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Preservation Hall Jazz Band

Although New Orleans' traditional jazz scene had many top players in the 1950s, there was no one center for the city's veteran greats to play. In 1961, local art dealer Larry Borenstein opened a building in the French Quarter called Preservation Hall. The young tuba player Allan Jaffe ran the hall and organized tours for the musicians who often performed there, naming the band after the venue. In the Hall's early days, the key musicians included, at various times, trumpeters Kid Thomas Valentine, Punch Miller, or De De Pierce; trombonists Louis Nelson or Jim Robinson; clarinetists George Lewis, Albert Burbank, or Willie Humphrey; and pianists Joseph Robichaux, Billie Pierce, or Sweet Emma Barrett. By the early '70s, trumpeter Percy Humphrey, his brother Willie on clarinet, and trombonist Jim Robinson (who, after his death in 1976, was succeeded by Frank Demond) usually comprised the front line. The deaths of the Humphreys and Percy's occasional fill-in Kid Sheik Colar in the mid-'90s signalled more lineup changes. Four decades after the group's genesis, the Preservation Hall Jazz Band continues to honor the musical traditions of New Orleans, despite these switches in personnel.

In general, the group's best recordings are their early records under the leadership of Barrett and the Pierces; they also cut three hit-or-miss albums for Columbia during 1976-1992. The Preservation Hall Jazz Band's worldwide tours have resulted in a good deal of goodwill, and the band remained on the road throughout much of 2005 and early 2006, due to the temporary closure of Preservation Hall in the wake of Hurricane Katrina. Although the hurricane devastated the city, it left some of the band's archival recordings unscathed, resulting in the release of Made in New Orleans: The Hurricane Sessions in 2007. In 2010, they delivered the charity album, Preservation: An Album to Benefit Preservation Hall & the Preservation Hall Music Outreach Program, which featured guest appearances by an eclectic mix of artists including Del McCoury, Steve Earle, Angelique Kidjo, Terence Blanchard, and many others. A year later, they collaborated once again with McCoury on the jazz meets bluegrass album American Legacies. In 2013, Preservation Hall released That's It!, the band's first album of all-original material in its entire 50 year career. ~ Scott Yanow, Rovi
full bio

Selected Discography

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Track List: St. James Infirmary, Part 1 (Single)

Comments

My aunt & uncle billie & de de pierce - Love it
tweable
If you are ever in NOLA, you MUST go see them at Preservation Hall. Best to buy tickets in advance online, as the shows often sell out. These guys are keepin' the music alive!
do you have any recordings of Sweet Emma?
Used to live right next to the hall. Never once saw them perform live. Heard them many an evening while falling off to sleep. Impressed into my noodle in a manner that would require years of spendy therapy to alter. Thanks for the memories of the 'quarter and your firmly rooted place in it.
rguerra16
Saw them on their many appearances at Arizona State U. and at Preservation Hall during the Exposition some years ago. Love this music and thanks for the preservation of.
nnflake
Saw them live at the Velma Morrison Center, Boise State University back in 1996. They were wonderful. Wish they would come back!
amazing. f**king amazing
kfdutch
The place was to full last time I was in NO. Could not get in.
hunny3736
Saw them several times in concert with my Daddy, GREAT memories!!!
Heard them in New Orleans about 100 years ago. Awesome!
These Guys really pound it!! Super great!!!
kedelen1
Why does Pandora include Del McCoury's bio under Preservation Hall Jazz Band?
Right on Otis McCoy, it don't get no better than this! Heavy duty! Remarkable! Happy and Prosperous New Year.
ve3irx
really good, where is Eubie Blake ?
otismccoy
They just don't get any better. Otis Mccoy Lorain, Ohio
America, the country that begat it, never understood real Dixieland. Yet they do in Europe, especially Germany, where they call it, more appropriatel y , traditional jazz.
Maybe it's because, as Katrina showed us all, New Orleans is a foreign country.
Fantastic!

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