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One of the cornerstone bands of the '90s punk revival, Rancid's unabashedly classicist sound drew heavily from the Clash's early records, echoing their left-leaning politics and fascination with ska, while adding a bit of post-hardcore crunch. While some critics dismissed Rancid as derivative, others praised their political commitment, surging energy, and undeniable way with a hook. And, regardless of critical debate over their significance, the band's strengths made them perhaps the most popular neo-punk band after Green Day and the Offspring. Their third album, 1995's ...And Out Come the Wolves, made them a platinum-selling sensation and an inescapable presence on MTV and modern rock radio. While they never translated that success into an enormous blockbuster record (like the aforementioned bands who hit the mainstream first), that wasn't necessarily their ambition, choosing to stay with the independent punk label Epitaph and the creative freedom it allowed them. That decision helped them retain a large, devoted core audience as revivalist punk-pop began to slip off the mainstream's musical radar.

Rancid were formed in 1991 by San Francisco Bay Area punk scenesters Tim Armstrong (guitar/vocals) and Matt Freeman (bass). Lifelong friends and longtime punk fans, the two had grown up together in the small working-class town of Albany, near Berkeley; they'd also played together in the legendary ska-punk band Operation Ivy, Armstrong as "Lint" and Freeman as Matt McCall. After Op Ivy disbanded in 1989, Armstrong and Freeman spent a few weeks in the ska-punk outfit Dance Hall Crashers, as well as Downfall; Freeman later briefly joined the hardcore band MDC. Meanwhile, Armstrong was waging a battle with alcoholism (but, fortunately, winning), and to help keep his friend occupied, Freeman suggested they escape their day jobs by forming a new band, which became Rancid. The duo added drummer Brett Reed, Armstrong's roommate and a familiar presence on the Gilman Street scene where Operation Ivy had cut their teeth. Just a couple of months later, Rancid were performing live around the area, and in 1992 they released a five-song debut EP on Lookout! Records.

The EP caught the attention of Epitaph Records founder/Bad Religion guitarist Brett Gurewitz, and Epitaph signed Rancid to a highly favorable contract guaranteeing the group a generous amount of creative control. The band's eponymously titled, first full-length album arrived in 1993, pursuing an uptempo hardcore/skatepunk style with few hints of early British punk. Rancid had been seeking a second guitarist, and Green Day's Billie Joe Armstrong even played live with the group at one show. They pursued Lars Frederiksen, a Bay Area resident who'd joined a later incarnation of U.K. Subs and was performing with the band Slip; Frederiksen initially declined Rancid's invitation to join, but when Slip disbanded, he quickly changed his mind and came along on Rancid's first tour. Frederiksen made his recording debut on the early-1994 EP Radio Radio Radio, a side dalliance on Fat Wreck Chords. Released later that year, Let's Go was the album that made Rancid's name in the punk underground. It marked the beginnings of their fascination with the 1977-era London punk scene, particularly the Clash, and it also provided their first widespread exposure when MTV picked up on the video for the single "Salvation." Let's Go quickly went gold, and with the breakout mainstream success of Green Day and the Offspring that year, major-label interest in Rancid quickly escalated into a full-fledged bidding war (even Madonna's Maverick imprint got in on the action). Ultimately, Rancid decided that no major could offer them the level of decision-making power that Epitaph had given them, and stayed right where they were.

Rancid scored a major success with their next album, 1995's ...And Out Come the Wolves, whose title was a reference to the near-predatory interest in signing the band. The Clash fetish was even more pronounced, augmented with a greater interest in the original Two-Tone ska revival the Clash had helped influence (bands like the Specials). "Ruby Soho" was a major MTV and radio hit, and "Time Bomb" and "Roots Radicals" were hits in their own right. The album went platinum and made Rancid one of the most visible punk bands around. They played the 1996 Lollapalooza Tour, and afterward took a short break, their first since becoming a quartet. During that time, Freeman played with former X singer Exene Cervenka in Auntie Christ, while Armstrong set up the Epitaph subsidiary Hellcat; he and Frederiksen both began doing production work for other bands they hoped to spotlight.

Rancid returned in 1998 with the even more ska-heavy Life Won't Wait, a guest star-loaded affair that featured members of ska bands the Specials and Hepcat, Dicky Barrett of the Mighty Mighty Bosstones, dancehall reggae star Buju Banton, and Agnostic Front vocalist Roger Miret. While it didn't cross over on the level of ...And Out Come the Wolves, it demonstrated that Rancid retained a substantial fan base. For the 2000 follow-up, their second self-titled release, the group largely scrapped its ska-punk side, recording a visceral, hardcore-influenced album that blasted through 22 songs in under 40 minutes (in contrast to its two lengthy predecessors). Perhaps for that reason, Rancid received a highly positive response from the punk community. The band's installment in the BYO split series arrived in March 2002 alongside NOFX, each band covering six of the other's songs. Rancid's next full-length, Indestructible, followed a year later; though technically released through Hellcat, the album was their first that got additional support from a major label via Warner Bros. The highly personal album (songs were inspired by the deaths of family and friends, and Armstrong's bitter 2003 divorce from Distillers frontwoman Brody Dalle) hit number 14 on the Billboard charts, as "Fall Back Down" did well on radio and MTV.

Following the record's release, Rancid went on something of a hiatus, its members working on various side projects: Armstrong continued work with the Transplants, his band with Rob Aston and blink-182 drummer Travis Barker, and collaborated with various artists, including P!nk; Frederiksen further played with his side band Lars Frederiksen & the B**tards; Freeman briefly joined Social Distortion from 2004-2005. By the spring of 2006, a revitalized Rancid regrouped; they toured worldwide starting that summer to the delight of fans. Several shows, however, had to be postponed and rescheduled after Frederiksen collapsed on-stage in Montreal, apparently suffering a seizure. Soon enough, though, he was back and the band continued on. Rancid promised a new record for the following year, and Armstrong released his first solo album, A Poet's Life, that fall through Epitaph by releasing songs online for free download over the course of several months. With the band getting back on track, it then came as a shock in November 2006 when Reed announced he was leaving Rancid after 15 years; the split appeared to be amicable and he was soon replaced behind the kit by ex-Used drummer Branden Steineckert. After taking some time to look back at their luminous history with a B Sides and C Sides compilation, a music videos collection, and an online webisode retrospective dating back to the bandmembers' days in Operation Ivy, Rancid returned to the studio to record 2009's Let the Dominoes Fall at George Lucas' Skywalker Sound Studio with Brett Gurewitz producing.

It would be another five years before fans got another Rancid album. The band entered the studio in 2011 and did some recording, but Armstrong eventually abandoned the sessions in favor of doing another Transplants album. One new Rancid track from the sessions, bluntly titled "F**k You," was released in 2012. That same year, the massive online-only box set Essentials compiled their back catalog on 7" vinyl. In 2013, Transplants released their third album, In a Warzone, following which Rancid got back together to finish their eighth album. Entitled Honor Is All We Know, it was scheduled for release in 2014. ~ Steve Huey, Rovi
full bio

Selected Discography


Track List: Roots Radicals / I Wanna Riot


Track List: Collision Course (Single)


Track List: Evil's My Friend (Single)


Track List: Honor Is All We Know (Single)


Track List: Last One To Die (Radio Single)


I love Rancid!
Hey, Pandora! Add Honor Is All We Know!
michaelasudz u s
How hard do you have to hit a left leaning band to get them to lean right
LOL Pop Punk, if that isn't most moronic oxymoron of all times, rancid is about punk as obama
I love these guys! A very underrated band.
No. He did not compare the music of rancid with that of green day and offspring. Really just spoke of the timing of success and its effect, from which, and out come the wolves...... came from.
Follow for follow (Please read my bio)
Omg! I'm in love with this song! !!!!! TIM ARMSTRONG
More old rancid would be great. Why have I not heard poison? Chop chop pandora. Less out come the wolves, more rancid!
Does any one know about the 1999 b-sides collection album? I can't find much about it
The must underrated band in all of America.clas s i c in all there music.
This song is for f*gs.
Actually, Lars was in the band called C O J O N E S, just before Rancid, featuring members of Drunk Injuns, Spit Muffins, and The Forgotten.
Great song man
Tim armstrong. So amazing♡ this band will always have a special place in my heart!
RIP Tommy Ramone
I f**king love it.
One of my favorite albums, period. Research where punk came from you ignorant b**tards.
Haka Lugi you'll feel better the songs make you feel good man
One of my favorite punk bands!
Never understood why some people feel so strongly about Rancid, not qualifying them as good pop punk/ska? Is it because they're popular with some commercial success? Or poppy? I think they wrote catchy songs, and I enjoy ....and out came the wolves. Punk is so self conscious.
Did this d-bag really just compare rancid to greenday and offspring? Go check out timtimebomb. c o m
Great f**king jam.True punk story line.
This song awesome
F**king awsome
that is some killer guitar
F**king awesome
I meant, "Rancid", both ol fav bands of mine ;)
Miss the Misfits; thank god my friend posted them up here & reminded me of how awesome they r :)
Great song for cruise
Best show at Riot Fest Denver
I have the song Out Of Control from Need For Speed: Underground
I dont mind them biting on the Clash. Out Come the Wolves is an excellent album. every song gets you going. Oi Oi Oi !!
Rancid is like most music I listen to..... it has an acquired taste it it... meaning it needs to be played multiple times to be liked
Haha... bubble gum... that's funny, nothin bubble gum wit them bro get a clue
The troll feeds on attention.
terror45reco r d s
theotherjinx isn't bubble gum, f**ker's a wad! I'd love to know what the f**k this dude thinks punk rock is if it ain't the Ramones. Freak!
Theotherjinx this is not bubble gum have you ever heard of blink 182 or simple plan those are bubble gum pop punk rancid is third wave ska
worst bubble gum wanna be punkrock band ever (even worse than the ramones)
Awesomest punk band
F**k this is the best punk band out there.
DEAD BODIES!!!!!! ! ! ! ! ! ! ! ! ! !
BOSTON PUNX-------- - - - - - - - - - - S U P P O R T YOUR LOCAL OUTLAWS
When I first heard them in the 90's, I too thought of them as not "Original Punks". Now I'm just a little bit older and I love these guys. The Transplants Rancid, Op Ivy, all of their s**t rocks. F**k all the haters.
JOEY GONZALES comment at the bottom says it all f**k sticks! Read and take it in, couldn't have been said better then that a** monkeys!
Rancid is f*€kin' amazing. Long time lover of their music.
rancid's the band that got me through everything. Don't like rancid then don't listen
I disagree with all the clash references in this description. I don't think the Clash were as influential to Rancid as given credit for. They were influential, in some way, to almost all of punk. And I really don't think they had anything to do with The Specials moving to the US.

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