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Stanley Jordan's discovery in the early '80s rightfully earned a lot of headlines in the jazz world as he came up with a new way of playing guitar. Although he was not the first to use tapping, Jordan's extensive expertise gave him the ability to play two completely independent lines on the guitar (as if it were a keyboard) or, when he wanted, two guitars at a time. He had originally studied piano, although he switched to guitar when he was 11. After graduating from Princeton in 1981, Jordan played for a time on the streets of New York. Soon he was discovered, had the opportunity to play with Benny Carter and Dizzy Gillespie and, after recording a solo album for his own Tangent label, signed with Blue Note. Since then, his career has been surprisingly aimless. Stanley Jordan can play amazing jazz, but he often wastes his talent on lesser material, so one has to be picky in deciding which of his recordings to acquire. Among his many albums are 1985's Magic Touch, 1986's Standards, Vol. 1, 1990's Stolen Moments, 1994's Bolero, 2003's Dreams of Peace, and 2008's State of Nature. In 2011, Jordan was joined by an all-star lineup featuring saxophonist Kenny Garrett, trumpeter Nicholas Payton, bassist Christian McBride, and drummer Kenwood Dennard for the album Friends. ~ Scott Yanow, Rovi
I can understand where the person who did this bio is coming from as far as Stanley's albums. His 1st release is amazing but some of his others like "Stolen Moments" don't do justice to his considerable talents. I will add that I had the honor of not only seeing him play live but my college band opened up for him. He did some of the most outrageously ridiculous things during his sound check with the guitar and piano. Finally I had the blessing of hanging out with him after the show and he is 1
I had the distinct pleasure of bringing Stanley Jordan on stage with Tim Reynolds, Greg Koch, and a few other amazing guitarists for the All Star Guitar Night benefit concert in Madison, WI. He may be shy and quiet when you meet him but his style and emotional connection to the guitar is something I've never heard before
macsteel8
My wife and I just saw Stanley last night. I've seen many guitarists in my lifetime, and there is nobody better than Stanley. THE BEST!
rcombs50
Dateline 1-31-2013: I just saw Stanley Jordan at Yoshi's. Having seen Jordan before, he was as awesome as ever and actually seemed fully engaged in a period of exploration and self-discvoery, even reflected by his new look, and sharing the stage with other artists (last night with Mimi Fox). I saw him smile on stage more than I've ever seen before, unusual for the usually reserved Jordan I'm accustomed to seeing. Contrary to Scott Yonow's superficial view of Jordon's career being surprisingl
Stanley made an appearence in the movie Blind Date with Bruce Willis and Kim Bassinger. That was the scene where she drinks the champagne.
motley_milwood
Saw him in Rochester, NY in '82 when hardly anyone, myself included, heard of him. To this day, I have never seen an audience as mesmerized by any performer as I experienced at that concert.
I have to disagree with the bio that says his career has been aimless. I saw Stanley play in Princeton when he was going to school there back in 1982. He blew me away so much that I became a convert on the spot. As a result of seeing him play, I have now been playing two hand myself for the last 30 years. Stanley continues to blow me away every time I see him play live. Not only did he pioneer the style of two hand but he will probably never be surpassed for sheer musicality and virtuosity.
Aimless...???? That's your perspective and your welcomed to it, I don't agree personally. I first met Stanley when he had just arrived in NYC, I was a street musician for some years by then, playing Central Park mostly. Well the DAY Stanley set up on the bench near the bandshell it was obvious to EVERYONE instantly that we were witness to Greatness, wow I turn 55yr old today and that is one of the special memories I've compiled over the years...Thanks Stanley for staying with it and pushing your
stanley is such a bad mother f**ker. the liner notes says he wastes his talents but oooh noo! I saw this mo fo play in State bridge Colorado. under the stars and the CO river roaring. such a freakin great show.
uniquely talented guitarist(has his own sound to it).
matt.daily
I saw S.J. at the Soiled Dove in Denver two weeks ago; hadn't seen him for 10 years or more. It was an intimate setting, and ideal to catch nuances and his sublime talent. Jaw-dropping chops; he's out-of-bounds creatively, and you may shake your head (as I did) while witnessing his talent. And if you don't believe he has the respect of the jazz community, check out who has accompanied him on his latest recordings. Catch him live; you'll be an everlasting fan.
shawn.ortiz
Any one remember that he first played bass? He revolutionized the instrument as a jazz lead instrument as opposed to its traditional use in just keeping and holding down the bottom. Yea, I'm 60 and proud of every moment spent as a percussionist and a music fan as far back as Miles Dewey Davis playing second bill to the Grateful Dead at S.F.'s Fillmore....hummmm!
alan4404
Seeing and hearing him perform live is something beyond words. He is quite the musical Zen master - innovative, and a deeply spiritual improvisationist. A delightful gift from God!
samangulo
Saw him play while on 2010 Smooth Jazz Cruise. Went with high expectations of seeing both Earl Klugh and Peter White, while knowing little about Stanley Jordan. As expected, Klugh and White were awesome. But, Jordan absolutely blew me away! You have to see him to believe what your ears are hearing! To this day, he's still a true prodigy! (He's still very youthful looking and is almost painfully soft-spoken. But, what a uniquely talented artist!) Thanks for including him in Pandora inventory.
ra_0608coulter
Playing the Hell out of this guitar...Sounds Very Good....
I can't wait to see Stanley Jordan at the Jazz Festival - Whistler Jazz on the Mountain. Labor Day Weekend. Check out the video. http://www.youtube.com/watch?v=kwv302aG-GY
tnovest
MEL L. i feel it's insulting and degradeing for scott yanow,rovi to question stanley jordan on what he use's his god given talent's on,it's his choice,all great mind's have greater and less works in their field of expertise such as,micheal angelo,pablo,einstein etc. that's their uniqueness
kevin1697
I wonder if he's ever tried the Chapman Stick...sounds similar.
His playing was groundbreaking when it came out. After all these years he's also shown to be one of a kind. I don't know of anyone as prominent as him that plays this way.
got introduced to Stanley Jordan in the old firehouse club in Houston,Tx. in the mid 80's. Fabulous performer and true pioneer on the six or twelve string. A "beast" on Eleanor Rigby. Just listen to the fret magic this guy puts into his music. Huge Fan!!
I love Stanley Jordan he is the reason that I love the guitar. Over the years I have searched for new music by him but came up empty handed. Thanks to Pandora I can listen to this genuis and share it with my grandchildren.
ol.campbell
An incredible talent. Perhaps a "Greatedt Hits" CD followed by a new CD with all fresh material would launch him to new heights.
Been following Stanley since I saw him perform on "Night Flight" remember that or am I showing my age? Honestly, to appreciate this guys talent you have to see him play. Until you've seen him playing two guitars at once or play complex melodic chord progressions with accompanying bassline on a single instrument you won't appreciate his genius. What Yanow is trying touch on is Stanley's tendency to experiment. All the great masters do it, they master the instrument and begin trying new things
I've been turned on to Stanley Jordan since 1985's Magic Touch. A super talented guy; I was wondering what happened to him. He's too talented for us not to hear more from him.
ya, Yanow can pound sand. "surprising aimless"? why do you care? "lesser material"? Yanow, I know you go home at night and crank Duran Duran, but we wont tell anyone about that lesser material indulgence.
Stanley Jordan is all they say he is, from his consummate skill to his light touch and swinging phrasing. I agree with the critics of Scott Yanow's analysis - lighten up, Scott!
Stanley Jordan is a rare talent! He does and plays what he feels and sorry Yanow if that doesn't meet with your approval! Frankly, you come across as being bullied in school, so now it's your turn! Jordan has a style of his own just as any other, dare I say it, "Smooth Jazz Artist"! Yanow you jerk, any musician, just as any human being, is free to play whatever they choose!! If these truly gifted people, listened to $@@!s like you, there would be no smooth jazz because you pigeon hole everyone!
The reviewer is simply saying that, based on the trajectory from the early part of Jordan's career, it would have been anticipated that Jordan would have been one of jazz' "leading lights". Alas, that has not happened. Or not to the extent expected by the reviewer.
Jordan is a great player, we all agree. But a critic's job is to provide objective judgement -- of the music, and the careers of those involved.
Reynolds_jf
" Stanley Jordan can play amazing jazz, but he often wastes his talent on lesser material"And you are to be the judge of what his time and talent is best spent doing? Seriously who are you?
Stanly Jordan is a phenominal artist and even moreso live in concert. This review gives him no justice at all as a musician. He is a joy to listen to and an even better person. Play on Stanlley!
Comments
Check out the video. http://www.y o u t u b e . c o m / w a t c h ? v = k w v 3 0 2 a G - G Y
The reviewer is simply saying that, based on the trajectory from the early part of Jordan's career, it would have been anticipated that Jordan would have been one of jazz' "leading lights". Alas, that has not happened. Or not to the extent expected by the reviewer.
Jordan is a great player, we all agree. But a critic's job is to provide objective judgement -- of the music, and the careers of those involved.