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Pink Floyd

Some bands turn into shorthand for a certain sound or style, and Pink Floyd belongs among that elite group. The very name connotes something specific: an elastic, echoing, mind-bending sound that evokes the chasms of space. Pink Floyd grounded that limitless sound with exacting explorations of mundane matters of ego, mind, memory, and heart, touching upon madness, alienation, narcissism, and society on their concept albums of the '70s. Of these concept albums, Dark Side of the Moon resonated strongest, earning new audiences year after year, decade after a decade, and its longevity makes sense. That 1973 concept album distilled the wild psychedelia of their early years -- that brief, heady period when they were fronted by Syd Barrett -- into a slow, sculpted, widescreen epic masterminded by Roger Waters, the bassist who was the band's de facto leader in the '70s. Waters fueled the band's golden years, conceiving such epics as Wish You Were Here and The Wall, but the band survived his departure in the '80s, with guitarist David Gilmour stepping to forefront on A Momentary Lapse of Reason and The Division Bell. Throughout the years, drummer Nick Mason and keyboardist Rick Wright appeared in some capacity, and the band's sonic signature was always evident: a wide, expansive sound that was instantly recognizable as their own yet was adopted by all manner of bands, from guitar-worshipping metal-heads to freaky, hippie, ambient electronic duos. Unlike almost any of their peers, Pink Floyd played to both sides of the aisle: they were rooted in the blues but their heart belonged to the future, a dichotomy that made them a quintessentially modern 20th century band.

That blues influence, quickly sublimated and only surfacing on the occasional Gilmour guitar solo, was the foundation for the band's very name, as the group decided to splice the names of two old bluesmen -- Pink Anderson and Floyd Council -- as a tribute to the American music they loved so. These members of the early Floyd -- guitarist/singer Syd Barrett, bassist Roger Waters, keyboardist Rick Wright, and drummer Nick Mason -- were all architecture students at London Polytechnic, with the exception of Barrett, who was an art student and a friend of Waters since childhood. This version of the band started gigging regularly in 1965, with Barrett becoming the group's lead singer quite quickly. During this time, the group relied on blues and R&B covers, not unlike many of their British peers, but they wound up extending the time of their sets through extended instrumental jams, planting the seeds of space rock that would come to fruition not much later. During 1966, the group's increasingly adventurous sets became something of a sensation in the London underground, leading to a contract with EMI early in 1967. Their first single, "Arnold Layne," backed with "Candy and a Currant Bun," appeared in March of 1967, and it was banned from some radio stations due to its gender-bending lyrics, but the single wound up in the U.K. Top 20 and the group's second single, "See Emily Play" -- a menacing, mincing stomp with a profound, lasting influence -- went into the Top 10, paving the way for the release of The Piper at the Gates of Dawn. On their full-length LP, Pink Floyd veered toward the experimental and avant-garde, particularly on the elastic, largely instrumental vamps "Astronomy Domine" and "Interstellar Overdrive," resulting in an album that had a significant influence not only upon its release but well beyond. It was also a hit in the U.K., reaching number six on the British charts.

This was a sudden rush to stardom and complications arose nearly as quickly. Not long after the release of Piper, Barrett began showing clear signs of mental illness, to the point he would often freeze on-stage, not playing a note. At this point, David Gilmour -- a friend and associate of the band -- was brought in as a second guitarist, with the intention that he'd buttress the group's live performances while Barrett continued to write and record new material. This soon proved to be an impossible situation, and Barrett left the group, at which point the band's management also jumped ship, leaving the band without any kind of leader.

In the wake of Barrett's departure, the remaining members of Pink Floyd developed a different musical identity, one that was expansive and eerie, characterized by the band's spacy, somber explorations and, eventually, Waters' cutting, sardonic lyrics. This transition took some time. In 1968, they released A Saucerful of Secrets, which contained Barrett's final composition for the group "Jugband Blues" and found the group moving forward, particularly on the instrumental sections. A Saucerful of Secrets also saw the group begin a long, fruitful collaboration with Storm Thorgerson's design team Hipgnosis; they'd wind up designing many iconic album covers for the band, including Dark Side of the Moon and Wish You Were Here. Hipgnosis emphasized album art, and albums are where Pink Floyd concentrated from this point forward. After the soundtrack to More, the group moved to EMI's progressive rock imprint Harvest and became the label's flagship artist beginning with the 1969 double-LP Ummagumma. Divided between live performances and experimental compositions from each member, the record wound up in the Top 10 in Britain and sowed the seeds of a cult following in the United States.

Pink Floyd's next album, Atom Heart Mother, featured extensive contributions from composer Ron Geesin and wound up as the band's first number one album in the U.K.. The band embarked on an extensive supporting tour for the album and when they returned they delved even further into studio experimentation, learning the contours of the studio. Their next studio album, 1971's Meddle, bore the fruit from this labor, as did 1972's Obscured by Clouds, which was effectively a soundtrack to Barbet Schroeder's film La Vallee. All the experiments of the early '70s were consolidated on their 1973 album Dark Side of the Moon, an album for which there simply was no precedent in their catalog. Deepening their music while sharpening their songwriting, Floyd created a complex, luxurious album with infinite space and depth. Partially helped by the single "Money," it was an immediate success, reaching number one on the U.S. Billboard charts and peaking at number 2 in the U.K., but what was striking was its longevity. Dark Side of the Moon found space on the Billboard charts and then it just stayed there, week after week for years -- a total of 741 weeks in all (once it finally dropped off the charts, Billboard began the Catalog charts, where Dark Side was a fixture as well). Dark Side of the Moon was a staple on classic rock radio but it also was a rite of passage, an album passed down to teenagers when they were turning to serious music, and it was an album that stayed with listeners as they aged.

Now established superstars, Pink Floyd dug deep on Wish You Were Here, their 1975 sequel to Dark Side of the Moon which functioned as an album-long tribute to Syd Barrett. Compared to Dark Side, Wish You Were Here wasn't quite a blockbuster but it was certainly a hit, debuting at number one in the U.K. and reaching that peak in the U.S., as well. Floyd continued to tour steadily, often working out new material on the road. This is particularly true of 1977's Animals, which had its roots in several songs aired during the 1975 tour. During the Animals tour, Waters had a difficult experience with a Montreal crowd where he spit on a heckler, and he used this incident as the genesis for 1979's rock opera The Wall. Co-produced by Bob Ezrin, The Wall may be Floyd's most ambitious album, telling a semi-autobiographical story about a damaged rock star, and it's one of the band's most successful records, topping the charts throughout the '80s and turning into a pop music perennial along the lines of Dark Side. Part of its success in 1980 was due to "Another Brick in the Wall, Pt 2," where an instrumental motif from the album was given a disco beat and an anti-authoritarian spin, leading to a genuine number one hit single from a band. Certainly, the single had more to do with the album's success than the live production of the album, as Pink Floyd only did a handful of dates in major cities. Nevertheless these shows, consisting of a wall being built across the stage during the first act and the band performing behind it during the second, were legendary (Waters would revive and update the production years later to great success).

Pink Floyd did attempt to film The Wall for a documentary film, but the footage was botched, so they decided to pursue a feature film directed by Alan Parker and featuring Boomtown Rat Bob Geldof in the lead role. The Wall arrived in theaters in 1982 and turned into a midnight movie staple. A year later, The Final Cut -- a further autobiographical work from Waters, its title a sly dig to his battles with Parker on the film -- arrived and it didn't come close to matching the chart success of any of its predecessors. Behind the scenes, things were tense. Rick Wright had been fired during the making of The Wall -- he was hired as a contract player during the recording and tour -- and Waters split after the release of The Final Cut, assuming that it was the end of the band. Waters released his debut solo album The Pros and Cons of Hitchhiking -- a piece that was pitched to Floyd in 1978, but the band chose The Wall instead -- in 1984 and not long afterward, Gilmour and Mason indicated they intended to carry on as Pink Floyd, so the bassist sued the duo for the rights to the Pink Floyd name. Waters lost and Pink Floyd released A Momentary Lapse of Reason in 1987, just months after Roger released his own Radio KAOS. Bad blood was evident -- t-shirts on Waters' tour bore the question, "Which One's Pink?," an old lyric that now had greater resonance -- but Pink Floyd emerged victorious, as A Momentary Lapse of Reason turned into an international hit, and along with it racked up some hit singles, including "Learning to Fly" which was supported by the band's first music video. Most importantly, the band racked up significant box office returns on tour, playing to sold-out stadiums across the globe. This tour was documented on the Delicate Sound of Thunder live album.

The success of A Momentary Lapse of Reason allowed Pink Floyd to dictate their own schedule and they took their time to return with a new album, eventually emerging in 1994 with The Division Bell. Greeted by warmer reviews than its predecessor, The Division Bell was another international success, and the accompanying tour -- which featured a performance of the entirety of The Dark Side of the Moon -- was a smash success. As before, the tour was documented with a live album -- this one was called Pulse, packaged in an eye-catching artwork with a pulsing LED light -- and it performed respectably. After that, Pink Floyd went into effective retirement. The group was inducted to the Rock & Roll Hall of Fame in 1996, while Gilmour released some solo albums, including the acclaimed On an Island, but most of their efforts were devoted to managing their catalog. Long a beloved band of audiophiles, the group saw their catalog boxed and remastered several times, including 5.1 mixes on SACD in the early 2000s.

As the new millennium progressed, a détente between the Floyd and Waters camps, culminating in an unexpected reunion of the original lineup of Waters, Gilmour, Mason, and Wright at the 2005 charity concert Live 8. The reunion was a rousing success, sparking rumors of a more permanent arrangement, but Gilmour declined. Instead, Waters ramped up his touring -- he performed Dark Side in its entirety, then turned his attention to The Wall, touring that for years; Gilmour and Mason wound up appearing at a 2011 show in London, signaling that there was no ill will between the members. Barrett passed in 2006 from cancer and in 2008, Wright also died from the disease. In 2011, Pink Floyd launched an ambitious reissue project called Why Pink Floyd…? spearheaded by multi-disc, rarity-laden box set reissues of Dark Side of the Moon, Wish You Were Here, and The Wall; among the newly released exclusives was the original Alan Parsons mix of Dark Side, heavily bootlegged live tracks like "Raving and Drooling," and demos. Pink Floyd brought its catalog to the Spotify streaming music service in 2013. ~ Stephen Thomas Erlewine, Rovi
full bio

Selected Discography


Kiss your left hand
Say your crushes name
Close your hand
Say your name
Open your hand
Put this on 15 songs and your crush will ask you out on that day
whos dat?
I remember when my parents would play the album on their stereo speakers. My father and I watched Terminator 2 . I was 6 yrs old
BEST band ever. NO ONE can match their genius, especially their live performances . After listening to this, I cant fathom how the crap produced today is called music compared to Pink Floyd.
Waters did tour with Gilmour a couple years ago. The roof did not fall in on any of the arenas. Guys I hate to say it but Pink Floyd is over. Much better to call it a day than release trash such as the The Final Cut over and over. I don't even count Momentary Lapse or Division Bell (both unquestionab l y great, yes) as Floyd albums, they were glorified Gilmour solo albums.
Live Floyd is definitely the ultimate experience. I've see the 1975 Dark Side of the Moon, 1977 Animals, 1987 Momentary Lapse of Reason, and the 1995 Division Bell concerts and every one was a mind blowing experience! Love Pink Floyd!
Hey W Peterson,

I too remember when we were young and shone like the sun.

Listening keeps me shinning :-)
@hot choclety tunblr I completely agree! 100%!
im 13 i agree pink floyd is WAY WAY better than miley cyrus or one direction pink floyd is amaze.
Follow me and I will follow you back!!
Pink Floyd is so talented. They can create creepy, spacey, or manic ambiences. It's amazing.
15 listening to floyd
I love Us and Them soooo much.
nicslager, im a teen as well, and this is all i listen too. there is nothihng better than Pink Floyd that i have come across. everything they have produced is utterly amazing and im saddened that this new age stuff is called music
One of the few bands who sound better live than on record.
The Dick Panthers are better.
Yes ahatter2 , not only have I heard of steel breeze, I've been backstage at a few of their concerts.I was bestman for a good friend when he married the sister of bassist waylan carpenter of steel e y had one hit "you don't love me anymore" was the title of that one hit
I've always been a huge fan. I saw them do Dark Side of the Moon in NY in 1973. I knew then how special they are.
This music is amazing I loove pink floyd
I agree nicslager. Most of the music these days is just annoying.
I am too
Why aren't young people (desides me, I'm a teen) listening to this music, its so much better! Anyone agree?
This whole album is excellent!!! !
greenwarrior u s a
Pink Floyd just revolutioniz e d the big Show with high-tech on stage. they start everything you see today.
I Think we all love the dark side
These guys are the greatest band ever love all there songs
Back in the day, (when I was young and fresh) it was a joy to listen to music and discuss deep stuff. Oh how I miss those days... The sounds of our lives.
My favorite Albums:
The Wall
Dark Side of the Moon
A Momentary Laps of Reason
Can someone just give me a quick rundown of Floyd? I just want to know what albums Syd was around for, what albums they came out with, and what members played what. Not really knowing any background information on the band made it hard to fully understand the bio.
dianawestkam p
Gilmour is the most gorgeous and talented man that ever lived. Lob be him and the pink.
dianawestkam p
Buy it on I tunes. Listen the whole thing all of the time. Forever pink.
dianawestkam p
I saw Roger at Fenway park Boston two years ago. The wall amazing. I'm.46 and wish for a david/Roger reconcile.
Try listening to Floyd and driving a silent and smooth Tesla Model S. O to 60 in four seconds with not even a shift.
Don't read this because it actually works. You will be kissed on the nearest possible Friday by the love of your life. However if you don't read this you will die in two days. Now that you've started reading this don't stop. This is so scary. Put this on five songs in the next 143 min. when your done press F6 an your lovers name will pop up on your screen in big letters. Trust me it works.
Don't read this because it actually works. You will be kissed on the nearest possible Friday by the love of your life. Tomorrow will be the best day of your life.However if you don't post this you will die in 2 days. Now you've started reading so don't stop. This is so scary put this on at least 5 songs in 143 minutes. When done press f6 and your lover's name will come on the screen in big letters. This is so scary because it actually works
Meddle was released in 1971
ktjt_ca I WAS JUST LOOKING ON HERE FOR THE SAME THING, THE YEAR IT CAME OUT. I think I was a Senior in High School so that would have have been 1977 but I'm not sure, hence, the reason I logged on here to see what year that came out! Great minds think alike!
would like to see posted the year in which each song/album was created/perf o r m e d
Their sound is still fresh after all these years. Seen Gilmore's Pink at the Ohio State Horseshoe in the 80's Wow!!!! Anyone else in here there?
aj0206 I agree man love this band and I wish the same
I somehow wish Gilmore and Waters could reconcile whatever it is that resides between them. The world is losing all additions the body of work encompassed by the group that could of been in Richard's lifetime; and now, whatever direction the band would of risen to after this loss, is lost to the world of fans too. It's obvious, when you see the two of them in passing: they barely talk, and can't seem to wait to keep going--espec i a l l y Waters. The world of fans are losing all that could be!
What tone and touch David lends to the Minor Pentatonic Scale, almost exclusively, to create such an amazing body of work. The first and mainly, the second, solo of Comfortably Numb should get Solo of the Century. However, he's contributed a lot more than just guitar parts to the Floyd. He and Waters managed to rise above the loss of Sid, to build a beast. After the trippy phase, they settled into a groove that will never stop. The loss of Richard is terrible. What a musician; what a loss!
Please reunite for one last tour!!!
Pandora suits my needs perfectly. If I want to listen to a whole album, I'll move to my living room. While I'm working in my office, I have no issues with what is offered on Pandora. That being said, I can't begin to describe how much I love Pink Floyd and how no band in the 21st century will ever compare in terms of artistry.
Once again I empathize with people who call it sacreligious or blasphemous that certain song combinations are not being played (e.g. Brain Damage and Eclipse). It is indeed anoying, but there is nothing Pandora can do unless they pay the record companies a bajillion dollars. Pandora is contractuall y forbidden from playing Brain Damage/Eclip s e or The Happiest Days of Our Lives/Anothe r Brick in the Wall, Part 2. They are required to play Brain Damage, Eclipse, HDOOL, and ABITWP2 separately
The Dick Panthers are better.
How i wish how i wish you were here...
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