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Mike Patton

Mike Patton could very well be one of the most versatile and talented singers in rock music. He may be rock's most valuable player as well, since he has divided his time between at least five projects: Faith No More, Mr. Bungle, Fantômas, Tomahawk, and an experimental solo career. Born in Eureka, CA, on January 27, 1968, Patton discovered his vocal talents when he and some high-school friends formed the whacked-out Mr. Bungle. The group touched upon almost every musical style imaginable and became popular in their region. The members of Faith No More first met Patton around 1988, when they were playing a show in the area.

The bandmembers were having problems with their singer at the time, Chuck Mosley, and gave a careful listen to a Mr. Bungle demo that Patton gave the group. They were blown away. When Mosley finally got the boot a short time later, the band set out to find a replacement. Since Patton was quite content with being a college student and playing with Mr. Bungle, he didn't exactly jump at the invitation (interestingly, the band also asked Chris Cornell of Soundgarden). Eventually he did change his mind, but made it clear that he would be a member of Faith No More and Mr. Bungle.

Patton proved to be an important addition to FNM, as they gained worldwide recognition with releases like The Real Thing, Angel Dust, and Album of the Year. Mr. Bungle signed to Warner Bros., due in part to Patton's newfound fame, and released their self-titled debut in 1991 (produced by experimentalist John Zorn) and the critically acclaimed Disco Volante in 1995. Although they didn't acquired massive FNM-like success, they obtained a loyal and constantly growing fan base. Patton continued to work with John Zorn, releasing a pair of solo albums for Zorn's Tzadik label, in addition to guesting on tracks by Sepultura, the Kronos Quartet, and the Boo-Yaa T.R.I.B.E., among others.

A year after Faith No More called it a day in mid-1998, Patton launched his own record label, Ipecac. The label's first release was the self-titled debut by the Patton-led, all-star experimental outfit Fantômas, who also included former Slayer drummer Dave Lombardo, Melvins guitarist Buzz Osbourne, and Mr. Bungle bassist Trevor Dunn. Patton then returned to Mr. Bungle, contributing to one of their finest albums, the Beach Boys-tinged California. He subsequently joined ex-Jesus Lizard guitarist Duane Denison's Tomahawk (featuring ex-Helmet drummer John Stanier and Melvins bassist Kevin Rutmanis) and formed the R&B/pop/electronic experiment Lovage (a collaboration with hip-hop producer the Automator). He also contributed tracks to Tzadik Records' tributes to Burt Bacharach, Serge Gainsbourg, and Marc Bolan.

A number of recordings featuring Patton saw release in 2001, including Fantômas' sophomore effort, The Director's Cut; the debut recording of Tomahawk; and a collaboration with Dan the Automator on the Lovage album. Lovage were met with great enthusiasm by new audiences, inspiring Dan the Automator and Patton to collaborate on more songs throughout 2002 for a Peeping Tom album. And when old friends Dillinger Escape Plan found themselves without a singer that spring, Patton stepped up and helped them put together a new EP, even continuing as a temporary singer after they had filled the position. After six years of perfecting Patton's warped take on a pop album, Peeping Tom was finally released in May of 2006.

Patton also tried his hand at acting in such motion picture projects as Firecracker and Amnesia, and continued to develop his interests outside the music studio, providing voices for the video games The Darkness, The Portal, Left 4 Dead, and Bionic Commando, and using his guttural vocal roars to provide vocals for the creatures in I Am Legend. In 2008, he composed a soundtrack for the Derrick Scocchera independent film A Perfect Place, released on Ipecac. A long-planned album of big-band ‘50s and ‘60s Italian crooner covers followed in 2010, titled Mondo Cane. ~ Greg Prato, Rovi
full bio

Comments

I love Patton's stuff. Everything. Even the zombie voices he did for Left 4 Dead.
Crank High Voltage was the ish!
Patton is amazing. In every aspect
ascendcoilst r a t a
Wow, so much of his solo music missing here. Pandora should grab his Tzadik recordings.
jrkuecken
What can you say about Mike Patton...sim p l y incredible.. .
I just have to chime in that his man is really down-to-eart h though is easily one of the more talented singers/voca l talents of generations. I met him on the California tour and chated with him for hours after the show. His reverence for other musicians is charming in light of his own talent. This includes musicians he himself worked with on that tour.
mclune1
The man is a genius.
I shared a cognac once with mr. Patton in hollywood, of whom i am a gigantic fan since 1991. he was so nice and down to earth. I saw him months later in san francisco and he remembered my name, i thought that was pretty cool. this man influenced me greatly. My dream would be for him to produce my current project eyerahaze.co m BIG FAT SIGH!!!!!!!!
Mr. Bungle is by far one of the most beautifuly disturbed noise my eyes have ever tasted!
i want to be in his mind for like a day any longer i think i'd go insane
"Angle dust" is still a relevant album to this day.
Fun
Always something new with Mr Patton.Yet always having that familiar something.Li k e coming home 2 a new girlfreind that you used 2 date.That crazy one you forgot about.
I had the pleasure of meeting Mike @ my brother Elliot's place on buttermilk lane in Arcata in the 80z
Most talented... most unique, and most amazing live performer EVER!!!
a REAL maverick and an artist without fear.
i beleave that he is the most talented person i have ever met or seen
he did the score for crank high voltage
Patton may very well be THE greatest vocalist, musician, and pioneer for unique and original music of the last 20 years. Musicians and fans alike should be thankful Mike Patton has graced us with truly inspired albums since 1989.
Unbelievable talent and level of performance. The vocals on some of the Bungle albums still leave me shaking my head, many years later.
Genius.

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