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Quincy Jones

In a musical career that has spanned six decades, Quincy Jones has earned his reputation as a renaissance man of American music. Jones has distinguished himself as a bandleader, a solo artist, a sideman, a songwriter, a producer, an arranger, a film composer, and a record label executive, and outside of music, he's also written books, produced major motion pictures, and helped create television series. And a quick look at a few of the artists Jones has worked with suggests the remarkable diversity of his career -- Miles Davis, Frank Sinatra, Count Basie, Lesley Gore, Michael Jackson, Peggy Lee, Ray Charles, Paul Simon, and Aretha Franklin.

Jones was born in Chicago, Illinois, on March 14, 1933. When he was still a youngster, his family moved to Seattle, WA, and he soon developed an interest in music. In his early teens, Jones began learning the trumpet, and started singing with a local gospel group. By the time he graduated from high school in 1950, Jones had displayed enough promise to win a scholarship to Boston-based music school Schillinger House (which later became known as the Berklee School of Music). After a year at Schillinger, Jones relocated to New York City, where he found work as an arranger, writing charts for Count Basie, Cannonball Adderley, Tommy Dorsey, and Dinah Washington, among others. In 1953, Jones scored his first big break as a performer; he was added to the brass section of Lionel Hampton's orchestra, where he found himself playing alongside jazz legends Art Farmer and Clifford Brown. Three years later, Dizzy Gillespie tapped Jones to play in his band, and later in 1956, when Gillespie was invited to put together a big band of outstanding international musicians, Diz chose Quincy to lead the ensemble. Jones also released his first album under his own name that year, a set for ABC-Paramount appropriately entitled This Is How I Feel About Jazz.

In 1957, Jones moved to Paris in order to study with Nadia Boulanger, an expatriate American composer with a stellar track record in educating composers and bandleaders. During his sojourn in France, Jones took a job with the French record label Barclay, where he produced and arranged sessions for Jacques Brel and Charles Aznavour, as well as traveling American artists, including Billy Eckstine and Sarah Vaughan. Jones' work for Barclay impressed the management at Mercury Records, a American label affiliated with the French imprint, and in 1961, he was named a vice president for Mercury, the first time an African-American had been hired as an upper-level executive by a major U.S. recording company. Jones scored one of his first major pop successes when he produced and arranged "It's My Party" for teenage vocalist Lesley Gore, which marked his first significant step away from jazz into the larger world of popular music. (Jones also freelanced for other labels on the side, including arranging a number of memorable Atlantic sides for Ray Charles.) In 1963, Jones began exploring what would become a fruitful medium for him when he composed his first film score for Sidney Lumet's controversial drama The Pawnbroker; he would go on to write music for 33 feature films, including In Cold Blood, In the Heat of the Night, Bob & Carol & Ted & Alice, and The Getaway. In 1964, Jones' work with Count Basie led him to arrange and conduct sessions for Frank Sinatra's album It Might as Well Be Swing, recorded in collaboration with Basie and his orchestra; he also worked with Sinatra and Basie again as an arranger for the award-winning Sinatra at the Sands set, and would produce and arrange one of Sinatra's last albums, L.A. Is My Lady, in 1984.

While Jones maintained a busy schedule as a composer, producer, and arranger through the 1960s, he also re-emerged as a recording artist in 1969 with the album Walking in Space, which found Jones recasting his big-band influences within the framework of the budding fusion movement and the influences of contemporary rock, pop, and R&B sounds. The album was a commercial and critical success, and kick started Jones' career as a recording artist. At the same time, he began working more closely with contemporary pop artists, producing sessions for Aretha Franklin and arranging strings for Paul Simon's There Goes Rhymin' Simon, and while Jones continued to work with jazz artists, many hard-and-fast jazz fans began to accuse Jones of turning his back on the genre, though Jones always contended his greatest allegiance was to African-American musical culture rather than any specific style. (Jones did, however, make one major jazz gesture in 1991, when he persuaded Miles Davis to revisit the classic Gil Evans arrangements from Miles Ahead, Sketches of Spain, and Porgy and Bess for that year's Montreux Jazz Festival; Jones coordinated the concert and led the orchestra, and it proved to be one of the last major events for the ailing Davis, who passed on a few months later.)

In 1974, Jones suffered a life-threatening brain aneurysm, and while he made a full recovery, he also made a decision to cut back on his schedule to spend more time with his family. While Jones may have had fewer projects on his plate in the late '70s and early '80s, they tended to be higher profile from this point on; he produced major chart hits for the Brothers Johnson and Rufus & Chaka Khan, and his own albums grew into all-star productions in which Jones orchestrated top players and singers in elaborate pop-R&B confections on sets like Body Heat, Sounds...And Stuff Like That!!, and The Dude. Jones' biggest mainstream success, however, came with his work with Michael Jackson; Jones produced his breakout solo album, Off the Wall, in 1979, and in 1982 they teamed up again for Thriller, which went on to become the biggest-selling album of all time. Jones was also on hand for Thriller's follow-up, 1987's Bad, and the celebrated USA for Africa session which produced the benefit single "We Are the World" (written by Jackson and Lionel Richie), and he produced a rare album in which Jackson narrated the story of the film E.T.: The Extra-Terrestrial.

Having risen to the heights of the recording industry, in 1985 Jones moved from scoring films to producing them; his first screen project was the screen adaptation of Alice Walker's novel The Color Purple, which was directed by Steven Spielberg and starred Whoopi Goldberg. In 1991 he moved into television production with the situation comedy The Fresh Prince of Bel Air, which gave Will Smith his first starring role. Jones' production company also launched several other successful shows, including In the House and Mad TV. He also produced a massive concert to help commemorate the 1993 inauguration of president Bill Clinton, and at the 1995 Academy Awards won the Jean Hersholt Humanitarian Award, a prize that doubtless found its place beside Quincy's 26 Grammy awards. In 1996 Jones performed at the Montreux Jazz Festival to celebrate his 50th anniversary in the music business. The concert was captured on video and released as a DVD by Eagle Rock. Jones spent the rest of the '90s and first decade of the new century concentrating on his music publishing business and being an "unofficial" cultural ambassador for the United States.

In 2004 he helped to launch the We Are the Future (WAF) project, benefiting children in conflict-inhibited situations all over the globe. The program is the result of a strategic partnership between the Glocal Forum, the Quincy Jones Listen Up Foundation, and Hani Masri, with the support of the World Bank, UN agencies, and corporations. Jones personally lobbied President Barack Obama to create a secretary of the arts position in his cabinet. He also spent considerable time in Brazil, and in 2009 announced his plans for a film about Carnival and some of the nation's musicians and producers. In 2010 Jones released Q: Soul Bossa Nostra through his Qwest imprint, his first album in 15 years. The set featured appearances by popular vocalists Amy Winehouse, Usher, Tyrese, Tevin Campbell, and LL Cool J, among others. Ludacris and Naturally 7 reprised Jones' 1962 hit "Soul Bossa Nova"; the album's lead single/video was a cover of "Strawberry Letter 23" with lead vocals from Akon. In 2013, he was inducted into the Rock and Roll Hall of Fame as a recipient of the Ahmet Ertegun Award. ~ Mark Deming, Rovi
full bio

Selected Discography

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Track List: Soul Bossa Nostra (Radio Single)

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Track List: Strawberry Letter 23 (Single)

Comments

mmmkimber0
"I know a melody that we sing together I got the secret key to you baby here in the garden where temptation feel so right....in the garden we can make it come alive every night....you r secret garden"! Oh yeah!!!! I remember when they performed on the "Soul Train Awards"! Memories! Good music! "Let your hair down let me get you in the mood"!
CLASSIC MUSIC "IF I EVER LOSE THIS HEAVEN" I'll never be the same !!! :) X
I MUST HAVE QUINCY--itis . I just can't seem to get enough of Quincy Jones' music. Especially Jook Joint and Back On The Block. I have them both on cassette. One of them got tangled up in the cassette player, so I downloaded (Jook Joint) on my iPhone....co s t s almost 11$ but it is worth it. LONG LIVE THE Q !!!!!
I just love to dance, I think when I born I came dancing, love
That's the cut right here....
I love this song.
andreabrooks c u m b o
Love this song Heavens Gate!!
This is James Ingram.
love it great memories!
Love it
hes a child!!!fool s
Why can't ebony music be like this again? This tune was so slick.
ONLY THE Q COULD HAVE PUT THESE ARTISTS TOGETHER & MADE MAJICK...ABS O L U T E L Y MUUUUSIC.... . . . . . . . . B A B Y MAKING MUSIC AT ITS FINEST...I KNOW
Love Quincy......
I think I was conceived off this track!!! Still 30 yrs later real music still lives !!!!
He is the Gold Standard
Love this guy to death.. Goin to name my next son after him. You all should read his autobiograph y . Absolutely great book!
Soul to Soul
Love Tamia's voice! Q's music can make anyone sound good!
ONE OF HIS BEST IT NEVER LOOSES TIME
It brings me back to the innocent days lol. .
dwilliamson2 3 5 6
Earl favorite cut bring them down every time Q yeah.
c.carlos.ram o s
What the hell is the matter cant you play the tracks all the way through??
Mr Q is great at what he does.. The music will speak for it's self... ;-)
A classic!
Just great music....... . . . . . . . . . . . . . . . . . . . . . .
Happy holidays.... . . . . . .
Love Quincys music!
All of our black kids need to heard this song every morning before they go off to school......
This is tevin campbell..i promise you....
Gone Tamia!
Voice does not sound like Quincy
One of classic wet panties song ! (* ̄︶ ̄*)
Classic ������
lrjwelz7
Al B sure, Barry White, El De Barge, and James Ingram.
love making ant no other song like it you I never anyone as much as I want you
One of my favorite songs aven thou i was young listening to The Secret Garden I knew a good song when I heard it .Classic Baby
curitiba4lif e 5 0
Great song-one of the best !
BigJ we do not know how bless we all are too live & enjoy his music
Quincy was fine when he made this song>>I love this song!!!!
This is tevin campbell singing his tale off!!
The big Q - Quincy is the man!
telvin campbell 。。。
regina.curti s 8
Don't read this because it actually works. You will be kissed on the nearest Friday by the love of your life, Tomorrow will be the best day of your life. However if you don't post this you will die in two days. Now you've started reading this so don't stop. This is so scary put this on at least 5 songs in 143 mintues, when done press f6 and your lovers name will appear on the screen in big letters this is so scary because it works! I'm sorry because I read it thanks to the mother----- that start
Chi- did it again and will continue to do it . Quincy is the MAN! Wow! That is all is said - Chi- is always doing it #1 . The World knows .!!!!!
db_associate s
Look around YouTube for the video of Mr. Jones and Herbie Hancock.
I am so loving this music
Man...I haven't heard Secret Garden in a really long time. Love it!!!
Secret Garden is truly a classic..... a l w a y s gets me in the mood.
timjjenkins
just once can we see the beauty in real music?
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