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Nellie McKay

Get Away from Me, the title of singer/songwriter Nellie McKay's debut album, was a play on two titles by romantic female vocalists who became popular in the early 2000s: Norah Jones' Come Away with Me and Jane Monheit's Come Dream with Me. But while McKay shares some of Jones' and Monheit's influences -- vocal jazz, cabaret, pre-rock Brill Building pop, torch singing -- and has some things in common with them melodically, it would be a huge mistake to lump her in with Jones, Monheit, and Diana Krall. Those jazz or jazz-influenced pop artists tend to be romantically comforting, whereas McKay's lyrics can be every bit as cutting, edgy, and biting as Alanis Morissette or Pink -- and to lump McKay in with Jones, Monheit, and Krall ignores the fact that her work is distinctive and impressively unorthodox.

McKay, who is also a talented pianist, brings an unlikely combination of influences to her work, which isn't easy to categorize. The New York City resident is relevant to pop/rock, but she is also relevant to cabaret, traditional pop, and vocal jazz. Tin Pan Alley, Kurt Weill, Cole Porter, Annie Ross, Peggy Lee, and Billie Holiday have affected her writing (either directly or indirectly), but so have Dory Previn and Randy Newman (the latter a frequent comparison), the Beatles, and hip-hop. McKay, in fact, shares Newman's penchant for lyrics that are cynical and sarcastic as well as dark-humored; like Newman, McKay knows how to laugh at the world even when she's complaining about how screwed up it is -- and she can be incredibly clever and witty.

McKay was born in London, England, on April 13, 1984, but spent most of her early life in the United States. At the age of two, McKay (an only child) moved with her mother (actress Robin Pappas) to New York City -- and the two of them lived in Harlem until 1994, when they moved west to Olympia, WA. After that, they lived in the Poconos in northeastern Pennsylvania, but in 2000, they returned to N.Y.C. so that McKay could attend the Manhattan School of Music. After dropping out, McKay briefly flirted with standup comedy but gave it up and made music her primary focus. McKay began performing around Manhattan in the early 2000s, and for a while, she was managed by folk-rocker Lach (who often booked her at the Sidewalk Café in the East Village).

McKay's gigs at Manhattan clubs like the Sidewalk Café and the Fez earned her a small East Coast following, and in 2003, she signed with Columbia. Other labels had expressed interest, including Virgin and Blue Note, but she felt that Columbia had the greatest understanding of her musical vision. Nonetheless, McKay had some creative differences with the label; she wanted to call her debut album either Black America or Penis Envy, and Columbia disliked both. But eventually, McKay and Columbia agreed on the title Get Away from Me. Produced and engineered by Geoff Emerick -- best known for his work with the Beatles -- Get Away from Me was released in February 2004. Although it made the year-end lists of many critics, creative conflict between McKay and Columbia only continued.

Sparring over producers and direction for her sophomore album eventually resulted in McKay financing the recordings herself; the result, titled Pretty Little Head, was due to be released in early 2006, but McKay was let go and the album was dropped from Columbia's release schedule. At the same time, McKay was busy rehearsing for a co-starring role in a Broadway production of The Threepenny Opera with Alan Cummings, Ana Gasteyer, and Cyndi Lauper. Pretty Little Head finally surfaced in October of 2006, released on McKay's own Hungry Mouse label and overseen by the indie spinART. Less than one year later, McKay returned with a 30-minute miniature entitled Obligatory Villagers. She also honored Doris Day with the 2009 project Normal as Blueberry Pie: A Tribute to Doris Day. McKay's fifth-studio effort, Home Sweet Mobile Home, featuring production from her mother Robin Pappas and creative input from David Byrne, was released in September of 2010. ~ Alex Henderson, Rovi
full bio

Selected Discography

Comments

barnes077
loved her since her npr (?) 3 day songwriting challenge
This is not her debut. There is an earlier one, which I don't have in front of me, so I cannot give you the title.
ken.otwell
I totally loved Get Away From Me. Wore it out. Even traveled to see her in 3-Penny (She stole the show, even from Cyndi Lauper.) I was totally infatuated with her.

But I was very disappointed at her Carnegie Hall recital when she made fun of classical music and ignored the 2/3rds of the hall with obstructed view. Obligatory Villagers was a huge disappointme n t - not even close to her Freshman 2-disc set in creativity or quality. (Singing out of tune is NOT endearing... please tell her someone.)
yay nellie
brokenbohemi a
I love Nellie. I met her when she was on Broadway in Three Penny Opera. Her music is current and multi-facete d . Even though it can evoke the sound of the 50's. Don't look for mainstream from this unique artist because she WON'T sell out.
I love Nellie Mckay!!!
She is just so surprising. Her songs are all I want to hear now, but ii don't mind. :B
i love the doris day voice being from the end of doris's era and growing up hearing the torch singers and big band sounds this is just an updated version of what i grew up with this rocks
Holy Rickie Lee Jones!
jeremiemicha e l
Talented songwriter! I prefer Kate Nash's vocals personally, but Nellie definitely has a distinct creative voice and will in my opinion go far in her recording career.
She's great! A huge talent.
I absolutely fell In love with Nellie McKay...to some she is an aquired taste, but once you listen to at least a handful of her songs, you really start to appreciate her talent. Contemporary Jazz, kind of "folky." The "Get Away From Me" Album is probably my favorite album of hers...defin i t e l y a must hear artist!
I happened upon this cd in a record store one day in 2004 and it has become one of my favorite female albums of all time. No two songs sound the same on Get Away From Me and McKay has a lot of integrity for leaving her label over not being able to release the album she wanted. I highly recommend her.

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