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A harmonically advanced cool-toned and subtle guitarist, Jim Hall has been an inspiration to many guitarists, including some (such as Bill Frisell) who sound nothing like him. Hall attended the Cleveland Institute of Music and studied classical guitar in Los Angeles with Vincente Gomez. He was an original member of the Chico Hamilton Quintet (1955-1956), and during 1956-1959 was with the Jimmy Giuffre Three. After touring with Ella Fitzgerald (1960-1961) and sometimes forming duos with Lee Konitz, Hall was with Sonny Rollins' dynamic quartet in 1961-1962, recording The Bridge. He co-led a quartet with Art Farmer (1962-1964), recorded on an occasional basis with Paul Desmond during 1959-1965 (all of their quartet performances are collected on a Mosaic box set), and then became a New York studio musician. He has mostly been a leader ever since and, in addition to his own projects for World Pacific/Pacific Jazz, MPS, Milestone, CTI, Horizon, Artists House, Concord, Music Masters, and Telarc, Jim Hall recorded two classic duet albums with Bill Evans. A self-titled collaboration with Pat Metheny followed in 1999. A flurry of studio albums, reissues, and compilations followed throughout the next few years, with the exceptional Jim Hall & Basses standing out for its bass/guitar duet format. ~ Scott Yanow, Rovi
First heard this back in the 70s & was hynotized, one of the most beautiful pieces of music I've ever heard! still love it, still blows my mind & still hypnotizes me!!
Discovered Jim Hall when I was in school in Cambridge, MA decades ago...he blew my mind then, and continues to do so. He is simply among the best ever.
Discovered Jim Hall in 1976 and have been an enduring fan ever since. Was driving in the car when Concierto was played by a local jazz station and had to pull off the road to listen. The whole album is a joy! All players are inspired in their solos...just love it!
Hall's "Concerto de Aranjuez" is way good. I've got Miles Davis' rendition in "Sketches of Spain" and thought it was as good as it gets, Hall's version is at least the equal.
Jim Hall is THE guitar player. Pat Metheny seems to be his successor, same aesthetic, same harmonic and melodic inventiveness. And the one and only Paul Desmond ("the sound of a dry martini") makes this cut exquisite! Five zillion stars! If I had the jazz genie grant me only one wish, it would be more my own quartet to sound like this!
Jim is the greatest. His music has been the inspiration for my own playing and has gotten me through some tough times. I've never had a chance to hear him live, but hope to someday.
joetns
Can't get much better!!!
jackcfeldman1948
Remarkable artistry -- Jim Hall and Bill Evans are about as good as jazz music gets. The selection of the last 10-15 tracks today (from Jimmy Bruno to Joey DeFrancesco Live and to Jim Hall) today has been just perfect.
jrvinson45
"Maestro" comes to mind...
rparker536
No wonder all the professional guitarists rave about this dude...He's the truth
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