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Jr. Walker & The All Stars

Motown's skilled but mostly anonymous instrumentalists very rarely stepped out on their own. The lone exception to the rule was tenor saxman Junior Walker, whose rough-and-ready, old-school R&B was a marked contrast with the label's typically smooth, polished product. Walker's squealing gutbucket style was inspired by jump blues and early R&B, particularly players like Louis Jordan, Earl Bostic, and Illinois Jacquet. Possessed of a raspy, untrained voice, Walker's singing nonetheless complemented the energy of his sax playing, and he cut a wealth of danceable, party hearty R&B for Motown during his heyday in the second half of the '60s.

Walker was born Autry DeWalt II on June 14, 1931 (even though Motown gave his birth date as 1942), in Blytheville, AR. (Some accounts list his birth name as Oscar G. Mixon, which was then changed at some point during his early childhood.) DeWalt grew up in South Bend, IN, and began playing the saxophone in high school; he was soon performing in local jazz and R&B clubs with his first band, the Jumping Jacks, under the name Junior Walker. He next joined a trio led by drummer Billy "Stix" Nicks, which also featured organist Fred Patton; they soon added backing vocalist and guitarist Willie Woods, and played around northern Indiana and southern Michigan. Walker took over the group after Nicks joined the Army; in the late '50s, he relocated to Battle Creek, MI, and formed a band billed as Junior Walker & the All-Stars. Initially, they featured Patton, Woods, and drummer Tony Washington; Patton was later replaced by Victor Thomas, and Washington by Jack Douglas and, finally, James Graves. The All-Stars continued to play around the area, and took up a residency in Battle Creek's El Grotto club. There they were discovered by singer Johnny Bristol, who recommended them to his friend, ex-Moonglow Harvey Fuqua. Fuqua signed the group to his Harvey label in 1961; they made their first recordings in 1962, and the following year Fuqua's labels were absorbed by Motown.

Walker & the All-Stars ended up on their Soul subsidiary, debuting for the label in 1964. In early 1965, they scored their first big hit with the dance tune "Shotgun," which marked Walker's vocal debut; in fact, the only reason he sang the song was that the vocalist he'd hired didn't show up for the session, and he was somewhat flabbergasted by the label's decision to leave his vocal intact. Berry Gordy's instincts proved right, however, when "Shotgun" topped the R&B charts and hit the pop Top Five. A steady stream of mostly instrumental R&B chart hits followed, including "Do the Boomerang," "Shake and Fingerpop," and "How Sweet It Is (To Be Loved by You)" (Walker was, naturally, encouraged to record instrumental versions of Motown hits). In 1966, Graves left and was replaced by old cohort Billy "Stix" Nicks, and Walker's hits continued apace with tunes like "I'm a Road Runner" and "Pucker Up Buttercup." Toward the end of the '60s, seeking to diversify their approach, the All-Stars began recording more ballad material, complete with string arrangements and Walker vocals. That approach resulted in the group's second Top Five pop hit, the R&B number one "What Does It Take (To Win Your Love)," which helped refuel Walker's career. He landed several more R&B Top Ten hits over the next few years, with the last coming in 1972.

Walker resurfaced as a solo artist during the disco era, working with producer Brian Holland beginning in 1976 with the single "Hot Shot"; a pair of albums followed. In 1979, Walker joined up with another former Motown mainstay in 1979, signing with producer Norman Whitfield's Whitfield label, though without much success. Walker returned to the spotlight in 1981 with a well-publicized (and well-executed) guest solo on Foreigner's Top Five hit "Urgent." Two years later, he re-signed with Motown and recorded Blow the House Down; by that time, his melodic style was being absorbed into a new generation of R&B-flavored jazz instrumentalists. Walker continued to tour through the '80s and '90s, sometimes with his son Autry DeWalt III playing drums. Unfortunately, in 1993 his activities were severely curtailed by cancer, which claimed his life on November 23, 1995. In the wake of his death, Billy "Stix" Nicks continued to tour with a version of the All-Stars. ~ Steve Huey, Rovi
full bio

Comments

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Shoot him for he run now! ;)
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Underrated sax man , loved " Walk On The Night "
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I'm a road runner bby
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Walker was the most under rated R&B artist of ALL TIME!!!
Roderick Newby
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Love this rola!!!!
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Won first place to this f**king song!!!!!!!
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msvglove1
Still doing it at 62 shakin and finger popping and dancing like I never dance before
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dragonlady60 8 8
my fave
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dragonlady60 8 8
shot gun
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I actualy like this version than the original.
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Did my cholo dance at the house partys....lo l
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Gary Carlos, Azusa ,Califa. Dalton Boys
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There will never be music like Jr walker & the al-stars.or any of the old school.Gary Carlos
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Good music back in the. Day
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Gotta hold on to this feeling
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Will always be ol school
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Gotta hold on 1974 yea
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How do I get to Booker T & the MG's Green Onions?
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Hum what does it take
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Mmmm love this rola! ;)
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Cleo's back, OK n Cleo's gone.
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Guys. Treat your. Woman. With. Love. And. Respect. And. Show. Her. You. Care. Take. Her. Out. On. The. Town. If. It's. Just. Once. A month. Do something. Other. Than. Just looking. At. Tv make. Time. For. Your. Ladies
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R.i.p. my friend
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What does it take to win your love for me?? If you feel something for me tell me and the lil thing that I do I will never do it anymore. Im just so alone
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Love this. Music. Me. &. My. Dad. May. He r: I : p : my. Dad.
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Love me some jr walker and the all stars old-school for life.
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That's my favorite song What does it take to win YOUR Love
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barden100
such a groove
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JUNYAAAAAH!! ! ! ! ! ! ! ! :-D
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Gonna hold on to this feeling girl.
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OK Jr blow you stuff Shotgun! RQ/rlh
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I KNOWN AS THE ROAD RUNNER I LOVE THE LIFE I LIVE IS REAL GOOD NO GRASS GROW UNDER FEET I LIVE TO FULLEST SMILE....
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I remember my mom one of her gsv. Songs
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"65"~H-Town Hot-Rodzzz Racezzz
I-45 freeway to race 3 rd ward to Gulfgate
*978*~ 5m14y~
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izzympa117
1969, two on the ramp and one in the hanger, wonderful memories.
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Damb, this tune really brings back so many great memories of past friends & loves. Long live this song! Peace people! From Tiny S. F. Mission
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I'm riddin w Jr.walker for awhile trying 2 hold on 2 this feeling ya.
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Imissjr walkersongs
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THEY PLAYED ON MY FAVORITE MOVIE COOLEY HIGH. I WANT TO GIVE TO EVERYBOBY FROM MOTOWN RECORDS FOR THE BEAUITFUL SOUNDTRACK FOR COOLEY HIGH THE MOVIE WAS MADE IN 1975. BUT BASE ON THE HIGH SCHOOL DAYS THE 60S. AND A SCHOOL WAS NAMED COOLEY HIGH IN THE DAY SMILE..
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R.I.P JR WALKER I JUST LOVE U ALOT THE SHOTGUN I LOVE AND ALL YOUR MUSIC I CAN DANCE TOO SMILE...
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Dont git no better'n THIS!!!!!!!! ! !
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d_owen
this song will never die
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hannanator_1
Remember...W h a t does it take to win your love for me? With some...Green onions...HEL L YA!!!
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Love the fkn saxophone in this cut...La Tusa Ariza...
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One of my all time favorites
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I'm rediscoverin g this musical powerhouse. Jr. Walker, you're one of the greats of soul music.
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He's back woowoo.
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I loved his music and all R&B when I was a teenager! My niece adopted his bio granddaughte r . She is a joy to our family and will someday know about her grandpa!
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kvons1
How Sweet It Is----BETTER than Marvin Gayes original take.
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How can I make this dream come true 4 me...
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