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Franz Liszt
October 22, 1811 - July 31, 1886
born in Raiding, composed during the Romantic period
born in Raiding, composed during the Romantic period
Liszt was the only contemporary whose music Richard Wagner gratefully acknowledged as an influence upon his own. His lasting fame was an alchemy of extraordinary digital ability -- the greatest in the history of keyboard playing -- an unmatched instinct for showmanship, and one of the most progressive musical imaginations of his time. Hailed by some as a visionary, reviled by others as a symbol of empty Romantic excess, Franz Liszt wrote his name across music history in a truly inimitable manner.
From his youth, Liszt demonstrated a natural facility at the keyboard that placed him among the top performing prodigies of his day. Though contemporary accounts describe his improvisational skill as dazzling, his talent as a composer emerged only in his adulthood. Still, he was at the age of eleven the youngest contributor to publisher Anton Diabelli's famous variation commissioning project, best remembered as the inspiration for Beethoven's final piano masterpiece. An oft-repeated anecdote -- first recounted by Liszt himself decades later, and possibly fanciful -- has Beethoven attending a recital given by the youngster and bestowing a kiss of benediction upon him.
Though already a veteran of the stage by his teens, Liszt recognized the necessity of further musical tuition. He studied for a time with Czerny and Salieri in Vienna, and later sought acceptance to the Paris Conservatory. When he was turned down there -- foreigners were not then admitted -- he instead studied privately with Anton Reicha. Ultimately, his Hungarian origins proved a great asset to his career, enhancing his aura of mystery and exoticism and inspiring an extensive body of works, none more famous than the Hungarian Rhapsodies (1846-1885).
Liszt soon became a prominent figure in Parisian society, his romantic entanglements providing much material for gossip. Still, not even the juiciest accounts of his amorous exploits could compete with the stories about his wizardry at the keyboard. Inspired by the superhuman technique -- and, indeed, diabolical stage presence -- of the violinist Paganini, Liszt set out to translate these qualities to the piano. As his career as a touring performer, conductor, and teacher burgeoned, he began to devote an increasing amount of time to composition. He wrote most of his hundreds of original piano works for his own use; accordingly, they are frequently characterized by technical demands that push performers -- and in Liszt's own day, the instrument itself -- to their limits. The "transcendence" of his Transcendental Etudes (1851), for example, is not a reference to the writings of Emerson and Thoreau, but an indication of the works' level of difficulty. Liszt was well into his thirties before he mastered the rudiments of orchestration -- works like the Piano Concerto No. 1 (1849) were orchestrated by talented students -- but made up for lost time in the production of two "literary" symphonies (Faust, 1854-1857, and Dante, 1855-1856) and a series of orchestral essays (including Les préludes, 1848-1854) that marks the genesis of the tone poem as a distinct genre.
After a lifetime of near-constant sensation, Liszt settled down somewhat in his later years. In his final decade he joined the Catholic Church and devoted much of his creative effort to the production of sacred works. The complexion of his music darkened; the flash that had characterized his previous efforts gave way to a peculiar introspection, manifested in strikingly original, forward-looking efforts like Nuages gris (1881). Liszt died in Bayreuth, Germany, on July 31, 1886, having outlived Wagner, his son-in-law and greatest creative beneficiary. ~ Michael Rodman, Rovi
From his youth, Liszt demonstrated a natural facility at the keyboard that placed him among the top performing prodigies of his day. Though contemporary accounts describe his improvisational skill as dazzling, his talent as a composer emerged only in his adulthood. Still, he was at the age of eleven the youngest contributor to publisher Anton Diabelli's famous variation commissioning project, best remembered as the inspiration for Beethoven's final piano masterpiece. An oft-repeated anecdote -- first recounted by Liszt himself decades later, and possibly fanciful -- has Beethoven attending a recital given by the youngster and bestowing a kiss of benediction upon him.
Though already a veteran of the stage by his teens, Liszt recognized the necessity of further musical tuition. He studied for a time with Czerny and Salieri in Vienna, and later sought acceptance to the Paris Conservatory. When he was turned down there -- foreigners were not then admitted -- he instead studied privately with Anton Reicha. Ultimately, his Hungarian origins proved a great asset to his career, enhancing his aura of mystery and exoticism and inspiring an extensive body of works, none more famous than the Hungarian Rhapsodies (1846-1885).
Liszt soon became a prominent figure in Parisian society, his romantic entanglements providing much material for gossip. Still, not even the juiciest accounts of his amorous exploits could compete with the stories about his wizardry at the keyboard. Inspired by the superhuman technique -- and, indeed, diabolical stage presence -- of the violinist Paganini, Liszt set out to translate these qualities to the piano. As his career as a touring performer, conductor, and teacher burgeoned, he began to devote an increasing amount of time to composition. He wrote most of his hundreds of original piano works for his own use; accordingly, they are frequently characterized by technical demands that push performers -- and in Liszt's own day, the instrument itself -- to their limits. The "transcendence" of his Transcendental Etudes (1851), for example, is not a reference to the writings of Emerson and Thoreau, but an indication of the works' level of difficulty. Liszt was well into his thirties before he mastered the rudiments of orchestration -- works like the Piano Concerto No. 1 (1849) were orchestrated by talented students -- but made up for lost time in the production of two "literary" symphonies (Faust, 1854-1857, and Dante, 1855-1856) and a series of orchestral essays (including Les préludes, 1848-1854) that marks the genesis of the tone poem as a distinct genre.
After a lifetime of near-constant sensation, Liszt settled down somewhat in his later years. In his final decade he joined the Catholic Church and devoted much of his creative effort to the production of sacred works. The complexion of his music darkened; the flash that had characterized his previous efforts gave way to a peculiar introspection, manifested in strikingly original, forward-looking efforts like Nuages gris (1881). Liszt died in Bayreuth, Germany, on July 31, 1886, having outlived Wagner, his son-in-law and greatest creative beneficiary. ~ Michael Rodman, Rovi
Selected Discography
x
Track List: Bolet Rediscovered: Liszt Recital
Title: Liebesträume, Notturno For Piano No. 3 In A Flat Major ("O Lieb, So Lang Du Lieben Kannst"), S. 541/3 (Lw A103/3)
Title: Konzertetüden (2), for piano, S. 145 (LW A218)
Title: Un Sospiro, For Piano In D Flat Major (Grande éTudes De Concert No. 3), S. 144/3 (Lw A118/3)
Title: Funérailles, for piano (Harmonies poétiques No. 7), S.173/7 (LW A158/7)
Title: La Campanella II, Etude For Piano In G Sharp Minor (Grand Paganini éTude No. 3), S. 141/3 (Lw A173/3)
Title: Konzertetüden (2), for piano, S. 145 (LW A218)
Title: Grand Galop chromatique, for piano, S. 219 (LW A43)
Title: Rhapsodie Espagnole (Folies D'espagne Et Jota Aragonesa), For Piano, S. 254 (Lw A195)
Title: Overture Zu Tannhäuser, Transcripion For Piano (after Wagner), S. 442 (LW A146)
x
Track List: Franz Liszt: Complete Piano Music, Volume 14
Title: Bunte Reihe (25), Transcription For Piano (after F. David), S. 484 (LW A170)
x
Track List: Franz Liszt: Rossini Transcriptions
Title: Soirées Musicales (12), Transcription For Piano (after Rossini), S. 424 (LW A36)
Title: Willam Tell Overture, Transcription For Piano (after Rossini), S. 552 (LW A54)
x
Track List: Kissin Plays Liszt
Disc 1
Title: Mephisto Waltz (I & II), For Piano No. 1 (Der Tanz In Der Dorfschenke), S. 514 (Lw A189)
Title: éTudes D'exécution Transcendante (12 Transcendental Etudes), For Piano, S. 139 (Lw A172)
Title: éTudes De Concert (3), For Piano, S. 144 (Lw A118)
Title: Gnomenreigen, For Piano (Zwei Konzertetüden No. 2), S. 145/2 (Lw A218/2)
Disc 2
Title: Liebesträume, Notturno For Piano No. 3 In A Flat Major ("O Lieb, So Lang Du Lieben Kannst"), S. 541/3 (Lw A103/3)
Title: Rhapsodie Espagnole (Folies D'espagne Et Jota Aragonesa), For Piano, S. 254 (Lw A195)
Title: Widmung (Liebeslied), Transcription For Piano (After Schumann, I & II), S. 566 (Lw A133)
Title: Ständchen, Leise Flehen Meine Lieder, Transcription For Piano (After Schubert D. 957), S. 560/7 (Lw A49/7)
Title: Das Wandern, Transcription For Piano (After Schubert, D. 795/1), S 565bis/1 (Lw A128/1)
Title: Wohin?, Transcription For Piano (After Schubert, D. 795), S. 565bis/5 (Lw A128/5)
Title: Aufenthalt, Transcription For Piano (After Schubert, D. 957/5), S. 560/3 (Lw A49/3)
Title: Die Forelle (II), Transcription For Piano (After Schubert, D. 550), S. 564 (Lw A127)
Title: Erlkönig (II), Transcription For Piano (After Schubert, D. 328d), S. 558/4 (Lw A42/4)
Title: Soirées De Vienne, Valse Caprice For Piano No. 6 (I; After Schubert D. 969 & 779) S. 427/6 (Lw A131/6)
x
Track List: Leif Ove Andsnes - Liszt Piano Recital
x
Track List: Liszt Tasso - Les Preludes
x
Track List: Liszt: Années De Pèlerinage, Vol. 2
Title: Années De Pèlerinage, 2nd Year ("Italie"), Suite For Piano, S. 161 (Lw A55)
Title: Venezia e Napoli II (3), for piano (Années, supplement to II), S. 162 (LW A197)
x
Track List: Liszt: Beethoven Symphony 2 & 5 (Piano Transcriptions)
Title: Symphonies De Beethoven No. 2, Transcription For Piano In D Major, S. 464/2 (LW A37c)
Title: Symphonies De Beethoven No. 5 (II), Transcription For Piano In C Minor, S. 464/5 (LW A37c)
x
Track List: Liszt: Complete Piano Music, Vol. 3
Title: Harmonies Poétiques Et Réligieuses (10), For Piano, S. 173 (LW A158)
Title: Les Morts, For Piano (Odes Funèbres No. 1), S. 516 (LW A202/1)
Title: Resignazione (I & II), For Piano, S. 187
Title: A Magyarok Istene (Ungarns Gott), Transcription For Piano, S. 543 (LW A309/1)
x
Track List: Liszt: Complete Piano Music, Vol. 4
Title: Harmonies Poétiques Et Réligieuses (10), For Piano, S. 173 (LW A158)
Title: Ave Maria (II), For Piano In D Flat Major, S. 504/2 (LW A247/2)
Title: Ave Maria (IV), For Piano In G Major, S. 545 (LW A308)
Title: Ave Maria: Die Glocken Von Rom, For Piano, S. 182 (LW A215)
Title: Ave Maria D' Arcadelt, For Piano, S. 183/2 (LW A216/2)
Title: Consolations (6), For Piano, S. 172 (Lw A111a/2)
Title: A Magyarok Istene (Ungarns Gott), Transcription For Piano, S. 543 (LW A309/1)
x
Track List: Liszt: Etudes - Gnomenreigen; Waldesrauschen; Etudes de concert
Title: Konzertetüden (2), for piano, S. 145 (LW A218)
Title: éTudes De Concert (3), For Piano, S. 144 (Lw A118)
Title: Études (12) For Piano, ("Op. 6"), S. 136 (LW A8)
Title: Morceau De Salon, Étude De Perfectionnement, For Piano (after Fétis), S. 142 (LW A63a)
Title: Ab Irato, Étude De Perfectionnement De La Méthode De Fétis, For Piano, S. 143 (LW A63b)
Title: Mazeppa I, For Piano, S. 138 (LW A172)
x
Track List: Liszt: Five Concert Studies / Don Juan Fantasy
x
Track List: Liszt: Harmonies du Soir
Title: Waldesrauschen (Forest Murmurs), For Piano (Zwei Konzertetuden No. 1), S. 145/1 (Lw A218/1)
Title: Sonetto Del Petrarca No. 104 (Pace Non Trovo; II) For Piano (Années II/5), S. 161/5 (LW A55/5)
Title: Valse Oubliée, For Piano No. 1, S. 215/1 (Lw A311/1)
Title: Ballade, for piano No. 2 (II) in B minor, S. 171 (LW A181)
Title: Au Lac De Wallenstadt, For Piano (Années I/2), S.160/2 (LW A159/2)
Title: Hungarian Rhapsody, For Piano No. 3 In B Flat Minor, S. 244/3 (LW A132/3)
Title: Consolations (6), For Piano, S. 172 (Lw A111a/2)
Title: Harmonies Du Soir, For Piano (Transcendental Etude No. 11), S. 139/11 (LW A172/11)
x
Track List: Liszt: Hungarian Rhapsodies Nos. 1-6
Title: Hungarian Rhapsodies (6), For Orchestra, S. 359 (LW G21)
x
Track List: Liszt: Klavierkonzerte Nr. 1 & 2
Title: Piano Concerto No. 1 In E Flat Major, S. 124 (Lw H4)
Title: Piano Concerto No. 2 In A Major, S. 125 (Lw H6)
Title: Venezia e Napoli II (3), for piano (Années, supplement to II), S. 162 (LW A197)
x
Track List: Liszt: Les Préludes; Mazeppa; Hungarian Rhapsodies 2, 3 & 14; Etc.
x
Track List: Liszt: Mephisto Waltz; Après une lecture de Dante; Les jeux d'eau à la Villa d'Este
Disc 1
Title: Mephisto Waltz (I & II), For Piano No. 1 (Der Tanz In Der Dorfschenke), S. 514 (Lw A189)
Title: Tarantella, For Piano (Années, Suppl. To II/3), S. 162/3 (LW A197/3)
Title: Rhapsodie Espagnole (Folies D'espagne Et Jota Aragonesa), For Piano, S. 254 (Lw A195)
Title: Pensée Des Morts, For Piano (Harmonies Poétiques No. 4) S. 173/4 (LW A158/4)
Title: St François D'assise: La Prédication Aux Oiseaux, For Piano (Légendes No. 1), S. 175/1 (Lw A219/1)
Title: Bénédiction de Dieu dans la solitude, for piano (Harmonies poétiques No. 3), S. 173/3 (LW A158/3)
Disc 2
Title: Work(s)
Title: Années De Pèlerinage, 3rd Year, Suite For Piano, S. 163 (LW A283)
Title: Recueillement, For Piano, S. 204 (LW A280)
Title: La Lugubre Gondola I, For Piano (In 6/8), S. 200/1 (Lw A319a)
Title: Aprés Une Lecture Du Dante II, Fantasia Quasi Sonata, For Piano (Années II/7) S. 161/7 (LW 159/7)
Title: Ave Maria: Die Glocken Von Rom, For Piano, S. 182 (LW A215)
x
Track List: Liszt: Mephisto Waltzes; Two Elegies; Grosses Konzertsolo
x
Track List: Liszt: Piano Concertos Nos.1 & 2; Totentanz
Title: Piano Concerto No. 1 In E Flat Major, S. 124 (Lw H4)
Title: Piano Concerto No. 2 In A Major, S. 125 (Lw H6)
Title: Totentanz (I & II), for piano & orchestra, S. 126 (LW H8)
x
Track List: Liszt: Piano Sonata In B Minor; Paganini Etudes; Hungarian Rhapsody No. 13; Transcendental Etude No. 10
Title: Études D'exécution Transcendante D'après Paganini (6), For Piano, S. 140 (LW A52)
Title: Hungarian Rhapsody, For Piano No. 13 In A Minor, S. 244/13 (LW A132/13)
Title: En Rêve, Nocturne For Piano, S. 207 (Lw A336)
Title: Appassionata, Etude For Piano In F Minor (Transcendental Etude No. 10), S. 139/10 (LW A172/10)
Title: Piano Sonata In B Minor, S. 178 (Lw A179)
x
Track List: Liszt: Piano Transcriptions Of Beethoven's Symphonies Nos. 1 & 3
Title: Symphonies De Beethoven No. 1. Transcription For Piano In C Major, S. 464/1 (LW A37c)
Title: Symphonies De Beethoven No. 3, Transcription For Piano In E Flat Major, S. 464/3 (LW A37a,c)
x
Track List: Liszt: Piano Works
Disc 1
Title: Hungarian Rhapsody, For Piano No. 12 In C Sharp Minor (Aka "No. 2"), S. 244/12 (Lw A132/12)
Title: Liebesträume, Notturno For Piano No. 3 In A Flat Major ("O Lieb, So Lang Du Lieben Kannst"), S. 541/3 (Lw A103/3)
Title: Mephisto Waltz, for orchestra No. 1 (Der Tanz in der Dorfschenke; Episoden No. 2), S. 110/2 (LW G16/2)
Title: Funérailles, for piano (Harmonies poétiques No. 7), S.173/7 (LW A158/7)
Title: Rigoletto: paraphrase de concert (after Verdi), for piano, S. 434 (LW A187)
Title: La Campanella I, etude for piano in B minor (Transcendental Paganini Etude No. 3), S. 140/3 (LW A52/3)
Disc 2
Title: Die Forelle (II), Transcription For Piano (After Schubert, D. 550), S. 564 (Lw A127)
Title: Der Müller und der Bach, transcription for piano (after Schubert, D. 795/19), S. 565bis/2 (LW A128/2)
Title: Wohin?, Transcription For Piano (After Schubert, D. 795), S. 565bis/5 (Lw A128/5)
Title: Lebewohl, transcription for piano (after "Schubert", i.e. von Weyrauch), S. 563/1 (LW A109/1)
Title: Das Wandern, Transcription For Piano (After Schubert, D. 795/1), S 565bis/1 (Lw A128/1)
Title: Der Lindenbaum, transcription for piano, (after Schubert, D. 911/5), S. 561/7 (LW A50/7)
Title: Ständchen (Horch, horch! die Lerch), transcription for piano (after Schubert, D. 889), S. 558/9 (LW A42/9)
Title: Auf dem Wasser zu singen, transcription for piano (after Schubert), S. 558/2 (LW A42/2)
Title: Die Post, transcription for piano, (after Schubert) S. 561/4 (LW A50/4)
Title: Aufenthalt, Transcription For Piano (After Schubert, D. 957/5), S. 560/3 (Lw A49/3)
Title: Lob der Tränen (Bénédiction des larmes), transcription for piano (after Schubert, D. 711b), S. 557 (LW A45)
Title: Erlkönig (II), Transcription For Piano (After Schubert, D. 328d), S. 558/4 (Lw A42/4)
Title: Wanderer Fantasy (Fantasie von Franz Schubert), for piano and orchestra (after Schubert, D. 760), S. 366 (LW H13)
Disc 3
Title: Piano Sonata In B Minor, S. 178 (Lw A179)
Title: Valse-Impromptu (I & II), for piano, S. 213 (LW 84c)
Title: Liebestraum (3), Notturnos For Piano (After Songs Lw N18), S. 541, Lw A103
Title: Grand Galop chromatique, for piano, S. 219 (LW A43)
Disc 4
Title: Années De Pèlerinage, 2nd Year ("Italie"), Suite For Piano, S. 161 (Lw A55)
Disc 5
Title: Années de pèlerinage, 1st Year ("Suisse"), suite for piano, S. 160 (LW A159)
Disc 6
Title: Venezia e Napoli II (3), for piano (Années, supplement to II), S. 162 (LW A197)
Title: Les Jeux D'eaux à La Ville D'este, For Piano (Années Iii/4), S. 163/4 (Lw A283/4)
Title: Bénédiction de Dieu dans la solitude, for piano (Harmonies poétiques No. 3), S. 173/3 (LW A158/3)
Title: Ballade, for piano No. 2 (II) in B minor, S. 171 (LW A181)
Disc 7
Title: éTudes D'exécution Transcendante (12 Transcendental Etudes), For Piano, S. 139 (Lw A172)
Disc 8
Title: Konzertetüden (2), for piano, S. 145 (LW A218)
Title: éTudes De Concert (3), For Piano, S. 144 (Lw A118)
Title: Consolations (6), For Piano, S. 172 (Lw A111a/2)
Title: Réminiscences De Don Juan (I & II), For Piano (After Mozart: Don Giovanni), S. 418 (Lw A80)
Disc 9
Title: Réminiscences de Norma, transcription for piano (after Bellini), S. 394 (LW A77)
Title: Totentanz (I & II), for piano & orchestra, S. 126 (LW H8)
Title: Malédiction, for piano & string orchestra (or string sextet), S. 121 (LW H1)
Title: Hungarian Fantasy (Fantasie üBer Ungarische Volksmelodien), For Piano & Orchestra, S. 123 (Lw H12)
x
Track List: Liszt: Reves D'amour
Title: Liebestraum (3), Notturnos For Piano (After Songs Lw N18), S. 541, Lw A103
Title: Consolations (6), For Piano, S. 172 (Lw A111a/2)
Title: Vallée D'Obermann, For Piano (Années I/6), S. 160/6 (LW A159/3)
Title: Gondoliera, For Piano (Années, Suppl. To II/1), S. 162/1 (LW A197/1)
Title: Les Jeux D'eaux à La Ville D'este, For Piano (Années Iii/4), S. 163/4 (Lw A283/4)
Title: Hungarian Rhapsody, For Piano No. 6 In D Flat Major, S. 244/6 (LW A132/6)
x
Track List: Liszt: Sacred Choral Music
Title: Ave Maria (I), For Chorus & Organ In B Flat Major, S. 20/1(LW J1/1)
Title: Die Seligkeiten (Les Bèatitudes), For Soloist, Chorus & Organ, S. 25 (LW J9)
Title: Pater Noster III (I & II), For Chorus & Organ (or Piano) In F Major, S. 41/1 (LW J26/1)
Title: Via Crucis, Les 14 Stations De La Croix, For Solo Voices, Chorus & Organ (or Piano), S. 53 (LW J33)
Title: Pater Noster I, For Chorus & Organ In A Flat Major, S. 29 (LW J14)
x
Track List: Liszt: Sacred Music Transcriptions
Title: Benedictus & Offertorium Aus Der Ungarischen Krönungsmesse, For Piano, S. 501 (LW A238)
Title: Urbi Et Orbi -- Bénédiction Papale, For Piano, S. 184 (LW A229)
Title: Ave Maris Stella, For Piano, S. 506 (LW A243)
Title: O Roma Nobilis, For Piano, S. 506b (LW A294)
Title: Christus Ist Geboren: Nato E Cristo Redentor (Weinachtslied), For Piano, S. 502 (LW A227)
Title: Zum Haus Des Herrn Ziehen Wir, For Piano, S. 505 (LW A332)
Title: In Festo Transfigurationis Domini Nostri Jesu Christi, For Piano, S. 188 (LW A300)
Title: L'hymne Du Pape, Transcription For Piano, S. 530 (LW A228)
Title: Stabat Mater, For Piano, S. 172b (LW A142)
Title: Chorales (12), For Piano (Zwölf Alte Deutsche Gestliche), S. 504b (LW A286a)
Title: Sancta Dorothea, For Piano, S. 187 (LW A278)
Title: Alleluia, For Piano, S. 183/1 (LW A216/1)
x
Track List: Liszt: The 19 Hungarian Rhapsodies
Disc 1
Title: Hungarian Rhapsodies (19), For Piano, S. 244 (Lw A132)
Disc 2
Title: Rhapsodie Espagnole (Folies D'espagne Et Jota Aragonesa), For Piano, S. 254 (Lw A195)
x
Track List: Liszt: The Complete Etudes
Disc 1
Title: éTudes D'exécution Transcendante (12 Transcendental Etudes), For Piano, S. 139 (Lw A172)
Disc 2
Title: éTudes De Concert (3), For Piano, S. 144 (Lw A118)
Title: Konzertetüden (2), for piano, S. 145 (LW A218)
Title: Études D'exécution Transcendante D'après Paganini (6), For Piano, S. 140 (LW A52)
x
Track List: Liszt: The Two Piano Concertos; The Piano Sonata
Title: Piano Concerto No. 1 In E Flat Major, S. 124 (Lw H4)
Title: Piano Concerto No. 2 In A Major, S. 125 (Lw H6)
Title: Piano Sonata In B Minor, S. 178 (Lw A179)
x
Track List: Liszt: Works For Violin & Piano, Vol. 2
x
Track List: The Best Of Liszt
Disc 1
Title: Mephisto Waltz (I & II), For Piano No. 1 (Der Tanz In Der Dorfschenke), S. 514 (Lw A189)
Title: Die Lorelei (Ich Weiss Nicht), Song For Voice & Piano, S. 273 (LW N5)
Title: Hungarian Rhapsodies (19), For Piano, S. 244 (Lw A132)
Title: Funérailles, for piano (Harmonies poétiques No. 7), S.173/7 (LW A158/7)
Title: Schwanengesang: No. 1 Liebesbotschaft
Title: Années de pèlerinage, 1st Year ("Suisse"), suite for piano, S. 160 (LW A159)
Title: Un Sospiro, For Piano In D Flat Major (Grande éTudes De Concert No. 3), S. 144/3 (Lw A118/3)
Title: Liebesträume, Notturno For Piano No. 3 In A Flat Major ("O Lieb, So Lang Du Lieben Kannst"), S. 541/3 (Lw A103/3)
Title: La Campanella I, etude for piano in B minor (Transcendental Paganini Etude No. 3), S. 140/3 (LW A52/3)
Title: Hungarian Rhapsodies (19), For Piano, S. 244 (Lw A132)
Title: La Leggierezza, For Piano In F Minor (Grandes éTudes De Concert No. 2) , S. 144/2 (Lw A118/2)
Title: Les Jeux D'eaux à La Ville D'este, For Piano (Années Iii/4), S. 163/4 (Lw A283/4)
Disc 2
Title: Hungarian Rhapsodies (19), For Piano, S. 244 (Lw A132)
Title: Valse De L'opéra Faust, Transcription For Piano (after Gounod), S. 407 (LW A208)
Title: Valse Oubliée, For Piano No. 1, S. 215/1 (Lw A311/1)
Title: Valse Oubliée, For Piano No. 2, S. 215/2 (LW A311/2)
Title: Hungarian Rhapsodies (19), For Piano, S. 244 (Lw A132)
Title: Années de pèlerinage, 1st Year ("Suisse"), suite for piano, S. 160 (LW A159)
Title: Hungarian Rhapsodies (19), For Piano, S. 244 (Lw A132)
Title: Années de pèlerinage, 1st Year ("Suisse"), suite for piano, S. 160 (LW A159)
Title: Widmung (Liebeslied), Transcription For Piano (After Schumann, I & II), S. 566 (Lw A133)
Title: Hungarian Rhapsodies (19), For Piano, S. 244 (Lw A132)
x
Track List: The Liszt Concertos
Title: Piano Concerto No. 2 In A Major, S. 125 (Lw H6)
Title: Piano Concerto No. 1 In E Flat Major, S. 124 (Lw H4)
Title: Consolation, For Piano No. 3 In D Flat Major "Lento Placido", S. 172/3 (Lw A111a/2/2)
Title: Valse Oubliée, For Piano No. 1, S. 215/1 (Lw A311/1)
x
Track List: Transcendental Studies
Title: éTudes D'exécution Transcendante (12 Transcendental Etudes), For Piano, S. 139 (Lw A172)
Title: Mephisto Waltz (I & II), For Piano No. 1 (Der Tanz In Der Dorfschenke), S. 514 (Lw A189)
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Track List: Works For Organ, Vol.1
Title: Präludium Und Fuge Über Das Motiv B.A.C.H. (I), For Organ, S. 260i (LW E3/1)
Title: Evocation À La Chapelle Sixtine, For Organ, Harmonium Or Pedal Piano (after Allegri & Mozart), S. 658 (LW E15)
Title: Consolations (6), For Piano, S. 172 (Lw A111a/2)
Title: St François D'assise: La Prédication Aux Oiseaux, For Piano (Légendes No. 1), S. 175/1 (Lw A219/1)
Title: Variationen Über Das Motiv Von Bach: Weinen, Klagen, For Piano, S. 180 (LW A214)
Comments
Each was touched by the Gods of prodigy...