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Michael Bloomfield

The name Nick Gravenites is probably familiar mainly to aficionados of '60s Chicago blues and San Francisco blues-rock and psychedelia of the same era, but not to a wider audience, because although Gravenites was an important contributor to the music during its heyday, he has unfortunately been sparsely recorded and often worked behind the scenes over the years. More people are likely to know him for the dozens of great songs he wrote: "Born in Chicago" (Paul Butterfield), "Buried Alive in the Blues" (Janis Joplin), "East-West," "Work Me Lord," "Groovin' Is Easy," "Bad Talkin' Bluesman," and literally hundreds of others. Gravenites' compositions have been recorded by Paul Butterfield, Janis Joplin, the Electric Flag, Elvin Bishop, Charlie Musselwhite, Big Brother & the Holding Company, James Cotton, Otis Rush, Jimmy Witherspoon, David Crosby, Quicksilver Messenger Service, Tracy Nelson, Howlin' Wolf, Roy Buchanan, Pure Prairie League, and others. He also made quite a name for himself as a producer, working on albums by Otis Rush, James Cotton, Michael Bloomfield, Janis Joplin, and others. Gravenites' sessionography is extensive; he's contributed to more than 50 albums as a singer, guitarist, bandleader, and/or producer.

The son of first-generation Greek immigrants, Gravenites grew up on Chicago's South Side and entered the University of Chicago in 1956. He began to play guitar in college, was immediately drawn to the university's large folk music club, and shortly thereafter began hanging out in the blues clubs. He met Paul Butterfield, who was still in high school, through the university's folk music club, though Butterfield never attended the University of Chicago. They began playing acoustic blues and folk songs together at campus-area coffeehouses. Also in the late '50s, he became friends with both black and white blues players then hanging out in the Chicago blues clubs, musicians like Muddy Waters, Howlin' Wolf, Mike Bloomfield, and Charlie Musselwhite.

In the late '50s he began making periodic trips to San Francisco, and spent nearly ten years commuting between Chicago and San Francisco before finally settling in Northern California in the mid-'60s. Gravenites was a key player and impresario on both the Chicago blues scene and the emerging blues-rock and psychedelic rock scene in San Francisco. In 1967, he formed a short-lived but legendary band, the Electric Flag, with guitarist Bloomfield, organist Barry Goldberg, bassist Harvey Brooks, and drummer Buddy Miles. The Electric Flag made their first performance at the Monterey Pop Festival in 1967, and their first album, A Long Time Comin', made the Top 40; the group continued to record into the mid-'70s. Gravenites continued to perform through the 1970s and '80s around San Francisco and Northern California, filling his live shows with raw, burning, very economical guitar playing and soulful singing. His solo and collaborative albums during this period include My Labors (CBS, 1969), the Steelyard Blues soundtrack (Liberty, 1973), Junkyard in Malibu (Line, 1980), and Blue Star (Line, 1980).

A mid-'90s album with his group Animal Mind, titled Don't Feed the Animals, was released by Taxon Records, and Gravenites joined Bob Margolin and others in a Kennedy Center tribute concert to bluesman Muddy Waters, taped in the fall of 1997 for airing on PBS. During the 2000s Gravenites could be found along with a host of other blues and blues-rock luminaries -- including Harvey Mandel (Canned Heat, John Mayall), Barry Goldberg (Electric Flag), Tracy Nelson (Mother Earth), Corky Siegel (Siegel-Schwall Band), and Sam Lay (Butterfield Blues Band) -- in Chicago Blues Reunion, an aggregation featured on the CD/DVD set Buried Alive in the Blues (recorded at an October 2004 concert in Berwyn, IL), released in 2005 by Out the Box Records. ~ Richard Skelly, Rovi
full bio

Comments

First time looking for Bloomfields bio, hmmm, seems Pandora is asleep at the switch. cyanus left a post about the wrong bio 7 months ago. Great bluesman, how about the right bio too?
belkat
Nice bio on the wrong guy (?)
xoxoxoxoxoxo x o x o x o x o x x x x o x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x o o o o o o o o o o o o o
too bad he passed away- great blues player
Play that gee-tar, white boy!
Bloomfield ONE of a KIND! Loved him XO XO XO
Saw Mike Bloomfield in Boston, Mass 1968, with Al Kooper ans Steve Stills. the best concert ever.
Can we get his bio fixed please?
Wrong Bio......aga i n . . . . . . y o u have Gravenities instead of Bloomfeild's . . . . . . B o t h are great, but each deserve their own Bio._Thanks.
Oh great, now you have Al Kooper's bio up there instead of Mike's. Give the man some respect!
kvons1
30+ YEARS GONE AND STILL AND FOREVER A TRUE LEGEND!
Saw Bloomfield play at the Bottom Line in NYC, 1974. Sat an arms length from the stage. Great memory
Uh, Mike Bloomfield's biography above is actually about Nick Gravenites
call me nuts, i kinda dig his singing as well. he always associates with interesting cats. check out count talent. and his crusin' is a tortured masterpiece!
kvons1
Tragic and early loss of a true blues great. As far as putting Clapton to shame--I disagree. Bloomfield and Clapton are both true greats by their own rights and I could never see one as being better than the other.
@slomis2 - I concur!
Bloomfield put Clapton to sham.
donnie.hughe s j r
This is why I like Pandora the he double L with what is played on the radio. I can get more variety listening to local bands than on radio wich plays bands from supposedly nationwide!! ! ! ! How ridiculous If you have crossover artist from country and pop. I have three girls under five and there are a couple who hit that category then you hear the same 8-9 artist for months and months on the radio.
The original Butterfield Blues Band was smokin' hot. Elvin Bishop & Mike killed on those first two albums (yes - albums). They set the template for all that followed and had a profound influence on the SF bands of the mid and late 60's. All you have to do is listen to Work Song and East/West off the album East/West to hear what I'm talking about...and I know most of you have!
Mike blossomed in the rich musical enviornment of the Chicago North Shore...a suburban blues man. He had a regular gig in High Wood, yea, that's really it's name, north of Waukegan, IL, a hang out for blue color workers and military fromm nearby Great Lakes Naval Station. A world apart form the comfortable, classy suburbs of Glencoe and Winnetka, Mike tapped into the gritty emotion of the blues root of rock'n roll in 1959-1964. Listening today brings back the memory of dingy, smookey, sweaty, mu
pehr1960
no one plays blues like mike bloomfield
Not to mention his time with Butterfield. Who would's thunk it about a guy from Wilmette?
My favorite white blues guitar player. He was the man in the mid-sixties. The first modern guitar hero (Guitar Player player of the year in 66 & 67 - the first two years they started publishing).
No bio? Go ask some of the surviving old time Chicago guys about him?
Maybe its time not to depend on just all music guide???
Oh, so they all call him "Michael" now, do they.
He died way too young.
At least I got to see him a couple of times.
One of the unheralded geniuses of our time -- not only a great blues guitarist but pushed the limits, not content to play the same ole same ole stuff -- listen to his solo on East West to hear the precise moment when electric blues became something else.

Very best is the album Electric Flag and particularly "Killin Floor'
manny2man
One of first real r&b players that could and still keep B.B.K, E.C. on the ground. Real
never heard of this kid, but he rocks, or should we say he rolls
m3nicols
it seems like bloomfields blues playing sets himself (stylistical l y ) apart from the other white blues guitarists from around the early 60's. it just sounds like he "got it" more than the other guys. excellent tone btw. dude just wanted to play some bad blues, and thats what he did. this guys will forever remain in my top 5 guitar players list
Definetely a GREAT blues player as almost their were no others. Sadly, his memory is long been leaving this gen. and the last. Only dedicated blues, or guitarists in gen., will revive him; as his skills were too 0rg. to just pass up as another pentatonic six string shooter.tHER E ' S ALOT OF ROOTS HERE AND EVENTUALLY WILL BE DUG UPFOR IF EVEN A LACK OF COMPLACENCY. tommy....... . . .
MIKE BLOOMFIELD IS ONE OF THE BEST GUITARISTS TO HAVE EVER LIVED. HIS UNTIMELY DEATH AT 37 WAS TRULY A TRAGIC LOSS TO THE BLUES SCENE. BLOOMFIELD PLAYED ELECTRIC BLUES AS THOUGH HIS LIFE DEPENDED ON IT. WHAT A SHAME THAT SUCH GREAT MASTERS OF THE ART OF PLAYING AND SINGING THE BLUES AS BLOOMFIELD, HENDRIX,VAUG H A N AND JOPLIN, TO NAME BUT A FEW, EXITED THE SCENE SO EARLY. IT WOULD BE GREAT TO HEAR WHAT ANY ONE OR ALL OF THEM WOULD BE PLAYING THESE DAYS IF THEY WERE STILL ALIVE TO KEEP US ROCKIN

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