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Richard Thompson

For years, Richard Thompson resided in relative obscurity, while at the same time garnering vast critical praise for his magnificent guitar work and the dark wit and richness of his extraordinary songwriting. A founding member of the seminal British folk-rock group Fairport Convention, he remained with the band for five studio albums -- Fairport Convention (1968), What We Did on Our Holiday (released as Fairport Convention in the U.S.) (1968), Unhalfbricking (1969), Liege and Lief (1969), and Full House (1970) -- and one live recording (Live at the L.A. Troubadour [recorded in September 1970, released 1976], reissued as House Full [1986]). In early 1971, Thompson, feeling that the material he had been writing at the time was not right for the band, decided to leave for a solo career. In between sessions and dates supporting former Fairport mates Sandy Denny and Ian Matthews, he entered the studio to record his first record, Henry the Human Fly (1972), which was a more idiosyncratic version of the British traditional rock & roll mix that he had begun with his old band. During this time, he also contributed to the rock & roll homage The Bunch (1972) as well as the traditional Morris On (1972), both of which featured various members, past and present, of Fairport Convention and their offshoots. None of these did anything to change the general public's view of Thompson, to the point where Henry the Human Fly gained the notable distinction of being the worst-selling album in the history of Warner Bros. Records.

Following tours of the U.S. (his last for ten years) and the U.K. with Sandy Denny, Thompson ended 1972 by performing dates with singer Linda Peters, who had appeared on both Henry and The Bunch. Richard and Linda were married, and in 1973 they began work on their first recording together, the now classic I Want to See the Bright Lights Tonight (April 1974). The Thompsons went on to release five more records, including Hokey Pokey (March 1975), Pour Down Like Silver (November 1975), First Light (November 1978), Sunnyvista (1979), and Shoot Out the Lights (February 1982). Between 1975 and 1978, however, Richard and Linda all but dropped out of the music scene when they moved into a Muslim community outside of London. During this period, Guitar, Vocal (1976), a collection of outtakes and live recordings from Richard's career, was released to fill the void. It would also be his final release for Island Records, his U.K. home since 1968. Returning to the music business in 1978, the Thompsons recorded First Light for Chrysalis Records, which showed a definite Islamic and North African influence, along with their characteristic British folk-rock. Sunnyvista followed to more public indifference, and they were dropped by the label.

The early '80s would prove to be a period of major ups and downs, both professionally and personally, for Richard and Linda. Without a record contract, the pair demoed eight songs in the summer of 1980, before going into the studio for their next project, with singer/songwriter Gerry Rafferty producing. Rafferty had gained a great deal of success during the latter part of the '70s, and being a huge fan, was looking to bring the Thompsons' music to a larger audience. The subsequent tracks were dumped due to Richard's dissatisfaction with the outcome. In the meantime, Richard went back to work by himself in 1981, recording a collection of instrumental tunes entitled Strict Tempo!, which he released independently on his own Elixir label. Richard and Linda eventually ended up back in the studio, with former Fairport manager and producer Joe Boyd, to re-record some of the material from the Rafferty sessions, as well as three new songs. The finished product, Shoot Out the Lights, was the most powerful album in the Thompsons' oeuvre, as well as their first real breakthrough. Released by Boyd's own Hannibal Records, it not only received universally glowing reviews, but was also their biggest seller to date. It also marked the end of their marriage, and following a tumultuous tour of America, their musical partnership as well.

Richard remained with Hannibal for 1983's Hand of Kindness, before leaving for a major-label deal with Polydor the following year. Cajun artist Jo-El Sonnier scored a Top 20 country hit in 1988 with his cover of Thompson's "Tear-Stained Letter" from that album. A live, solo acoustic set taken from shows recorded in New York City in 1982 entitled Small Town Romance (1984) was released just prior to his departure from Hannibal. With Joe Boyd once again producing, Across a Crowded Room (February 1985) came one year later for Polydor. The record was a success by Thompson's standards, if not the label's, and after a disappointing showing by the follow-up, Daring Adventures (October 1986), he was released. A concert video from the Across a Crowded Room tour was issued in 1985.

Once again between labels, Thompson found various side projects to keep him busy, including a soundtrack for the BBC's The Marksman and a record (Live, Love, Larf & Loaf [1987]) with former Magic Band drummer John French and avant-garde musicians Fred Frith (Henry Cow) and Henry Kaiser. The quartet, called simply French Frith Kaiser Thompson, recorded a second album, Invisible Means, in 1990. Thompson then struck a deal with Capitol Records and released Amnesia (October 1988) with producer Mitchell Froom at the helm for the second of what would be a string of five records. His first release for the label, Amnesia, kept Thompson's career in a bit of a holding pattern, but it was Rumor and Sigh (May 1991), though not exactly making him a household name, that took him to another level commercially. And though his sound and approach had been picking up more of an American flavor, he continued to retain ties to his traditional roots, from the use of accordion, hurdy-gurdy, mandolin, hammered dulcimer, and various medieval instruments, to songs such as the folk ballad "1952 Vincent Black Lightning" and "Don't Sit on My Jimmy Shands."

Throughout the '90s, Thompson maintained his fervent cult following and recorded three more solo albums for Capitol, including Mirror Blue (1994), the double-disc you? me? us? (1996), and Mock Tudor (1999), as well as working on Hard Cash (1990), a collection of songs inspired by a BBC documentary about the British working class, a soundtrack for the film Sweet Talker (1992), and a concept album about the industrial age (Industry [1997]) with bassist Danny Thompson. Hannibal, which had been purchased by Rykodisc, issued a three-CD retrospective of Thompson's career in the spring of 1993, entitled Watching the Dark, while also continuing to keep Thompson's (solo and with Linda) pre-1984 catalog in print. Capitol dropped Thompson from its roster in 2001, shortly after the release of the compilation Action Packed: The Best of the Capitol Years, and in 2003 he returned to the ranks of the independent recording artists with his album The Old Kit Bag, released by Cooking Vinyl in the U.K. and Spinart in the United States. Thompson continued to follow the indie path with his next release, 2005's Front Parlour Ballads, a primarily acoustic effort that Thompson recorded in his own garage studio.

In 2000, Island Records released the single-disc The Best of Richard & Linda Thompson: The Island Years, culled from Richard and Linda's time with the label. As a testament to Richard Thompson's reputation as one of the era's finest songwriters, as well as a guitarist nonpareil, two tribute albums were released: The World Is a Wonderful Place (1993) (Victoria Williams, Christine Collister, Tom Robinson, Plainsong, and others) and Beat the Retreat (October 1994) (R.E.M., Bob Mould, X, June Tabor, Bonnie Raitt, Dinosaur Jr., Martin Carthy, and others). The former also includes a previously unreleased song/recording of Richard and Linda's. In 2006, Free Reed released RT: The Life and Music of Richard Thompson, a five-disc set of outtakes, live recordings, and album cuts, many of which were pulled from Thompson's personal collection. A new studio album, Sweet Warrior, arrived in 2007, followed by another collection of brand-new songs (performed live) called Dream Attic in 2010.

Over the next few years, Thompson continued to tour regularly and in 2012 he headed into Buddy Miller's home studio in Nashville to record a new album. Released early in 2013, the resulting record was called Electric and, appropriately enough, showcased Thompson's electric guitar skills. He also appeared on his ex-wife Linda's fourth studio album Won't Be Long Now on the track "Love's for Babies and Fools" later that year. In July 2014, he released an acoustic collection of his well-known songs entitled Acoustic Classics. ~ Brett Hartenbach, Rovi
full bio

Selected Discography


Track List: RT: The Life And Music Of Richard Thompson

Disc 1
Disc 2
Disc 3
Disc 4
Disc 5


Just finished Richard's Frets and Refrains Guitar/songw r i t i n g camp in the Catskills. OMG - 5 days oh chillin' with Richard. Too cool. Very generous with his time and talent. His lyrics send me into a raptured, splendid mind bending trance.
Richard is fantastic when he performs solo as well with his band. The greatest!
Saw him in concert last night with he and his son Teddy. I really hadn't followed him before...but he was fantastic. Teddy is really someone to look up and follow too.
Bio didn't mention he did music for Grizzly Man. Used to see him every year in Princeton.
peterdavidmy e r s
He's rying too hard to sing wlell. hey bro, gotta make it sound effortless like yr guitar playing.
cry baby 7 who cares about your gps bullshit talk about his music.
i think he is a man
Just saw him on Cayamo cruise after having the experience in St Pete a few years ago. Amazing guitarist and singer. However, I did not like his electric guitar stuff at all and was disappointed with that show. BTW,theblums 6 , Caramoor is not in upstate NY. It is in Katonah, which is less than an hour north of the city. :) (anything north of 'the city' is upstate to a city person).
Richard, the amazing craftsman. Keep it up old boy, and we'll see you at the Keswick.
I've often said that there is Richard Thompson and there is Beethoven... a n d there is everyone else. Very, very few artist can match his depth and passion. Just saw him live acoustic in a beautiful garden in upstate NY called Caramoor. Almost a spiritual experience.
In a class by himself, RT's songwriting and virtuosic skill on both acoustic and electric guitars are easily identified by those in the know.
Truly one of the greats.
Thompson's work is often heartbreakin g in its beauty. I suspect he prefers nasty to sweet-nature d , nasty to cloying. This is *not* the music where listeners are rewarded with good feelings when they pay close attention to his lyrics.
Different, I like different
grizzly sh*t man!
listening to a love you cant survive.
Do not like!
just saw him at old settlers festival he was amazing, one of my new favorite musicians
If you haven't heard Richard Thompson, then do yourself a favor and take advantage of all his music here on Pandora. He is my favorite song writer (up against Joni Mitchell and Bob Dylan, that's saying a lot) and is a innovative and talented guitar player. Just one of my all time favorite musicians. Enjoy!
One of the most under-apprec i a t e d and over-looked master musician/sin g e r / s o n g w r i t e r / g u i t a r players on the planet.
Worth every penny. A master!
See him live while you can - he is truly one of the greats.
Richard Thompson is incredibly gifted and I would give anything to see him perform live.
choperini117 0
Pretty harmonies on "One Door Opens."
Love the direction he has taken "recently". Would love to see live (as oft said with such talent)!
I love this guy- trite but true.
One of my all time favorites! I adore "I feel so good" from Rumor and Sigh. It always picks me up. Would love to see him live again!
where the hell is "Mirror Blue" do your research !!!!
richard's is the first cd men put in the cd player as they pull out of the driveway in their brand new red mid-life crisis convertible. grey bittersweet aged angst accelerating into memories.
A living legend. One of the founding members of The Fairport Convention. Invented the British folk movement(wit h Sandy Denny and many others). Love his work with Linda Thompson...
He has a good strong voice that I love. I know nothing of his guitar skills except here in Pandora. I have found so many artists here that I have never heard of. Thanks.
This guy is talented beyond belief. "Beeswing" "Wall of Death" and "Keep Your Distance" are songs as good as Dylan or Van Morrison. The album SHOOT OUT THE LIGHTS belongs in anyone's collection.
Oh goodness this is annoying. Thumbs way down.
hamiltonvick i e
Reckless from Amnesia
He never got the credit for his great guitar until Rolling Stone mag named him one of the 20 best guitarist of all time, congrats RT
I saw him live in slc at east high where, high school musical was filmed 10yrs later, he was great he played mostly acustic and it was amazing...
He is *astounding* live...we've seen him 3x and can't wait for the next time he comes to town. He's well known in certain circles, and I'm also somewhat glad (thanks eric_burling a m e e ) he isn't hugely famous...mor e RT for us!
Richard Thompson is one of the best guitarists ever.
He is unbelievable live. I saw him with his band and they were fantastic, but I would love to see the 1,000 years show. I think he is even more transcendent acousticly.
Richard's live playing is trancendant and his solo improvisatio n a l skills are a suprise everytime-st u n n i n g . Recently saw the (long touring) '1,000 Years of Popular Music' funny, informative, insightful musical connections that span centuries... h i s accompanists Judith Owen and Deborah Dobkin are terrific.
Amazing live show--be glad he isn't better known!!!
It is amazing to me that RT isn't better known...

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