We created Pandora to put the Music Genome Project directly in your hands
It’s a new kind of radio –
stations that play only music you like
That constant activity suggests how music was always central to Nils Lofgren. Raised in the Washington, D.C. suburb of Garrett Park, Maryland, he began playing music at an early age, picking up the accordion at the age of five, spending time studying classical and jazz, then getting seduced by rock & roll as a teenager. Lofgren picked up guitar and piano at the age of 15, forming the band Grin with drummer Bob Berberich and bassist George Daly soon afterward. As the group played the local circuit, Lofgren happened to meet Neil Young. Impressed with Nils, Young invited the teenage guitarist to head out to California and Lofgren accepted the invitation, taking Grin with him. The band set up in a Laurel Canyon home rented by Young and began rehearsing while Lofgren played guitar and piano on Neil's 1970 LP After the Gold Rush. Lofgren was just 17.
Although Nils was so thoroughly within Young's orbit that he appeared on the 1971 album by Crazy Horse -- he played throughout and sang lead on his original composition "Beggar's Day" -- he remained devoted to his D.C. band. Grin landed a record contract with A&M Records in 1971. By this point, Daly had left the band and was replaced by Bob Gordon. Produced by Young's right-hand man David Briggs, Grin's eponymous debut arrived in 1971 and, soon enough, the group was earning more critical attention than sales. Grin worked steadily over the next few years, cutting three more records with Briggs: the 1972 LP 1+1, which featured Nils alone on the front cover, and All Out and Gone Crazy, both of which appeared in 1973 and also featured Nils' brother Tom on rhythm guitar. By that year, the group had begun to splinter and Young invited Lofgren to join his touring band and that tour spilled into the studio, when Young recorded Tonight's the Night in the haze of Danny Whitten's death.
By the time Tonight's the Night hit the stores in 1975, Lofgren had signed to A&M as a solo artist. Anchored by the Stones tribute "Keith Don't Go," Nils earned considerable praise upon its release -- future Springsteen manager Jon Landau praised it in Rolling Stone and it appeared on NME's Top 10 for the year; it also placed at 19 on the Village Voice's Pazz & Jop poll -- but it didn't sell particularly well, peaking at 141 on the Billboard charts. The following year's Cry Tough did much better. Building upon the word of mouth for the debut, album rock radio play, and tours, it went all the way to 32 on the Billboard charts. I Came to Dance and the live double-album Night After Night, both released in 1977, were also modest album rock hits -- they peaked at 36 and 44, respectively -- as was 1979's Nils. The latter was the fruit of Lofgren's late-'70s partnership with the Lou Reed axis, containing co-writes with Lou and Reed's guitarist Dick Wagner while being produced by Bob Ezrin; Nils also played on Lou's The Bells LP that year. Lofgren ended his streak of relatively highly charting albums when Night Fades Away squeaked into the first half of the Billboard Top 200 by reaching 99. He released one more album for Backstreet/MCA -- 1983's Wonderland, a record that failed to chart -- before parting ways with the label.
Prior to the release of Wonderland, Lofgren rekindled his collaboration with Neil Young, playing on the 1982 electro experiment Trans and appearing on its supporting tour in 1983. Despite this renewal, the allegiance that defined Nils Lofgren's '80s -- and would factor strongly for the rest of his career -- was his new partnership with Bruce Springsteen. When Steven Van Zandt left the E-Street Band in 1984 to pursue a solo career -- the first major shift in the band's lineup since 1975 -- Springsteen turned to Lofgren to replace his lieutenant. From this point on, Nils was the lead guitarist for the E-Street Band, appearing on Bruce's solo albums and also finding space when Van Zandt chose to climb back aboard in 1995. Bruce leaned on Lofgren but Nils also pursued his solo career, beginning with Flip, his star-studded debut for Columbia in 1985. The record didn't reach great heights –- it peaked at 150 -- but it eased Lofgren's transition from a "could've been" to a cult act. After Flip, he never showed up again on a major label. He moved to the CD-only independent Rykodisc in 1990. The label reissued 1975's Nils Lofgren that year and released the brand-new Silver Lining in 1991, followed by Crooked Line in 1992; the former was his last album to chart, reaching 153 in 1991.
By the early '90s, he had cultivated his own peculiar cult -- a contingent attracted to his blend of album rock and roots-rock, while also appreciating how he toured with Ringo Starr's All-Starr Band. Major labels never crossed Lofgren's radar in the next two decades. His move to Rykodisc was the first step in a process that brought him toward total independence by the early 2000s. He recorded steadily, alternating full-fledged studio albums like 1995's Damaged Goods and 2011's Old School, with interesting detours like 1997's Acoustic Live or 2008's The Loner: Nils Sings Neil. Lofgren would record when he wasn't playing guitar with others. During the extended hiatus for the E-Street Band in the '90s, he was often a gun for hire, playing on tours by Bruce's wife Patti Scialfa and Ringo Starr, popping up on Neil Young's Unplugged and also playing on several Springsteen solo albums. Once the E-Street Band returned to active duty in the 2000s, Lofgren continued to balance his Bruce duties with his own solo career.
All of Lofgren's journeys, from his early days with Grin through his long years as an independent rocker, was celebrated in the 2014 box set Face the Music, a nine-CD and one-DVD set selected by Nils himself. ~ Stephen Thomas Erlewine