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T-Bone Burnett

Despite critical acclaim as a performer, the rootsy singer/songwriter T-Bone Burnett earned his greatest renown as a producer, helming recording sessions for acts ranging from Roy Orbison and Elvis Costello to Counting Crows and Sam Phillips. Born Joseph Henry Burnett on January 14, 1948, in St. Louis, Missouri, he grew up in Fort Worth, Texas, soaking in the area's indigenous blend of blues, R&B, and Tex-Mex sounds. Instead of attending college, he opted to open his own Fort Worth recording studio, while also performing in a series of blues bands; in the early '70s he relocated to Los Angeles, producing sessions for Glen Clark and Delbert McClinton.

After recording his own 1972 debut, The B-52 Band & the Fabulous Skylarks, Burnett toured with Delaney & Bonnie before befriending Bob Neuwirth, a singer/songwriter known for his ties to Bob Dylan. Three years later, Dylan invited Burnett to play guitar on his Rolling Thunder Revue tour. After the Revue concluded, he and fellow Rolling Thunder alumni Dave Mansfield and Steve Soles founded the Alpha Band, releasing their eponymous debut in 1977. Spark in the Dark followed later that year, and like its predecessor failed to find commercial favor; when 1978's Statue Makers of Hollywood met a similar fate, the Alpha Band split, and Burnett returned to his solo career. He resurfaced in 1980 with the acclaimed Truth Decay, which, like all of his solo work, found its lyrical center in his spiritual concerns. A move to Warner Bros. followed for 1982's Trap Door EP, and 1983's full-length Proof Through the Night featured guests Pete Townshend, Ry Cooder, and Richard Thompson. Still, commercial success eluded him, and so he continued working as a producer, overseeing highly regarded records like Los Lobos' How Will the Wolf Survive?, Marshall Crenshaw's Downtown, and the BoDeans' Love & Hope & Sex & Dreams.

After recording a self-titled 1986 solo effort, Burnett agreed to produce The Turning, an album for the successful Christian pop singer Leslie Phillips. The album won wide acclaim even from secular outposts, but it was to be Phillips' last overtly religious release; instead, she began performing under her nickname, Sam, and with Burnett's aid, landed a deal with the Virgin label for 1987's acclaimed The Indescribable Wow. Prior to recording her 1991 LP, Cruel Intentions, Phillips and Burnett wed, and he remained in the producer's seat for her later efforts, including 1994's Martinis & Bikinis and 1996's Omnipop. Despite his additional success manning albums like Elvis Costello's masterful 1986 effort King of America as well as producing the star-studded 1987 Roy Orbison tribute Black & White Night, Burnett continued his solo career; like earlier efforts, 1988's The Talking Animals won raves from the press but failed to find an audience outside of his devoted cult following. His output dwindled as his production work increased, and only in 1992 did he release a follow-up, the Spartan Criminal Under My Own Hat. Instead, Burnett remained one of the most prolific and distinctive producers of his day, crafting successes like Costello's Spike, Counting Crows' August and Everything After, the Wallflowers' Bringing Down the Horse, and Gillian Welch's Revival.

Burnett's public profile took a huge leap in 2001 when he served as composer and music producer for the Coen Brothers' film O Brother, Where Art Thou? as well as producing the soundtrack album from the film, which became somewhat of a cultural phenomenon, selling close to nine million copies and earning Burnett four Grammys. He partnered with the Coen Brothers to form DMZ Records in 2002, and the label released several soundtrack albums either produced or executive produced by Burnett, including Cold Mountain, A Mighty Wind, Crossing Jordan, and The Ladykillers. Burnett finally released an album of new original material, The True False Identity, in 2006 on Sony, which that same year also released a 40-song retrospective set spanning Burnett's entire career, Twenty Twenty: The Essential T-Bone Burnett. Tooth of Crime followed in 2008 on Nonesuch Records.

Burnett remained an in-demand producer over the next few years, working with old friends (he helmed Costello's Secret, Profane & Sugarcane), up and coming artists (Grace Potter & the Nocturnals), and classic veterans (Willie Nelson, Gregg Allman), earning perhaps his greatest attention for The Union, a 2010 collaboration between Elton John and Leon Russell, and his music supervision on the Academy Award-winning 2009 film Crazy Heart. Burnett also produced the soundtrack for the 2012 adaptation of Suzanne Collins' The Hunger Games and collaborated with the Civil Wars for the soundtrack for the 2013 food documentary A Place at the Table. ~ Jason Ankeny, Rovi
full bio

Selected Discography

Comments

Hehe, his name is BONE...hehe. . . b o n e . . . .
This song is boaring
/watch HBO's True Detective..d i s c o v e r T Bone Burnett. He sets the tone for the entire series...
asrubinstein
By
Dylan, Townes, T~Bone;
burkify
He is more his own than Dylan or Reed. True original. I am hypnotized by his voice.
He was in Dylan's band-the Rolling Thunder Review
More Dylan than Lou Reed!
burkify
Yeah Im wondering where people are getting Dylan and lou reed from his music.
crapandjunk
T-Bone was Music Master for one of the most creative and inventive re-tellings of the songs of Lennon & McCartney - the movie Across the Universe. Check it out! It is one of the best musicals EVER. I was really moved by the new sounds that he helped Julie Taymor create in that movie. A true masterpiece!
Bob Dylan and Lou Reed? Are you people deaf?
He sounds nothing like them. Other than the fact that he's a singer/songw r i t e r maybe?

The man has produced and directed some of the best albums of the last 20 years, and more. Show some respect.
bobbyannant
I do not like Bob Dylan sound alikes.
Sure sounds like Lou Reed
the T-bone man has great ear .. and can do it alone
curtis true ! lol
dartdriverdo n
Agreeded...t o the T.....
the bone is fine with me the bone master general
T the man!
My oh My.. this is delightfull
you gotta love T. Bone
holy sht this is great stuff, what a score
kylejessmon
never heard this before, it's creepy enough for me. i dig it.
Love his stuff.
r.smart
Instant new fan. I am almost embarrassed that i haven't heard of him before - but i love it.
don't forget his production expertise which helped land a AOTY Grammy for Raising Sand. dude is sweeeeeeeeee e e e t .
If you like this kind of tunage, check out my Radio Chillage station. Always love to hear comments or suggestions
bromide01
My nickname is also T-bone.
dr.bone42
Wait.. does this have anything to do with trombones? I'm all confused. I play trombone... and sometimes I call them t-bones... you know what, never mind.
Please add his new album, Tooth of Crime, to his discography list.

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