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The Jon Spencer Blues Explosion

After a long and semi-successful tenure as leader of scuzz-rock heroes P**sy Galore, Jon Spencer took his anti-rock vision and hooked up with guitarist Judah Bauer and drummer Russell Simins to create the scuzz-blues trio the Jon Spencer Blues Explosion. Postmodern to the core, this is an ironic name; little of what this band plays resembles standard blues. There is, however, a blues feel to what they play, meaning that in many instances they appropriate aspects of the blues (very often clichés) and incorporate them into their anarchic, noisy sound. Not part of alt-rock's commercial establishment, Spencer also managed to sharply divide critics who tended to see him as either inspired showman or mendacious con man (frankly, he's both). He did, however, gain popularity and critical respect during the '90s.

As with Royal Trux, the other band to emerge after the breakup of P**sy Galore, the Blues Explosion's earliest recordings are virtually incomprehensible (and impossible to find). The bass-less mix is awash in distorted guitars, precious little backbeat, and howled vocals. In its favor is the music's exciting, improvisatory feel; also true is that it's frequently incoherent and careless, and doesn't hold up well to repeated listenings. It was with the Blues Explosion's 1992 self-titled release that the band began to write semi-coherent songs: Spencer adopted an imitation blues vocal style, and the band riffed wildly and crashed around him in a bluesy sort of way. It was mostly fun, but it also seemed like a bit of a put-on, and more than a little smug.

The Blues Explosion's "breakthrough" came (as it did for Royal Trux) when they began to sound like a '70s rock band. With the release of Extra Width in 1993, Spencer and company got some air time on MTV's alt-rock show 120 Minutes with the video for the song "Afro." The most noticeable change was the new emphasis on tight songs, funky backbeats, and loads of catchy riffs and hooks. As for Spencer, he was now singing like a grade-Z Elvis impersonator, but, in turn, lost some of the condescending attitude. Live, the band was (and remains) quite a show, generating the kind of sweat and excitement that became anathema to many punk and post-punk bands.

Orange, which was even more accessible than Extra Width, netted the band even more fans upon its release in 1994; 1996's Now I Got Worry and 1998's Acme were also successful. The band took a long hiatus thereafter, only returning four years later with 2002's Plastic Fang and 2004's Damage, the latter their first record for Sanctuary. Following this, the Blues Explosion went on extended hiatus. They re-formed to play some shows when their catalog got the deluxe reissue treatment in 2010, and the band issued the "Black Betty" single for Amphetamine Reptile in 2011. In September of 2012, the Jon Spencer Blues Explosion re-emerged with the full-length Meat + Bone. ~ John Dougan, Rovi
full bio

Selected Discography

Comments

To this day, Orange remains one of my favorite albums of the 90's.
Great band. Not sure why Pandora brushes them off in this biography. I thought they were a really great 3 piece band that paved the way for the White Stripes and many others. They really do a great job of taking a really simple sound and making it sound great
zapmc
Number 1 in DC!
Just saw 'em last week in Portland, Maine. Awesome. Judah Bauer is a badass guitar player.
barndog32
but it also seemed like a bit of a put-on, and more than a little smug.


You just described The MC5, Iggy and the Stooges, The New York Dolls, and just about every band in New York or London in 1977.
cocaine n whiskey
gnocchiman
Like a stepchild!
they're number one in Buffalo!!!
Word
number 1 in Virginia!!
ORANGE oversight dammit whose responsible for this
"get down, get funky wit yer bad self"
yeah babay......
Not that John Dougan needs to be a fan, but he leaves out the fact that Spencer's attitude and bravado are a big part of what makes his music so fun. He and his bandmates were not afraid to let it all hang out and embody the spirit of rock'n'roll. Whereas many musicians are praised for their display of restraint, the lack of restraint is exactly why I love The Jon Spencer Blues Explosion! Also, I disagree that at any point the Blues Explosion ever sounded like a '70s rock band.
Love them!!
Wow. I need hear the new songs!!
"I don't play no blues...I play...ROCK N' ROLL!!"
I recall the big city paper critic citing Orange as one of the top 10 albums of the year. I'd been a fan for a while and I still clipped the review and saved it. "Elvis is dead. Ladies and gentlemen meet the new king."
thevanman552
Anybody else think this guy sings like a drunken Elvis? I love this guy and this sound. Sort of sloppy sounding but not at all; good stuff.
Fun live! Fun on vinyl! Just when you begin to think the sound gets tiring, you flip it on the next day and smile all over again.
lol this song its sort of delusional WTF?
beckywhite19 7 1
what the hell makes anyone leave out orange who the hell even missed the tour dope dope dope and left out how wrong you cant compile data without all the info
how can you not have ORANGE?
bromide01
They couldn't scan in the shiny CD cover, so they decided to just leave it out.
No Orange!? gak!
JSBE rocks the house!
how many times do i have to thumbs down songs from this sh*tty band before pandora stops playing them on my station? seriously. ive thumbed down like 6 songs all from plastic fang and they still keep playing him on my station.
pepper111782
Love these guys.
I sen them in 96 at the vogue in Indy!
Awesome performance.
Also had awesome opening act called Dew Rag.
No one rocks harder than the JON SPENCER BLUUUUUES EXPLOSION!!! !

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