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Joe Strummer

As frontman and main songwriter of the Clash, Joe Strummer created some of the fieriest, most vital punk rock -- and, indeed, rock & roll -- of all time. Strummer expanded punk's musical palette with his fondness for reggae and early rock & roll, and his signature bellow lent an impassioned urgency to the political sloganeering that filled some of his best songs. After the Clash disbanded in 1986, Strummer sporadically pursued film acting and released the occasional solo album, though seemingly only when it suited him. Joe Strummer was born John Graham Mellor on August 21, 1952, when his father, a diplomat, was stationed in Ankara, Turkey. During his time at London boarding schools, the teenage Strummer immersed himself in rock and reggae, and began busking on the streets under his newly adopted stage name. In 1974, he formed the pub rock group the 101'ers, and though they rocked pretty hard, they couldn't quite match the raw fire Strummer discovered when he saw Johnny Rotten and the Sex Pistols. Strummer promptly quit pub rock to join the fledgling punk movement, and co-founded the Clash in 1976; the rest was history. Six albums, many more singles and EPs, and one frequently brilliant body of work later, the Clash broke up amidst rancorous infighting and uncertainty of direction. Strummer contributed two songs to the soundtrack of Alex Cox's Sid and Nancy, a 1986 chronicle of the doomed Sex Pistols bassist; the two hit it off so well that Strummer acted in Cox's next two films, Walker (which Strummer also scored) and the bizarre Western Straight to Hell. His relaxed, natural screen presence earned him further work with directors Robert Frank (1987's Candy Mountain) and Jim Jarmusch (1989's acclaimed Mystery Train); Strummer also wrote five songs for the soundtrack of 1988's Permanent Record. In 1989, Strummer released his first solo album, Earthquake Weather, which blended straight-up rock & roll with touches of world music. However, following a temporary stint filling in for Shane MacGowan in the Pogues (both as rhythm guitarist and in-concert lead vocalist), Strummer largely fell silent after the very early '90s. The first peep of a return to the music scene occurred in 1996, when Strummer appeared on the Black Grape single "England's Irie." The following year, Strummer scored the John Cusack hitman comedy Grosse Pointe Blank, which relied heavily on new wave and British ska revival for its song selections. In 1999, Strummer released his second solo album, Rock Art and the X-Ray Style, which largely forsook straight-ahead rock & roll in favor of eclectic, rhythmic, world music flavored compositions, plus elaborate singer/songwriter-ish lyrics. Strummer further refined this new direction with the follow-up, 2001's Global A-Go-Go. In December 2002, he was in the midst of recording his fourth solo album when he died suddenly of a heart attack at his home in Somerset. ~ Steve Huey, Rovi
full bio

Comments

adw1479
Street core and Globo-a-go-g o are not solo albums. the Mescaleros existed before Joe, though his addition was what made them. Joe would want them to get their due credit. Globo-a-go-g o is a MUST HAVE ALBUM
mneace66
Joe Strummer has not only left us with an impeccable body of vital rock n roll, blues, be-bop, reggae and mind numbing music but even more so than anything an influential human aspect which is oh so rare in the world of rock n roll........ . . . . . . . J o e Strummer is respect...RI P JOE you are for ever missed. Midnight to six man! -MN
the gap that Joe left is still noticable and the further we get from his passing the chasm widens... Joe come back quick the world needs you!!!
For many years, I didn't give Joe enough credit for what the Clash accomplished . It couldn't have happened without his lead vocals and vision. "Streetcore" and "Rock Art & the X-ray Style" are two fine solo albums also.

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