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Les Brown And His Band Of Renown

The leader of a first-class jazz-oriented dance band for over 60 years, Les Brown's music was never innovative but was generally quite pleasing. Brown was born in Reinerton, PA, into the family of a baker. He got started in music early, taking up the saxophone at age seven with the strong encouragement of his father, who played the trombone. He knew how to sight-read before he was ten, and was playing alongside his father by that time at local dances. Brown left high school after one year, choosing instead to attend the Ithaca Conservatory of Music, where he studied theory, harmony, and composition. He passed through the New York Military Academy before landing at Duke University, where he joined the Duke Blue Devils, the university's official dance band, in 1935. Their sound was modeled after the Casa Loma Orchestra, which was then one of the most popular dance bands in the country, especially among college audiences.

Brown made his first recordings as a member of the Blue Devils in 1936 for Decca, but by the following year they'd split up, as the members who were still undergraduates returned to school. Brown went to New York and spent a year working for Jimmy Dorsey, Isham Jones, and Larry Clinton as an arranger. His chance at forming a new band came in 1938 when an executive at RCA arranged a booking for him at the Hotel Edison in Manhattan, if he could put a group together. Brown secured a loan from his father to get the band off the ground and he soon had a 12-piece outfit playing at the hotel. A series of regular live radio broadcasts of the band soon had their reputation spreading far beyond the ranks of the hotel's dance patrons, and RCA Victor quickly signed them to its Bluebird imprint.

The group was doing well as the 1930s closed out, drawing a healthy dance audience and a substantial listenership. Their records weren't the most ambitious in the world -- mostly covers of standards and other bands' hits, interspersed with an occasional Les Brown original -- but they sold well enough to keep the recording industry interested in them. In the late '30s, most of their sound was built on ensemble playing, and they displayed a rich, full tone that came off well, both in person and over the air as well as on record. Brown insisted on a polished, precise sound and audiences seemed to devour it. But starting in 1940, he began altering their sound by allowing room for his soloists to go to work doing that they did best, and audiences liked it even better. Then he hired his first vocalist, a teenager named Doris Day, who sang with a depth and level of sophistication far beyond her 17 years, and their popularity soared. Day's first stay with the group wasn't long -- less than a year -- before she left to get married. Her replacement, Betty Bonney, was aboard when the band cut a song devoted to the then-current phenomenon of Joe DiMaggio's hitting streak -- "Joltin' Joe DiMaggio" became their first chart hit. When the smoke cleared, the band found itself ranked among the top ten most popular performing outfits in the country.

It was a radio show, Spotlight Band, that inadvertently played a big role in their subsequent history. The Les Brown band appeared regularly on the program, which went to service audiences around the country (and made them permanent favorites of millions of men in uniform). But it was a chance moment in 1942, when an announcer referred to them as "Les Brown & His Band of Renown," that proved a key to their future. The reference sounded great, and it stuck, and it became the band's permanent name. They came to occupy a peculiar niche in the musical world as it existed in those years -- although it wasn't really a jazz band, Brown's group employed enough elements of jazz, and enough high-quality soloists (and Brown seldom featured himself in the latter capacity, though he was a good player), that they were treated with a great deal of respect by jazz players and in the jazz journals of the period.

The next pivotal moment came in 1943 when Brown persuaded Doris Day, now divorced and raising a son (actually, future producer Terry Melcher), to return to the band. The result, in 1944, was one of the most enduring hits of World War II, "Sentimental Journey." It not only became one of the defining hits of the big-band era, but also Brown's signature tune (and, to a lesser degree, Day's signature tune) for the next 50 years, and even in the 21st century is totally identified with both of them. The song was written by Ben Homer, a composer and arranger who was also responsible for the various dance adaptations of classical works that Brown's band recorded. Brown spent most of the 1940s signed to Columbia Records, which was also the home of Doris Day as a solo act. Brown's career momentum was slowed only when the Second World War drew to a close, and he decided to spend more time with his wife and family, which meant giving up touring -- he'd had some excellent soloists in his band, including Abe Most and Ted Nash, but they soon began drifting away to other work once Brown settled down in Los Angeles.

In early 1947, Brown took on an extended engagement at the Hollywood Bowl, which resulted in his reactivating the band in a new incarnation, made up of freelancers -- he also discovered that there were enough truly high-caliber examples of the latter that the music didn't suffer at all. As a result of that engagement, he also picked up what proved to be the longest running gig of his career when he started working with Bob Hope. The association with Hope -- which resulted in Brown touring for many years in tandem with the legendary comedian's performances on behalf of American servicemen -- made it possible for the orchestra to stay together for many decades. The Dave Pell Octet, which was quite popular in the mid-'50s, was comprised of some of Brown's sidemen. In the late '50s, Brown became one of the founding members of the Recording Academy. Brown was signed to Capitol Records during this same period and enjoyed a fresh string of hit singles and successful LPs through the end of the decade -- such was his reputation that he was easily able to recruit top players (such a reedman Billy Usselton) for those later bands, and those Capitol recordings have found an enduring audience much as his earlier Columbia sides did. Additionally, his work with Hope helped to keep his name alive for several generations of television viewers, among others, well into the 1980s. Brown also occasionally toured throughout the last decades of his life, even performing within a year of his death on January 4, 2001, at the age of 88. His son, Les Brown, Jr., a musician who was primarily known as an actor, took over the Band of Renown during the 21st century and has kept it going since. ~ Scott Yanow & Bruce Eder, Rovi
full bio


Love that big band sound!
Anna,Sad that the Big Bands and elaborate Ballrooms are a thing of the past
As stated by some here ...the reason I became a musician... Les Brown brings back memories and melodies of my childhood. Thanks Les....
add frank sintra
Smooth Jazz at it's best..David Adelaide Australia
remember this in first nutty professer
This is what I call music.
Some of my grand children love this beautiful music. They say it beats the noise of
the hollering today like they are being beaten.

terrible reception
Good Gosh cory! You were born in 1927, Doris in 1929 and you've got 14 years on this whipper snapper. There have been tattoo'd and pierced ladies, O.J. getting away with a double murder and a President getting Lewinski's in the oval office and lying about it. We have got a lot on the list of things we never thought we'd see don't we?
I was mistaken, Miss Doris Day was 2 years older than I when heard her and Les Brown when I was in boot camp in 1944. I was just seventeen and she was two years my elder. Don't care as she was a beautiful singer and lady. Cory Hartbarger
A great band to dance to
GREAT VIBES....... . . W D W S r .
great music brings back good memories
Having played trumpet in big bands for 55 years, I am so happy to listen to all the great bands again. Thank you, Pandora
Really enjoying these selections and the memories
just good music
jamesmcmulli n 6 9 7 9 --- I know exactly what you mean. Semper Fi and God Bless America!
All great, great, wonderful music all of us from the 1930s,40s and WWII will remember and enjoy along with the wonderful memories of that fearful, exciting time and our friends of then, as long as we live.... & rfemembering our youth.....Ke e p up such music....... . M a n y thanks
Jim McMullin.... . . .
How is Carmichael's Stardust a tribute to Gershwin?
I heard Les Brown with Bob Hope at Bien Hoa AFB in 1965. His arrangements were outstanding - as always. Jack Jones and Joey Heatherton were along. Dave Pell, Ray Sims, Stumpy Brown, Butch Stone - it was a great band. We also danced to them at Hershey Park Ballroom in the 50's.
Bob Hope brought his troupe to Lackland AFB in 1951 and Les Brown Wowed us with his great music. Later went to Oakland Armory and listened to a whole concert by him and the great guys, including Ray Sims on trombone.
stevelangsto n 4 8
worked in radio in 1960's still a great band leader
stevelangsto n 4 8
worked in radio in 1960's still a great band leader
I have danced to Les Brown's band when he was touring colleges. This evokes great memories... Bob
One of the all-time greats!
Les Brown, great bandleader love this era of big band.
like his instrumental recordings
Les Brown is one of my favorite band leaders_firs t heard Doris Day sing sentimental journey on returning from Military Service in WW11. They played it incessantly on the 12 day stormy voyage--- Ilove the song!
love this music
You can never have too many versions of Stardust. Love that clarinet, brass and piano. Very moving.
One of the greatest sounds of the big band era. I had the opportunity to see Les Brown perform at a "street dance" in San Diego near the end of his career. It was something I'll never forget.
The Brown band is my favorite of all time. Nice clean arrangements - fine tasty jazz choruses - a friendly man with a wonderful band.
one of the great big bands of the big band era, in my view. This "Lover" is wonderful, so is Leap Frog, I've Got My Love to Keep Me Warm, and all Les Brown tunes.
Jack Fortes
DeLand Fl
I learned to dance to "I've got my love to keep me warm". My date was very patient and I finally got the beat for jitterbug and have loved dancing ever since. When I hear that song, it brings back wonderful memories.
what has this got to do with dixieland???
His record "I've Got My Love To Keep Me Warm" is certainly one of the all time greats, and borders on perfection. It never gets old!
Has anyone seen the "Concert Modern" album on CD?
Les Brown was at the Hollywood Palladium back in the 50's. He put on a great show for dancing and listening.
my wife and kid hate this but my comp and my time to swing so they can bite me
Les Brown's "Stars Fell on Alabama", absolutely super. Surely would like to know the name of the saxophonist featured on the solos.
Always good music to bring the life out of people !!! The BEST !!!
one of the best arrangements
i love it
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