration proved fruitful when two singles from Colón's first two albums (El Malo, Guisando) -- "Jazzy" and "I Wish I Had a Watermelon" -- became hits. Lavoe remained a vital member of Colón's band until the mid-'70s when an increased drug addiction caused him to miss or show up late for several gigs. Although their partnership formally ended in 1975, Colón and Lavoe continued to work together. Lavoe's last album, Strikes Back, released in 1987, was produced by Colón.

In 1975, Colón balanced his schedule as director of the Latin Jazz All Stars with studies in music theory, composition, and orchestration. His increased knowledge paid off quickly. In 1978, Colón was named Musician, Producer, and Trombone Player of the Year in a readers poll conducted by Latin New York. Three years later, he received an award as Musician of the Year and his album Fantasmas was named Album of the Year. Colón continued to garner acclaim when his album Canciones del Solar de los Aburridos received a Grammy award in 1982.

Although they met backstage before a concert in Panama in 1969, Colón and Blades didn't begin collaborating until five years later. While working on the album The Good, the Bad, the Ugly, Colón asked Blades to sing on the Blades-penned tune "El Cazanguero," which reflected on Blades' experiences as a law student working in a Panamanian prison. The session was so satisfying that Blades became a full-time member of Colón's band following the departure of Lavoe. Their 1978 album Siembra became the top-selling album in Fania's catalog. Despite their success, Blades severely quarreled with label president Jerry Mascucci over money. Although Colón recorded two solo albums -- El Baquine de Angelitos Negros in 1977 and Solo in 1979 -- and Blades recorded a solo album, Maestra Vida, in 1980, their solo work failed to match the commercial success of their joint efforts.

In 1981, the two musicians resumed their partnership, with Blades playing coro on Colón's solo album Fantasmas. The following year, they collaborated on the Grammy-winning album Canciones del Solar de los Aburridos, which yielded the hits singles "Tiburon," "Ligia Elena," and "Te Estan Buscando." Their partnership again proved short-lived as Colón and Blades split up after working on the film The Last Fight. The split was far from amiable and the two musicians continued to feud until reuniting for a concert at the Hiram Bithorn Stadium in San Juan in March 1992. Despite collaborating on the album Tras la Tormenta in 1995, Colón and Blades recorded their parts separately. Following a reunion concert at the Hollywood Bowl in 1997, Colón and Blades performed a series of concerts together.

In the late '80s, Colón formed a new band, Legal Alien, with younger musicians. Signing with Sony, Colón and the band recorded Color Americano in 1990 and Honra y Cultura in 1991. Two years later, Colón recorded Hecho en Puerto Rico with an all-star band featuring ex-members of the Fania All-Stars, Papo Lucca and Bobby Valentin. Since leaving Sony over a lack of promotional support, Colón continued to remain active, filling stadiums and concerts halls throughout Latin America and releasing new material including Experiencia in 2004, followed by The Player three years later and El Malo, Vol. 2: Prisioneros del Mambo in 2008. ~ Craig Harris, Rovi
full bio

Comments

there are many facts in this life that you see as you enter and painfully watch as you leave so Todo tiene su final is a gifted piece of music and instruction that these young boys wrote that hauntingly travels with you con su final......j o e ruelas
Los graduados

Héctor Lavoe The best boricua RIP
Noel Reyes Pinto
Amazing edcon8. How you can go to a totally different country & see how Europeans love our music. God bless Puerto Rico & our people. ;)
Many regards to Willie Colón from the boys from Alexander Burger Junior High in Brook Avenue and 141 street in the Bronx. 1964-65.
Wepaaaaaaaa
Para ti mother flower
When I went to England. ...I heard this song coming from a pub...I went inside and the whole jukebox was salsa....the music of my people....Qu e viva Puerto Rico. .
The best
Forever
Salsa rocks, wepaaaaaaaa
Da f**kin best
Auque aora son altista en la sangre ase mucho dejo de esistir la sangre artista..man t e n g a m o s vivo esa sangre y esos grandes soneros de la salsa..
bobbytheninj a
Thank god for Willie Colon... I was born in 84 Only new age latin singers we have dont know how to sing, play instruments, or write... I never heard his music until 4 years ago... When i realized i liked this music it made me sad... Ill never get to see this live

Thankfully pandora opened me up to this I am 2 gen cuban. Beny Moré ismael Rivera These artists i would have never enjoyed or known if it wasnt for the Willie colon station


I would sing Borinquen live in Mi
Luvvvvvvvvvv Hector Lavoe :-*
Hector Lavoe n Willie Colon FOREVER!!!
peru te quiere hector lo maximo
MARK MARKOLINO DIMOND WAS THE PIANIST WITH WILLIE COLON'S BAND.
Wepa
Real salsa 2 dance to,, wepaaaaaaa!! ! ! !
The real music of the latino's everywhere
Until this day only but the best FANIA
Me encanta
bellamarzi
Looking forward to seeing Willie at an upcoming concert this summer! Nothing but the best!
sharon.velez
Though I was born in 1973 I know all this 70's and early 80's music thanks to my father. I love the music produce by Hector Lavoe, Willie Colon Ruben Blades Pacheco Celia Yomo Ismael Miranda Cheo Tito and much more they were awesome and the more time passes the more I cherished this music, with my fathers passing this music brings him back to life. I wished I was old enough to had gone to this wonderful Salsa Concerts. I will always enjoy this music and appreciate its lyrics. Salsa will go on fo
I wish they would play more off their album
"Crime Pays". Probably my favorite Salsa album - along with Ruben Blades album
"Siembra".
sesvete9
The best Salsa mix ever Thank You
ramonm4
That's Barry Rogers playing the solo on No me den Candela
lo mejor de la salsa ...ok.
I grow up with willie and hector i was a big fan and still am i still enjoy listening to there's albums.
It reminds me of gatherings with family and friends in Chi-town.
Old school music its the best keep it alive love it
Brings me back to my younger days.
i love this music
why am I getting all this other crap? I just want Salsa and latin Jazz.Please spare me all the other stuff.

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