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Mahalia Jackson

General critical consensus holds Mahalia Jackson as the greatest gospel singer ever to live; a major crossover success whose popularity extended across racial divides, she was gospel's first superstar, and even decades after her death remains, for many listeners, a defining symbol of the music's transcendent power. With her singularly expressive contralto, Jackson continues to inspire the generations of vocalists who follow in her wake; among the first spiritual performers to introduce elements of blues into her music, she infused gospel with a sensuality and freedom it had never before experienced, and her artistry rewrote the rules forever. Born in one of the poorest sections of New Orleans on October 16, 1911, Jackson made her debut in the children's choir of the Plymouth Rock Baptist Church at the age of four, and within a few years was a prominent member of the Mt. Moriah Baptist's junior choir. Raised next door to a sanctified church, she was heavily influenced by their brand of gospel, with its reliance on drums and percussion over piano; another major inspiration was the blues of Bessie Smith and Ma Rainey.

By the time she reached her mid-teens, then, Jackson's unique vocal style was fully formed, combining the full-throated tones and propulsive rhythms of the sanctified church and the deep expressiveness of the blues with the note-bending phrasing of her Baptist upbringing. After quitting school during the eighth grade, Jackson relocated to Chicago in 1927, where she worked as a maid and laundress; within months of her arrival, she was singing leads with the choir at the Greater Salem Baptist Church, where she joined the three sons of her pastor in their group the Johnson Brothers. Although other small choir groups had cut records in the past, the Johnson Brothers might have been the first professional gospel unit ever; the first organized group to play the Chicago church circuit, they even produced a series of self-written musical dramas in which Jackson assumed the lead role. Her provocative performing style -- influenced by the Southern sanctified style of keeping time with the body and distinguished by jerks and steps for physical emphasis -- enraged many of the more conservative Northern preachers, but few could deny her fierce talent.

After the members of the Johnson Brothers went their separate ways during the mid-'30s, Jackson began her solo career accompanied by pianist Evelyn Gay, who herself later went on to major fame as one half of gospel's Gay Sisters. During the week, Jackson also went to beauty school, and soon opened her own salon. As her reputation as a singer grew throughout the Midwest, in 1937 she made her first recordings for Decca, becoming the first gospel artist signed to the label; curiously, none of the tracks she recorded during her May 21 session was by Thomas A. Dorsey, the legendary composer for whom she began working as a song demonstrator around that same time. (He even wrote "Peace in the Valley" with her in mind.) While her Decca single "God's Gonna Separate the Wheat from the Tares" sold only modestly, prompting a lengthy studio hiatus, Jackson's career continued on the upswing -- she soon began performing live in cities as far away as Buffalo, New Orleans, and Birmingham, becoming famous in churches throughout the country for not only her inimitable voice but also her flirtatious stage presence and spiritual intensity.

Jackson did not record again until 1946, signing with Apollo Records; although her relations with the label were often strained, the work she produced during her eight-year stay on their roster was frequently brilliant. While her first Apollo recordings, including "I Want to Rest" and "He Knows My Heart" fared poorly -- so much so, in fact, that the label almost dropped her -- producer Art Freeman insisted Jackson record W. Herbert Brewster's "Move on Up a Little Higher"; released in early 1948, the single became the best-selling gospel record of all time, selling in such great quantities that stores could not even meet the demand. Virtually overnight, Jackson became a superstar; beginning in 1950, she became a regular guest on journalist Studs Terkel's Chicago television series, and among White intellectuals and jazz critics, she acquired a major cult following based in large part on her eerie similarities to Bessie Smith. In 1952, her recording of "I Can Put My Trust in Jesus" even won a prize from the French Academy, resulting in a successful tour of Europe -- her rendition of "Silent Night" even became one of the all-time best-selling records in Norway's history.

Jackson's success soon reached such dramatic proportions that in 1954 she began hosting her own weekly radio series on CBS, the first program of its kind to broadcast the pure, sanctified gospel style over national airwaves. The show surrounded her with a supporting cast which included not only pianist Mildred Falls and organist Ralph Jones, but also a White quartet led by musical director Jack Halloran; although her performances with Halloran's group moved Jackson far away from traditional gospel towards an odd hybrid which crossed the line into barbershop quartet singing, they proved extremely popular with White audiences, and her transformation into a true crossover star was complete. Also in 1954 she signed to Columbia, scoring a Top 40 hit with the single "Rusty Old Halo," and two years later made her debut on The Ed Sullivan Show. However, with Jackson's success came the inevitable backlash -- purists decried her music's turn toward more pop-friendly production, and as her fame soared, so did her asking price, so much so that by the late '50s, virtually no Black churches could afford to pay her performance fee.

A triumphant appearance at the 1958 Newport Jazz Festival solidified Jackson's standing among critics, but her records continued moving her further away from her core audience -- when an LP with Percy Faith became a smash, Columbia insisted on more recordings with orchestras and choirs; she even cut a rendition of "Guardian Angels" backed by comic Harpo Marx. In 1959, she appeared in the film Imitation of Life, and two years later sang at John F. Kennedy's Presidential inauguration. During the '60s, Jackson was also a confidant and supporter of Dr. Martin Luther King, and at his funeral sang his last request, "Precious Lord"; throughout the decade she was a force in the civil rights movement, but after 1968, with King and the brothers Kennedy all assassinated, she retired from the political front. At much the same time, Jackson went through a messy and very public divorce, prompting a series of heart attacks and the rapid loss of over a hundred pounds; in her last years, however, she recaptured much of her former glory, concluding her career with a farewell concert in Germany in 1971. She died January 27, 1972. ~ Jason Ankeny, Rovi
full bio

Selected Discography


A wonderful Woman of God i love u mother Mahalia Jackson
Mahalia Jackson rest in peace you are the mother and the queen of gospel and always will be much love God bless you
i love listenin 2 mahalia i inspire her musik
she infused gospel with a sensuality and freedom it had never before experienced,

This seems to have been written by a person who does not understand this music. A lot of words, little understandin g .
hey Mahalia has me over here in tears glory to my God
I loved her and her music, she was a great woman.
You can remove the term sensual from her bio and replace it with the term spirit- filled and powerful. Have you ever seen Mahalia with her cleavage showing and a skirt up to her belly button? No. Her music was to the praise, honor and glory of Jesus Christ - not to an unbelieving world that has no understandin g of what the music is all about, as the bio writer makes us very aware of by the term sensual.
Amazing woman, amazing voice!
Dad, please take special care of my sparrows (my grown kids) You gave to me on loan this day, please. You tell me not to worry-You have them and you shelter them. Dad, I believe, but please help my unbelief. Help my sparows, please!
I miss her dearly and still love her God-given vocal talents....
God's Angel. Stay and stand stead fast. She only sang for the Lord. Bless God. Even when told it wouldn't sell. That is a testimony.
America was blessed to claim her, and her soulful sounds!!
I love her music. Excellent!!! ! ! ! ! ! ! ! ! !
My mother sang gospel music. I miss her so much. When I hear Ms Jackson sing it just lifts' my heart up and let's me know that my Mom is listening right along with me. Corny right
Makes entering heaven, a pleasure. I can listen, to her, all day. LB
My Grandmother only records were Mahalias Amen. 14y 1m
Such an inspirations and soothing voice..... Thanks!
My grandma and mother filled the house with her beautiful and soulful voice!
Wow she is so deep with her voice it Deeper then the blue sea love she is the Greatest of all
I was introduced to Mahalia's music by by grandmother many years ago. I agree with those who say she is the greatest gospel artist ever.
I love her so two !
If there ever was an angel with a voice worthy to sing for our LORD, it was !
We've all been blessed with the gift of singing!
Sing-A-Joyfu l - N o i s e - U n t o - T h e - L o r d . . . have to be filled with joy-N-pleasu r e ( s ) and Treasuring the Beauty of Mahalia Jackson's VOICE!!!
Pandora you may want to check her birth date again. Wikipedia has her birth date as October 26,1911.
Yes , one of the greatest ever.....
I grew up on this
pandalilly90 3
love here so much R.I.P
Powerful woman! Excellent.
1959 is the year she came into by world, with a voice and style that was so rich it changed by life. The 60's was a rough time. Civil rights, war, civil unrest in America. A group of people changed their name from Negro to Africa-Ameri c a . Things from all difference worlds started to change. But Ms. Jackson's vocie and style took it home and you started to see want really matters.
granger.darl e n e
just beautiful gospel music justlove it
I love her!! Shes so good! Good ol gospel
Mahalia, Mahalia,Maha l i a . . . I have nothing but respect for her body of work and that amazing VOICE! I thank my Mama for exposing me to Mahalia and Shirley Ceasar. They set the standard for what gospel music should be. Hail to Mahalia...on e of my favorite singers ever! Praise Jesus!!!
I can put my trust in Jesus with gratitude!
Sister Mahalia Jackson was a gospel icon. Her Christmas CD is great too. She paved the way for many gospel singers of today. I thank God for Mahalia's powerful voice, spirit, and strength.
Mrs Mahalia is gospel music
There will never be another, she was way before my time. but, I thank God that he allowed me to hear her music!!!!!!! ! ! ! !
there's noone like her. Her music has been apart of my life, all my life
The Greatest!

cadillackimb e r l y
LOVE, LOVE ,LOOOOOVE ME SOME Mahlia Jackson, so help me Jesus.
Another one of God's great Disciple who did her job well!!
One of the BEST!
milton, fl
I love her music...:)
fantastic... o n e of the greatest if not the greatest singer of all times...i love her..
best gospel singer of all time!!!!!!
i love Mahalia,I grew up on her,my mother adore her & played her songs all the time,I wish i could have gotten the chance 2 have seen her in person,that would have been such a honor 2 me.
I love listening to the Late Ms. Mahalia; she was an awesome woman - who loved sharing the gospel of the Lord. There many days when I listenend to her music, it teaches me somethings that might have gone pass me, then God gives me the opportunity to catch it through the music of the Late Ms. Mahalia. So, therefore, I am grateful to God for sharing his n d i n g a message just so that I may hear his word. Amen!
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