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Pere Ubu

Pere Ubu emerged from the urban wastelands of mid-'70s Cleveland to impact the American underground for generations to follow; led by hulking frontman David Thomas, whose absurdist warble and rapturously demented lyrics remained the band's creative focus throughout their long, convoluted career, Ubu's protean art punk sound harnessed self-destructing melodies, scattershot rhythms, and industrial-strength dissonance to capture the angst and chaos of their times with both apocalyptic fervor and surprising humanity. Named in honor of Alfred Jarry's surrealist play Ubu Roi, Pere Ubu was formed in the autumn of 1975 from the ashes of local cult favorite Rocket from the Tombs, reuniting Thomas (aka Crocus Behemoth) with guitarist Peter Laughner; adding guitarist Tom Herman, bassist Tim Wright, keyboardist Allen Ravenstine, and drummer Scott Krauss, the group soon issued their debut single, "30 Seconds Over Tokyo," on Thomas' Hearthan label. The follow-up, "Final Solution," appeared on the renamed Hearpen in early 1976, and resulted in a series of live dates at the famed New York City club Max's Kansas City.

Laughner's longstanding battles with drugs and alcohol forced his exit from Pere Ubu in June of 1976; within a year, he was dead. The group continued on as a quintet, with bassist Tony Maimone signing on in the wake of Wright's move to New York, where he joined the pioneering no wave band DNA. In the wake of their third single, "Street Waves," Thomas was approached by Mercury label A&R exec Cliff Burnstein, who convinced the label to form a new imprint, Blank Records, for the express purposes of signing Pere Ubu; their debut LP, The Modern Dance, was issued in early 1978, and although the record made little commercial impact at home or abroad, its manic intensity and dark impenetrability proved profoundly influential on countless post-punk acts on both sides of the Atlantic. The follow-up, Dub Housing, was even better, pushing the band to further extremes of otherworldliness, but already the cracks were beginning to show, and upon completing 1979's New Picnic Time (working title: "Goodbye"), Ubu disbanded. Although the group re-formed months later, Herman opted not to return and was replaced by Red Krayola mastermind Mayo Thompson.

The Art of Walking followed in 1980, with subsequent tours in support of the record heralding the increasingly pop-centric sound that would distinguish later Ubu projects; a live record, 390° of Simulated Stereo, appeared a year later. Krauss was replaced by drummer Anton Fier for 1982's Song of the Bailing Man, but as before personal and creative differences began taking their toll and Ubu again disbanded; while Maimone and Krauss reunited in the group Home and Garden, Thomas continued the solo career he'd begun with the 1981 effort The Sound of the Sand (And Other Songs of the Pedestrians), a collaboration with guitar virtuoso Richard Thompson. He recorded 1987's Blame the Messenger with the Wooden Birds, a backing band including fellow Ubu alums Ravenstine and Maimone; after Krauss sat in for a Cleveland live date, the decision was made to begin working as Pere Ubu again. Guitarist Jim Jones and drummer Chris Cutler were also recruited for 1988's comeback effort The Tenement Year, a vividly idiosyncratic pop album far more accessible than anything in the band's back catalog.

1989's Stephen Hague-produced Cloudland further refined the approach, with the video for the single "Waiting for Mary" even earning limited MTV airplay; after both Ravenstine and Cutler exited Pere Ubu (the former becoming a commercial airline pilot), one-time Captain Beefheart sideman Eric Drew Feldman was installed for 1991's Worlds in Collision. Feldman soon departed as well to join Frank Black, and the remaining quartet recorded 1993's Story of My Life for the short-lived Imago label; Maimone was the next to go, with bassist Michele Temple and keyboardist Garo Yellin stepping in for 1995's planned swan song, Ray Gun Suitcase. As Ubu again slipped into limbo, the band's massive influence was celebrated in 1996 with the release of the five-disc box set Datapanik in the Year Zero; the renewed interest spurred Thomas back into action, and he reunited with Tom Herman for the first time in two decades to record 1998's sprawling Pennsylvania (also featuring holdovers Jones and Temple in addition to keyboardist Robert Wheeler and drummer Steve Mehlman). Four years later, Pere Ubu captured some of their darkest and most theatrical work to date with St. Arkansas. With Pere Ubu once again going strong, Thomas unexpectedly reassembled Rocket from the Tombs for a short run of shows in 2003. (Former Television guitarist Richard Lloyd sat in for the late Peter Laughner.) What was expected to be a short-term revival unexpectedly evolved into a second career with RFTT, following the release of an archival album of old recordings and a set of re-interpretations by the new lineup. In 2006, Thomas returned his attentions to Pere Ubu, releasing the provocatively titled Why I Hate Women. A remix album also arrived that year.

In 2009, the band returned with Long Live Pere Ubu!, which featured songs from a musical adaptation of the band's namesake play Ubu Roi and included contributions from Communards' Sarah Jane Morris and Gagarin. Pere Ubu's next album, 2013's Lady from Shanghai, was nearly as ambitious; described as "an album of dance music fixed," it commemorated the 35th anniversary of The Modern Dance with abrasive, industrial-tinged rhythms and an accompanying book, Chinese Whispers: The Making of Pere Ubu's Lady from Shanghai. Also in 2013, the band performed their underscore for the cult classic horror film Carnival of Souls; several pieces from the score became the basis for 2014's Carnival of Souls, which arrived in different CD and vinyl versions. In 2015, as Thomas was releasing a new album with a new lineup of Rocket from the Tombs, he looked back at Pere Ubu's past with a pair of archival vinyl-only box sets. Elitism for the People 1975-1978 featured new pressings of The Modern Dance and Dub Housing, along with an LP of early singles and a live concert from 1977. The companion set, Architecture of Language 1979-1982 included New Picnic Time, The Art of Walking, and Song of the Bailing Man, as well as an LP of Ubu rarities. ~ Jason Ankeny
full bio

Selected Discography

x

Track List: Lady From Shanghai

1. Thanks

2. Free White

3. Feuksley Ma'am, The Hearing

4. Mandy

5. And Then Nothing Happened

6. Musicians Are Scum

7. Another One (Oh Maybellene)

8. The Road Trip Of Bipasha Ahmed

9. Lampshade Man

10. 414 Seconds

11. The Carpenter Sun

x

Track List: Why I Hate Women

1. Two Girls (One Bar)

2. Babylonian Worehouses

3. Blue Velvet

4. Caroleen

5. Flames Over Nebraska

6. Love Song

7. Mona

8. My Boyfriend's Back

9. Stolen Cadillac

10. Synth Farm

11. Texas Overture

x

Track List: Terminal Tower

1. Heart Of Darkness

2. 30 Seconds Over Tokyo

3. Final Solution

5. Untitled

6. My Dark Ages

7. Heaven

8. Humor Me

9. The Book Is On The Table

10. Not Happy

11. Lonesome Cowboy Dave

x

Track List: Song Of The Bailing Man

1. The Long Walk Home

2. Use Of A Dog

3. Petrified

4. Stormy Weather

5. West Side Story

6. Thoughts That Go By Steam

7. Big Ed's Used Farms

8. A Day Such As This

9. The Vulgar Boatman Bird

10. My Hat

11. Horns Are A Dilemma

x

Track List: The Art Of Walking

1. Go

2. Rhapsody In Pink

3. Arabia

4. Young Miles In The Basement

5. Misery Goats

6. Loop

7. Rounder

8. Birdies

9. Lost In Art

10. Horses

11. Crush This Horn

12. Arabian Nights

x

Track List: New Picnic Time

1. The Fabulous Sequel

2. 49 Guitars & One Girl

3. A Small Dark Cloud

4. Small Was Fast

5. All The Dogs Are Barking

6. One Less Worry

7. Make Hay

8. Goodbye

9. The Voice Of The Sand

10. Kingdom Come

x

Track List: Dub Housing

1. Navvy

2. On The Surface

3. Dub Housing

4. Caligari's Mirror

5. Thriller!

6. I Will Wait

7. Drinking Wine Spodyody

8. Ubu Dance Party

9. Blow Daddy-o

10. Codex

x

Track List: The Modern Dance

1. Non-alignment Pact

2. The Modern Dance

3. Laughing

4. Street Waves

5. Chinese Radiation

6. Life Stinks

7. Real World

8. Over My Head

9. Sentimental Journey

10. Humor Me

x

Track List: Bring Me The Head Of Ubu Roi: The Radio Play, Pt. 1

Title: Bring Me The Head Of Ubu Roi: The Radio Play, Pt. 1

1. Bring Me The Head Of Ubu Roi: The Radio Play, Pt. 1: Act 1 Scene 1

2. Bring Me The Head Of Ubu Roi: The Radio Play, Pt. 1: Act 1 Scene 2

3. Bring Me The Head Of Ubu Roi: The Radio Play, Pt. 1: Act 1 Scene 3

4. Bring Me The Head Of Ubu Roi: The Radio Play, Pt. 1: Act 2 Scene 1

5. Bring Me The Head Of Ubu Roi: The Radio Play, Pt. 1: Act 2 Scene 2a

6. Bring Me The Head Of Ubu Roi: The Radio Play, Pt. 1: Act 2 Scene 2b

7. Bring Me The Head Of Ubu Roi: The Radio Play, Pt. 1: Act 2 Scene 3

8. Bring Me The Head Of Ubu Roi: The Radio Play, Pt. 1: Act 3

x

Track List: Carnival Of Souls

1. Golden Surf II

2. Drag The River

3. Visions Of The Moon

4. Dr Faustus

5. Bus Station

6. Road To Utah

7. Carnival

8. Irene

Comments

Report as inappropriate
Caroleen is a crazy,chaoti c ,great tune!
Report as inappropriate
What the heck do my social skills or lack there of have ANYTHING to do with the fact that you bad mouth 99% of the music you hear on Panda. Yes 99% of todays music does not appeal to me either but who dropped a house on your sister and made you chief critic? There is plenty good music produced after 1963. The masses don't lie and you are absolutely WRONG about The Clash.
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Michael Armstrong Lewis: If you don't like my opinions ignore them. No need to demonstrate to the other listeners on Pandora that you have poor social skills
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bobonnit

It's just pointless noise and contrary to the claim written by Pandora's reviewer, this group certainly did not and will not impact the American Underground for generations to come. Where do they come up with this junk ? FUC% YOU BOB.
Report as inappropriate
It's just pointless noise and contrary to the claim written by Pandora's reviewer, this group certainly did not and will not impact the American Underground for generations to come. Where do they come up with this junk ?
Report as inappropriate
leftofcentre
Report as inappropriate
Pere Ubu Rules!
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claricentp91 7
People interested in making a few extra bucks per day you can check out BLUDOS.COM This site makes me around 70 usd per day. It's free to sign up.
Report as inappropriate
shawnnavuz71 1
If you wish to add some extra money to you wallet go to BLUDOS.COM They offer really easy free online jobs where you can make a few extra hundred dollas a week !
Report as inappropriate
palyulmonk
You left out a personal fave: Monster Walks the Winter Lake.
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Jesus Lizard
Report as inappropriate
jmb8738
You could of also mentioned that Scott Benedict did a great job on the drums for Raygun Suitcase...
Report as inappropriate
And where in the hell is Raygun Suitcase? That was the release that got me into Ubu in the first place (yep, johnny come lately). I would love to hear Red Skies, Beach Boys, Montana...sc r e w it...Maybe Pandora could launch a service that plays whole albums :)
Report as inappropriate
cnn_0
You need to add info about another album: Worlds In Collision (1991).
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squall853
out in the real world.. in real time....
Report as inappropriate
molto bueno Gordon.
Captain Beefheart called. He wants his spandex frying pan back. Arf!

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