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I wish Pandora hadn't split this track into 2 (or more?) parts. The forced ending is horrible compared to the extended bliss of the entirety. This record was a life changer for me when I discovered it in my early teens.
Fripp always self restrains his solos within the context of the piece. In Baby's On Fire it sounds intensely self indulgent (fun?), things never associated with Fripp. That's why it blows me away. The feedback near the end is the icing on top.
cowniew
Fripp's guitar solo on Baby's on Fire is truly incredible. This album shows how much things have changed in the last 40 years.
Due to the inadequate circumstances of the aforesaid mentioned, I can no longer tolerate the dismissal of the entire operation under the incomplete competence of none other than whom we know so well
mrned26
I have always felt Fripp is too cerebral - I know many do not share my opinion, and it is just that, an opinion - so I always need to hear Fripp with someone who can balance out this perceived excess. Eno usually does the trick. Belew did, too. Or Peter Gabriel on "Here Comes the Flood."
bradburn1
This bio focuses entirely on Robert Fripp. These disks are a collboration with Eno so it should address him also.
berthold4
Fripp guitar solo on Eno's Baby's on Fire on Here Come the Warm Jets is a classic and in 1973 way ahead of its time!
My musical progression - from King Crimson's first album (at age 14) to the New Age sounds of Fripp and Eno (much older than 14). The more things change . . . .
Hello Pandora Folks- Just a heads-up. In your photo of "Robert Fripp / Brian Eno" you actually have a photo of Fripp with David Sylvian. Best- Ed Cornell
Comments
This record was a life changer for me when I discovered it in my early teens.