It is taking longer than expected to fetch the next song to play.
The music should be playing soon.
If you get tired of waiting, you can try reloading your browser.
Please check our Help page for information about troubleshooting Pandora on your browser.
country roots
a subtle use of vocal harmony
major key tonality
a vocal-centric aesthetic
mixed acoustic and electric instrumentation
a dynamic male vocalist
slide guitars
a prominent harmonica part
acoustic rhythm guitars
subtle use of strings
These are just a few of the hundreds of attributes cataloged for this track by the Music Genome Project.
"Bob Wills Is Still The King" This song was this undeniably urban 'East Coast' guy's 'introduction' to Waylon Jennings in 1970's Las Vegas. It was a totally different town then with tumbleweed, open carry, empty desert on 'The Strip' and 'cowgirls' who weren't just lookin' for a good time -- they were the good time. Although Waylon's name was 'different', his music was, and is, great. Thank you JBE III. dlc
montejunas
This is the best Outlaw song. This song and album took the nation by storm.
Truly 1 of the best song &singer dam proud to b born in Texas
migueltovar1
This is country western at its best. Simple. The "Outlaw" movement was more of a press and media buildup, the players that moved to Texas, or shunned Nashville, were doing it to get away from strings in the background music, glitzy shows, and teeth whiteners. Willie, Johnny, Waylon, Paycheck, all they did was lose their conforming image and embrace a music form that thrived on lyrics about love, pain, substance abuse (to drown the pains), American virtues, nostalgia, and brotherhood.
Comments
This song was this undeniably urban 'East Coast' guy's 'introductio n ' to Waylon Jennings in 1970's Las Vegas. It was a totally different town then with tumbleweed, open carry, empty desert on 'The Strip' and 'cowgirls' who weren't just lookin' for a good time -- they were the good time.
Although Waylon's name was 'different', his music was, and is, great.
Thank you JBE III.
dlc
The "Outlaw" movement was more of a press and media buildup, the players that moved to Texas, or shunned Nashville, were doing it to get away from strings in the background music, glitzy shows, and teeth whiteners.
Willie, Johnny, Waylon, Paycheck, all they did was lose their conforming image and embrace a music form that thrived on lyrics about love, pain, substance abuse (to drown the pains), American virtues, nostalgia, and brotherhood.