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War

One of the most popular funk groups of the '70s, War were also one of the most eclectic, freely melding soul, Latin, jazz, blues, reggae, and rock influences into an effortlessly funky whole. Although War's lyrics were sometimes political in nature (in keeping with their racially integrated lineup), their music almost always had a sunny, laid-back vibe emblematic of their Southern California roots. War kept the groove loose, and they were given over to extended jamming; in fact, many of their studio songs were edited together out of longer improvisations. Even if the jams sometimes got indulgent, they demonstrated War's truly group-minded approach: no one soloist or vocalist really stood above the others (even though all were clearly talented), and their grooving interplay placed War in the top echelon of funk ensembles.

The roots of War lay in an R&B cover band called the Creators. Guitarist Howard Scott and drummer Harold Brown started the group in 1962 while attending high school in the Compton area, and three years later, the lineup also featured keyboardist Leroy "Lonnie" Jordan, bassist Morris "B.B." Dickerson, and saxophonist/flutist Charles Miller (all of them sang). The group had an appetite for different sounds right from the start, ranging from R&B to blues to the Latin music they'd absorbed while growing up in the racially mixed ghettos of Los Angeles. Despite a two-year hiatus following Scott's induction into the service, they released several singles locally on Dore Records (their first, "Burn Baby Burn," was with singer Johnny Hamilton), and backed jazz saxophonist Tjay Contrelli, formerly of the psychedelic band Love; they also went by the names the Romeos and Señor Soul during this period. In 1968, the band was reconfigured and dubbed Nightshift; Peter Rosen was the new bassist, and percussionist Thomas Sylvester "Papa Dee" Allen, who'd previously played with Dizzy Gillespie, came onboard, along with two more horn players. B.B. Dickerson later returned when Rosen died of a drug overdose. In 1969, Nightshift began backing football star Deacon Jones (a defensive end for the L.A. Rams) during his singing performances in a small club, where they were discovered by producer Jerry Goldstein. Goldstein suggested the band as possible collaborators to former Animals lead singer Eric Burdon, who along with Danish-born harmonica player Lee Oskar (born Oskar Levetin Hansen) had been searching L.A. clubs for a new act.

After witnessing Nightshift in concert, Burdon took charge of the group. He gave them a provocative new name, War, and replaced the two extra horn players with Oskar. To develop material, War began playing marathon concert jams over which Burdon would free-associate lyrics. In August 1969, Burdon and War entered the studio for the first time, and after some more touring, they recorded their first album, 1970's Eric Burdon Declares War. The spaced-out daydream of "Spill the Wine" was a smash hit, climbing to number three and establishing the group in the public eye. A second album, The Black Man's Burdon, was released before the year's end, and over the course of two records it documented the group's increasingly long improvisations (as well as Burdon's growing tendency to ramble). It also featured War's first recorded vocal effort on "They Can't Take Away Our Music." Burdon's contract allowed War to be signed separately, and they soon inked a deal with United Artists, intending to record on their own as well as maintaining their partnership with Burdon. However, Burdon -- citing exhaustion -- suddenly quit during the middle of the group's European tour in 1971, spelling the beginning of the end; he rejoined War for a final U.S. tour and then left for good.

War had already issued their self-titled, Burdon-less debut at the beginning of 1971, but it flopped. Before the year was out, they recorded another effort, All Day Music, which spawned their first Top 40 hits in "All Day Music" and "Slippin' Into Darkness"; the album itself was a million-selling Top 20 hit. War really hit their stride on the follow-up album, 1972's The World Is a Ghetto; boosted by a sense of multi-cultural harmony, it topped the charts and sold over three million copies, making it the best-selling album of 1973. It also produced two Top Ten smashes in "The Cisco Kid" (which earned them a fervent following in the Latino community) and the title ballad. 1973's Deliver the Word was another million-selling hit, reaching the Top Ten and producing the Top Ten single "Gypsy Man" and another hit in "Me and Baby Brother." However, it had less of the urban grit that War prided themselves on; while taking some time to craft new material and rethink their direction, War consolidated their success with the double concert LP War Live, recorded over four nights in Chicago during 1974.

Released in 1975, Why Can't We Be Friends returned to the sound of The World Is a Ghetto with considerable success. The bright, anthemic title track hit the Top Ten, as did "Low Rider," an irresistible slice of Latin funk that became the group's first (and only) R&B chart-topper, and still stands as their best-known tune. 1976 brought the release of a greatest-hits package featuring the new song "Summer," which actually turned out to be War's final Top Ten pop hit; the same year, Oskar released his first solo album, backed by members of Santana. A double-LP compilation of jams and instrumentals appeared on the Blue Note jazz label in 1977, under the title Platinum Jazz; it quickly became one of the best-selling albums in Blue Note history, and produced an R&B-chart smash with an edited version of "L.A. Sunshine."

Yet disco was beginning to threaten the gritty, socially aware funk War specialized in. Later in 1977, the band switched labels, moving to MCA for Galaxy; though it sold respectably, and the disco-tinged title track was a hit on the R&B charts, it fizzled on the pop side, and proved to be the last time War would hit the Top 40. After completing the Youngblood soundtrack album in 1978, the original War lineup began to disintegrate. Dickerson left during the recording of 1979's The Music Band (which featured new female vocalist Alice Tweed Smith), and not long after, Charles Miller was murdered in a robbery attempt. After The Music Band was released, the remaining members attempted to refashion their image to fit the glitz of the era, and added some new personnel: bassist Luther Rabb, percussionist Ronnie Hammond, and saxophonist Pat Rizzo (ex-Sly & the Family Stone). The Music Band 2 flopped, and the group was thrown into disarray; Smith exited, and the follow-up took an uncharacteristic three years to prepare. Released in 1982, Outlaw was a moderate success; the title track was a Top 20 R&B hit, and "Cinco de Mayo" became a Latino holiday standard. Yet it didn't restore War's commercial standing. Rizzo left later in the year; Harold Brown followed in 1983, after Life Is So Strange flopped; and Rabb was replaced with Ricky Green in 1984. In the years that followed, War was essentially a touring outfit and nothing more. Papa Dee Allen collapsed and died on-stage of a brain aneurysm in 1988, leaving Jordan, Hammond, Oskar, and Scott as the core membership (Oskar would finally leave in 1992). Interest in War's classic material remained steady, however, thanks to frequent sampling of their grooves by hip-hop artists. 1992's Rap Declares War paired the band with a variety of rappers, paving the way for the 1994 comeback attempt Peace Sign; for that record, Brown returned on drums, and Jordan (now on bass), Scott, and Hammond were joined by saxophonists Kerry Campbell and Charles Green, percussionist Sal Rodriguez, harmonica player Tetsuya "Tex" Nakamura, and Brown's son, programmer Rae Valentine (plus guests Lee Oskar and José Feliciano). The album failed to chart, however, and the group returned to the touring circuit. Brown and Scott left the lineup in 1997.

Jordan continued to tour with a new version of the band in which he was the only original performing member. In 2008, War performed a one-off reunion date with Eric Burdon at London's Royal Albert Hall as a precursor to the Rhino reissues of his albums with the band, and a pair of compilations. Later that year, Jordan's War issued the audio/video live package entitled Greatest Hits Live, covering material from the band's best-known era, 1969-1975. In 2009 the group was nominated for the Rock and Roll Hall of Fame, but failed to secure enough votes for induction.

From 2009 on, War was a steady concert draw, either on the nostalgia group tour circuit or playing at festivals internationally. In 2014, the band issued Evolutionary on Universal, its first new album of studio material in a decade. The set was combined with the additional disc of its classic Greatest Hits album as an added incentive to consumers. ~ Steve Huey
full bio

Selected Discography

x

Track List: Evolutionary

Disc 1

1. That L.A. Sunshine

2. Mamacita

3. It's Our Right / Funky Tonk

4. Just Like Us

5. Inspiration

6. Scream Stream

7. This Funky Music

8. Outer Space

9. War / War After War (A Soldier's Story)

10. Bounce

11. Everything

12. It's My Life

13. That L.A. Sunshine (Cheech & Chong)

Disc 2

1. All Day Music

2. Slippin' Into Darkness

3. The World Is A Ghetto

4. The Cisco Kid

5. Gypsy Man

6. Me And Baby Brother

7. Southern Part Of Texas

8. Why Can't We Be Friends

9. Low Rider

10. Summer

x

Track List: The Very Best Of War

Disc 1

1. Spill The Wine

2. Tabacco Road

3. All Day Music

4. Slippin' Into Darkness

5. Get Down

6. Nappy Head (Theme From "Ghetto Man")

7. The World Is A Ghetto

8. City, Country, City

9. The Cisco Kid

10. Where Was You At

11. Four Cornered Room

12. Gypsy Man

13. Me And Baby Brother

14. Deliver The Word

15. Southern Part Of Texas

16. Ballero (Live)

17. Why Can't We Be Friends

Disc 2

1. Low Rider

2. Don't Let No One Get You Down

3. Heartbeat

4. Smile Happy

5. So

6. Summer

7. L.A. Sunshine

8. River Niger

9. Galaxy

10. Youngblood (Livin' In The Streets)

11. I'm The One Who Understands

12. Cinco De Mayo

13. You Got The Power

14. Outlaw

15. Baby, It's Cold Outside

16. Peace Sign

17. East L.A.

x

Track List: The Best Of War And More, Vol. 2

1. Lonely Feelin'

2. The World is a Ghetto

3. Gypsy Man

4. Don't Let No One Get You Down

6. L.A. Sunshine

7. Hey Senorita

9. Sing a Happy Song

10. Good, Good Feelin'

11. Cinco De Mayo

12. You Got the Power

13. Outlaw

14. Life is (So Strange)

15. Peace Sign

x

Track List: The Best Of War

2. Low Rider

3. The Cisco Kid

4. Slippin' Into Darkness

5. Me And Baby Brother

6. Galaxy

8. All Day Music

9. Why Can't We Be Friends

10. Summer

11. City Country City

x

Track List: Platinum Jazz

1. War Is Coming! War Is Coming!

2. Slowly We Walk Together

3. Platinum Jazz

4. I Got You

5. L.A. Sunshine

6. River Niger

7. H2Overture

8. City, Country, City

9. Smile Happy

10. Deliver The Word

11. Nappy Head

12. Four Cornered Room

x

Track List: World Is A Ghetto: 40th Anniversary Edition

1. The Cisco Kid

2. Where Was You At

3. City, Country, City

4. Four Cornered Room

5. The World Is A Ghetto

6. Beetles In The Bog

7. Freight Train Jam

8. 58 Blues

x

Track List: All Day Music

1. All Day Music

2. Get Down

3. That's What Love Will Do

4. There Must Be A Reason

5. Nappy Head (Theme From Ghetto Man)

6. Slippin' Into Darkness

7. Baby Brother (Live)

x

Track List: Galaxy

1. Galaxy

3. Sweet Fighting Lady

4. Hey Senorita

x

Track List: The World Is A Ghetto

1. The Cisco Kid

2. Where Was You At

3. City, Country, City

4. Four Cornered Room

5. The World Is A Ghetto

6. Beetles In The Bog

x

Track List: Why Can't We Be Friends

1. Don't Let No One Get You Down

2. Lotus Blossom

3. Heartbeat

4. Leroy's Latin Lament

5. Smile Happy

6. So

7. Low Rider

8. In Mazatlan

9. Why Can't We Be Friends?

x

Track List: Youngblood (Original Motion Picture Soundtrack)

2. Sing A Happy Song

3. Keep On Doin'

4. The Kingsmen Sign

5. Walking To War

6. This Funky Music Makes You Feel Good

7. Junk Yard

8. Superdude

9. Youngblood & Sybil

10. Flying Machine (The Chase)

11. Searching For Youngblood & Rommel

Comments

Report as inappropriate
WAR rhe days of listening in ASia
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The funk and force of WAR's muisc and the baritone voice of Burden was the real deal. Wish they would have done more!
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Rest in peace maurice white
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War is bad a** come drink some of my home made wine ha ha ha ha
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I will always be there bro
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The world is a Ghetto is my favorite song by WAR as well four corner room
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ralstlau6
You Rock I love you're shows ��
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this song is in gta san andreas on 98.3 master sounds I love this song
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Remind me of growing up in Compton back in the day on Piru st.
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This song was on the George Lopez theme song it takes me back every time
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Spill the Wine. Classic
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Nice to listen to
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real smooth
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I LIKE THIS song it is real smooth
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When I was away in college back in the 70's, I would jam this song on my 8 track coming home to tha Stl when I got on Interstate 70 on the way home for the weekend in my 66 Mustang.
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Good stuff!!!!
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Learned so much from them...
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Soul, soul, soul... First rate!! Would've been lost without them!
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what great classic rock song
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Cheech and Chong's Up In Smoke!!!
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The best group on 70s. I love yours musics.
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The best group on 70s. I love yours musics.
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one of my go to songs for sure. evereytime i hear it i think of cheech polishing his primered love machine getting in and driving across the street to score.two classics perfectly paired
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@ Ozzie Edwards, you so right.
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I'm going to look up the movie Ghetto Man to see if War's Nappy Head fits.
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Thanks that lyric are back on here. WAR is unrecognized . In my city I remember a slogan Ghetto or the Goldmine.
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follow me please
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Soul
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I love the war
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edwardj1954- p a n d o r a
private
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Nudnik
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dragonlady60 8 8
Agree...walk
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dragonlady60 8 8
Darling...do n ' t be rude..xox
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dragonlady60 8 8
Slipping into darkness ...memories
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dragonlady60 8 8
I love Cheech and Chong!!!
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dragonlady60 8 8
My x use to jam with war in a studio in Burbank.ca. ..talented. Musicians
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209ricm
Down at the beach or party in town
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I didn't like war but thanks to My best friend I learned to like them and so much =) thanks Kelly I love you
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Lee Oskar is awesome, I have one of his albums and I love it.....
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I remember we ride and listen to war all day music was of my favorite Sisco kind lee Oscar was the best
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lasiter803
Low Rider!!!
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altetly
On tour with Cheech and Chong right now!
Report as inappropriate
You mean to tell me that War is not in The Rock N Roll Hall of Fame and the Beastie Boys ( who sampled one of their songs) is???!!! It a damn shame and a TRAVESTY. Shame on you. RNRHOF.
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CHEECH AND CHONG MAAANNNN
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This really 1 Hit Wonder?
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JORGE LOPEZZZ SONG
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Aunt Fanny lol
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Anyone remember this song from that Robot City movie with the fat butted lady named fanny?
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I love this song! Every time I hear this song it reminds me of people in the 70s driving cars to show off !
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i'll sound like an idiot for this but , I grew up in Miami in the late 60's early 70's and for some reason I always thought this was Santana . lol
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