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Sepultura

From their humble beginnings in Belo Horizonte, Brazil, Sepultura went on to become the most successful Brazilian heavy metal band in history. Over a ten-year period, the band grew from strength to strength, transforming itself from a primitive death metal ensemble into one of the leading creative trendsetters of the international aggressive music scene. Unfortunately, a bitter internal crisis almost destroyed the band, and Sepultura struggled to recover their previous momentum.

Hailing from Brazil's third largest city, Belo Horizonte, Sepultura (which means "grave" in Portuguese) were formed in the mid-'80s -- a time when that country was beginning to emerge from a 20-year military dictatorship. Max Cavalera (vocals/guitar), Igor Cavalera (drums), Paulo Jr. (bass), and Jairo T. (lead guitar) had a hard time even finding rock & roll albums, and especially "socially unacceptable" genres such as heavy metal and punk. Their early influences were Iron Maiden, Metallica, and Slayer (literally the first three records purchased by Max on a visit to the "big city" São Paulo), but the band soon progressed toward a death metal sound, inspired by emerging bands such as Possessed and Death. Their drive and determination (they sang in English from day one) more than made up for their geographic isolation and inexperience, and though they were only in their teens and still learning how to play their instruments, the band quickly evolved into underground contenders. After landing a deal with independent Cogumelo Records, Sepultura recorded four songs for a split LP with fellow Brazilians Overdose. Reissued on CD and named for its first track, 1985's Bestial Devastation was self-produced and recorded in just two days -- and it shows. Recorded with minimal time and money in August 1986, their first full-length album, Morbid Visions, showed little improvement, but contained their first hit, "Troops of Doom," which attracted some media attention and convinced the band to relocate to São Paulo (Brazil's largest city and financial capital) in order to further their career. They also replaced guitarist Jairo T. with São Paulo native Andreas Kisser, whose greater musical ability would help take the entire band to the next level.

In 1987, Sepultura's technical proficiency finally caught up with their creative vision, and their second full-length album for Cogumelo, Schizophrenia, displayed an incredible evolution in terms of production and performance. It also became a minor critical sensation across Europe and America, drawing the attention of Roadrunner Records, which promptly released the album worldwide and signed the band to a long-term contract. No longer restrained within Brazilian borders, the band set about composing 1989's Beneath the Remains, the first of four albums which would solidify Sepultura's position as perhaps the most important heavy metal band of the '90s. Recorded in Rio de Janeiro under the guidance of leading death metal producer Scott Burns, Beneath the Remains was an immediate critical and commercial success, and the band's ferocious performances on the subsequent European tour (which saw them systematically blowing headlining German thrashers Sodom off stage) further cemented Sepultura's reputation. The band also filmed its first video, for the single "Inner Self," and finished the year tour with a triumphant set of shows in its homeland.

After obtaining new management and relocating to Phoenix, Arizona, Sepultura entered Tampa's Morrisound Studios with producer Burns to record 1991's highly acclaimed Arise album. First single "Dead Embryonic Cells" proved to be another resounding hit, and the title track would gain even more attention when its video was banned by MTV America due to its apocalyptic religious imagery. The world tour that followed elevated the album to platinum sales worldwide (a figure rarely achieved by bands of such extreme nature) and, in a strange twist, found singer Max Cavalera marrying band manager Gloria Bujnowski, who was almost twice his age. Such was the band's success that its label, Roadrunner, obtained a co-distribution deal with Epic Records for its next recording, 1993's Chaos A.D.. By incorporating social issues (especially relating to Brazil) into their lyrics, as well as displaying some of their punk and hardcore influences for the first time, the album was another worldwide smash thanks to singles like "Territory" and "Refuse/Resist." After touring for over a year, the members of Sepultura took a well-deserved break before starting work on their most ambitious album yet, 1996's Roots. The introduction of native Brazilian percussion and musical styles into their trademark down-tuned guitars and increasingly sociopolitical themes resulted in a highly unique record which could be loosely described as heavy metal world music. Roots marked Sepultura's creative peak, and the band's continual rise to ever-greater fame seemed guaranteed until a family tragedy set off a series of events which would break up the band.

Just hours before taking the stage at England's Monsters of Rock festival, the band discovered that the teenage son of manager (and singer Max's wife) Gloria had been killed in a car accident. A shocked Sepultura took the stage as a trio while Max and Gloria boarded the first plane back to America. Only a few months later, the band confronted Max about severing ties with Gloria and finding new management. Still recovering from the recent trauma of a death in his extended family, Max viewed this as a huge betrayal and left the band amid much bad blood and acrimony. As the band's creative leader, many expected his departure to spell the end of Sepultura, but the band announced that it would carry on and soon began looking for a replacement.

After a long search, Sepultura recruited Cleveland native Derrick Green as their new singer and began laying down tracks for 1998's Against. Though it retained much of the intensity and diversity of its predecessor (including a collaboration with Japan's Kodo percussion ensemble on the track "Kamaitachi"), the album lacked the unique spark which had characterized the band's prior work. It also sold only half as many copies as Cavalera's first album with his new band, Soulfly, clearly showing with whom fan loyalty remained. Undaunted, Sepultura returned in early 2001 with Nation. The album followed in the footsteps of its predecessor, despite better reviews and a more seasoned Green on vocals. In order to reach out to its slowly shrinking fan base, the group released one of its last live shows with Max, Under a Pale Grey Sky, in the fall of 2002. An EP of covers, Revolusongs, was released in 2003, followed by the full-length Roorback, 2005's Live in São Paulo, and 2006's Dante XXI, and 2009's Clockwork Orange-inspired A-Lex. The following year the band announced they had signed to Nuclear Blast, where they would go on to release 2011's Kairos, as well as their 13th studio album, The Mediator Between the Head and Hands Must Be the Heart, in 2013. ~ Eduardo Rivadavia, Rovi
full bio

Selected Discography

Comments

Does everyone hate the Against album?
witchcraft and witch are on here
maleficent and twilight zone the movie are on here. I hope warlock the armagedon makes it on here.
Cut throat attitude, propaganda
copsinis
chaos A.D.
copsinis
YOU ROCK!!!!!
True, new York is a n**ger ville, very dangerous, , sepultura never plays my area anymore, sepultura was awesome to see awhile back
Anyone else ever see sepultura at Saratoga winners in cohoes NY??
nicko252008
Fiirst 5 albums are legendary
,
.
.
.
.
Max cavalera forever!!!
These guys suck without Max.
Not a bad re-make but Ministry made this a true part of my own teen-angst.
Old sepultura had balls
I chocked on some salmon listening to the against CD
theshoe316
Remix Ministry just one fix really
mason.tatum9 8
shades of death are all i see fragments of what used to be skeletons of society
nicko252008
Biotech is GODZILLA!!
Shaaaoooo mas chingon Carnales
Inner Self. B**ches
A have,The power...
Heavy,good..
Am I the only one who doesn't like like, anything on Roots? Love everything from 91-93, and 01-13 is great too, but Roots, no.
nicko252008
Oh man Chaos A.D. and Arise changed my life. Some the best metal in the 90's was SEPULTURA. ROOOOOOTS!!. . BLOODY ROOOOTS!!!
Great music to listen to when someone rustles your jimmys
Love ALL of Max Cavalera's work. Sepultura, Soulfly, Nailbomb. All kickass bands!
nice cover of exodus piranha
Rock n....n'''fuc k e n rolling..... n i c e .
This is the last good album of sepultura after is nothing
I start listing sepultura back in elsalvador and it freak me out great band and good music
I like slipknot and i like sepultura but they sound nothing alike
These guys are incredible when I first heard Ratamahatta it blew my freakin mind. Sick a** band \m/
Where do u get slipknot?? Saw Sepultura open for pantera, w biohazard. Sick.
The first four sepulture records are their best
No slipknot sounds like them fucktard
does not sound like slipknot! my ears are always drawn here!
Early sepultura kicked a**
This sounds like slipknot lol
n**gers
All Sepultura is just kickin' thrash/speed / d e a t h metal. Yes we all loved Max Cavelera, But Sepulnation is just as MONSTER with Derrick Green on vocals. Under a pale, grey sky WE SHALL ARISE!!!
Mass Hypnosis, nice. cody take ur dumbazz back to the 80s
No you f**kin suck!! You dips**t! You dont know a goddamn thing bout metal! F**k off!
no wonder this song sucks!! cause its sepultera AFTER THE 80S
What is True Metal?
True Metal is the only form of music that is played here.

It is not only the best form of music, but also the only style of music that let you truly express yourself.

Follow me for many forms of True Metal.

No bands formed after 1999 as 2000 was the official downfall of music.
Roots bloody roots!
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