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Orlande de Lassus

1532 - June 14, 1594
born in Mons, Belgium, composed during the Renaissance period
Renaissance composer Orlande de Lassus was born in Mons and got his start as a choirboy. An often disputed story has the child Lassus kidnapped three times on account of his beautiful singing voice; the only certainty is that by 1544 he had joined the service of Ferrante Gonzaga, Viceroy of Sicily. A stopover in Mantua allowed Lassus to absorb prevailing Italian influences. Lassus spent less than a year in Sicily and transferred to Milan for the remainder of the 1540s. He often used an Italian form of his name, Orlando di Lasso. In 1551, Lassus was made choirmaster at St. John of Lateran in Rome, but remained only until 1553, being succeeded by Palestrina. Lassus returned to Mons in 1554, receiving word that his parents were ill, but upon his arrival found them already dead and buried. In 1555, Lassus' first book of madrigals and a collection of various secular works appeared simultaneously in Antwerp and Venice, thus beginning his status as a one-man industry of musical publications. Lassus' work accounts for three-fifths of all music printed in Europe between 1555 and 1600.

In 1557, the German Duke Albrecht V engaged Lassus' services as a singer at the court in Munich. Lassus' status was upgraded to Kapellmeister in 1561. His position enabled considerable travel, and Lassus made frequent trips to Venice, where he met and made friends with the Gabrielis. Judging from the range of settings, both sacred and secular, coming from Lassus in these years, it is apparent he was asked to supply music for a wide variety of events at the court of Duke Albrecht. The flood of published editions, both authorized and not, of Lassus' music during this time established him as the most popular composer in Europe, and in 1574 he was made a Knight of the Golden Spur by Pope Gregory XIII.

In 1579, Duke Albrecht V died, and the longstanding extravagance of his court left his successor, Duke Wilhelm, with little choice but to make deep cuts in the entertainment budget. This had a direct and negative effect on Lassus' fortunes, but nonetheless he declined an offer in 1580 to relocate to the Court at Dresden. By the late 1580s, the number of new pieces Lassus undertook began to slow down. In the months before his death, Lassus succeeded in bringing to life his last great masterwork, the Lagrime di San Pietro, in itself a summation of the highest forms of Renaissance musical art. He died at about the age of 62, and in 1604 his sons published an edition of his collected works entitled Magnus opus musicum. This was used as the basis for the first modern edition of Lassus' music, published in Leipzig between 1894 and 1926.

Among his key works, the Sibylline Prophecies (1553) and Penitential Psalms (1560) reflect the influence of Italian mannerism. While later music contains occasional chromatic alterations, mature Lassus works favor a unique style that combines an intensely dramatic sense of text painting, nervous and excited rhythmic figurations, and glorious, rolling counterpoint. Late works demonstrate a concern for terseness in expression, and texts are realized in a highly compressed state. No verifiable instrumental music is known from Lassus, and his masses are generally considered unfavorably in light of Palestrina's achievement in that realm. But his other works -- motets, madrigals, French chansons, and German lieder -- are considered second to none in the context of the late Renaissance, and several of his secular songs were known from king to peasant in the second half of the sixteenth century. ~ Uncle Dave Lewis , Rovi
full bio

Selected Discography

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Track List: Lassus: Chansons

Title: Las Me Fault-il, Chanson For 5 Voices, B. Xii/13 (S. Xiv/76)
Title: Quand Mon Mary Vient (Quand L'homme Honneste), Chanson For 4 Voices, B. Xiii/136 (S. Xii/23)
Title: Si Du Malheur (De Ce Malheur), Chanson For 4 Voices, B. Xiii/192 (S. Xii/50)
Title: Une Puce J'ay Dedans L'oreill' (Baif), Chanson For 5 Voices, B. Xiv/95 (S. Xiv/114)
Title: La Nuict Froide Et Somber (Du Bellay), Chanson For 4 Voices, B. Xii/119 (S. Xii/34)
Title: Vignon Vignon Vignette, Chanson For 6 Voices, B. Xiv/142 (S. Xvi/144)
Title: Fuyons Tous D'amour (Fuyons De Vices) Le Jeu, Chanson For 4 Voices, B. Xii/10 (S. Xii/80)
Title: Work(s)
Title: Lucia Celu Hai Biscamia (morescha), Villanelle For 4 Voices, S. X/97
Title: Chi Chilichi, Moresca For 6 Voices (S. X/120)
Title: O Lucia Miau (morescha), Villanelle For 3 Voices, S. X/70
Title: Allala La Pia Calia, Villanelle For 4 Voices, S. X/104
Title: Work(s)
Title: Le Temps Peut Bien, Chanson For 4 Voices, B. Xii/165 (S. Xii/76)
Title: Quand Mon Mary Vient (Quand L'homme Honneste), Chanson For 4 Voices, B. Xiii/136 (S. Xii/23)
Title: Un Jeune Moine (Quitte Le Monde), Chanson For 4 Voices, B. Xiv/104 (S. Xii/89)
Title: O Foible Esprit (Du Bellay), Chanson For 5 Voices, B. Xiii/58 (S. Xvi/34)
Title: En Un Chasteau, Madame (L'homme Mortel Contemplant), Chanson For 4 Voices, B. Xi/180 (S. Xii/14)
Title: Elle S'en Va De Moy (Elle Perit Ma Chair) (Marot), Chanson For 5 Voices, B. Xi/169 (S. Xiv/105)
Title: Lucescit Jam O Socii, Chanson For 4 Voices
Title: Je L'ayme Bien (J'aime Mon Dieu Et L'aimerai), Chanson For 4 Voices, B. Xii/77 (S. Xii/41)
Title: Mais Qui Pourroit (secundi Toni), Magnificat For 6 Voices, H. Xiv/275
Title: Cathalina Apra Finestra, Morescha For 6 Voices, (S. 10/112)
Title: Hai Lucia Buona Cosa (morescha), Villanelle For 4 Voices, S. X/86
Title: Canta Giorgia Canta (morescha), Villanelle For 5 Voices, S. X/125
x

Track List: Lassus: Lagrime Di San Pietro (Spiritual Madrigals)

Title: Lagrime Di S Pietro (Tansillo), Madrigal For 7 Voices, H. Xx
x

Track List: Lassus: Lagrime di San Pietro

x

Track List: Lassus: Requiem; Music For Easter Sunday

Title: Aurora Lucis Rutilat, Motet For 10 Voices, M. Xxii (S. Xxi/119)
Title: Surgens Jesus, Motet For 5 Voices, M. Ii (S. V/60)
Title: Christus Resurgens Ex Mortuis, Motet For 5 Voices, M. Xii (S. V/54)
Title: Regina Coeli Laetare, Motet For 4 Voices, M. Xxi (S. I/81)
Title: Aurora Lucis Rutilat (octavi Toni), Magnificat For 10 Voices, H. Xvii/124
Title: Missa Pro Defunctis, For 4 Voices, H. Iv/95
x

Track List: Orlando Di Lasso: Madrigals

x

Track List: Orlandus Lassus: Missa Osculetur me

Comments

Let the Divine articulate for Thee!
An absolute joy to listen to!
tom_gwen_jon e s
Peaceful, restful in calm joyfulness! Mother Ginger
johnnyohania n
ZZZZZZ ZZZZZZ boring!
Awesome!

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