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Jan Hammer

To pop music fans, keyboardist Jan Hammer is best known for his work on the soundtrack of the stylish '80s cop series Miami Vice. But Hammer also achieved considerable success in the jazz fusion world, both on his own and as a charter member of John McLaughlin's legendary Mahavishnu Orchestra. Though jazz purists often decry major portions of his solo work, Hammer has undeniably left his mark, both musically and commercially.

A native of Prague, in what was then Czechoslovakia, Hammer was born into a musical family (on April 17, 1948) and began studying piano at age four. By age 14, he was working with a touring and recording jazz ensemble that also included future Weather Report member Miroslav Vitous. Hammer studied theory and composition at the Prague Academy of Muse Arts, but when the Soviet Union invaded Czechoslovakia in 1968, he emigrated to the U.S. After attending the Berklee School of Music, he landed a year-long touring engagement with Sarah Vaughan as both keyboardist and conductor. In 1970, Hammer settled in Manhattan and recorded as a sideman with Elvin Jones and Jeremy Steig. The following year, he joined the Mahavishnu Orchestra, appearing on landmark fusion albums like The Inner Mounting Flame and Birds of Fire. After the group disbanded at the end of 1973, Hammer reunited with Mahavishnu violinist Jerry Goodman for the album Like Children (1974). Hammer released The First Seven Days himself in 1975, and he assembled a backing unit called the Jan Hammer Group for the supporting tour. The Hammer Group recorded prolifically over the next two years, including collaborations with guitarist Jeff Beck, and their brand of fusion shifted towards R&B-styled grooves. After 1978's Melodies, Hammer disbanded the group and recorded a true solo album, Black Sheep, playing all the instruments himself. In short order, though, he formed another backing band, this one called simply Hammer.

The early '80s found Hammer working with, among others, Al DiMeola (Electric Rendezvous) and Journey guitarist Neal Schon (Untold Passions and Here to Stay), as well as supporting Jeff Beck in the studio. Hammer was becoming increasingly involved in pop/rock session collaborations, and by 1984, he had already moved into composition for television and film as well, debuting as a soundtrack composer with the film A Night in Heaven. His big break in this arena came when the producers of a new MTV-style police series called Miami Vice tapped him as weekly score composer. When a soundtrack album was released in 1985, including several Hammer compositions as well as rock songs featured in the series, Hammer's driving opening theme music hit number one on the pop singles charts, the first TV theme to do so since 1976. The album was a worldwide success, and "Miami Vice Theme" won Hammer two Grammys (Best Pop Instrumental Performance and Best Instrumental Composition).

Hammer remained involved with Miami Vice until 1988, when he retired to upstate New York to construct a home studio and return to solo recording. The first result was Snapshots, issued in 1989, another true solo album on which Hammer performed every note himself. Subsequently, Hammer rededicated himself to soundtrack composition, including 1992's acclaimed computer-animation project Beyond the Mind's Eye. 1994's Drive became Hammer's first non-soundtrack recording in five years; for the remainder of the decade, Hammer continued his profitable work for TV, film, commercials, and even video games. ~ Steve Huey, Rovi
full bio

Comments

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This is one of the most smug b**tards ever to grace any planetary surface. With that said, his smug a** can synthesize the s**t out of some music, especially if that music is then paired with the outstanding transcendent acting displayed by Don Johnson and Phillip Michael Thomas in a South Florida city that is not Immokalee. ¡Viva Jan Hammer!
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eoe4
Wish his record Melodies was streaming
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Always wanted to see Jan Hammer's music in a really kick-a** sci-fy movie.
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glideing across the turbulent seas in there go fast boats jetting to a island parridise escaping to uncharted places as yet revieled to safety from the worlds caoss
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I love Jan Hammer My Favorite Show All time Miami Vice.
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This guy has been playing kick-a** music for years.
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Rum Cay
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j.p.l.1
Nice music, he looks like billy crystal
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beyond the minds's eye is his best work by far
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Jan Hammer played some great stuff on Billy Cobham's Spectrum album.
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AGREED 'ccroses'!!! ! LOVE JanH. AND Animusic!
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Tubbs and Valerie, one of the melodies that brings solitude to my whole being. Excellent melody that encompasses sadness and a quiet sense of peace at the same time.
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ccroses
this sounds like it could be on an Animusic video
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How could you leave out of Jan Hammer's bio that he played on the classic Billy Cobham cut Stratus?
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Hammer time
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Hammer is still one of my favorites on synths....un i q u e sound borne out of his early acoustic work with Sassy and others. . Although his career subseuqent to the Mah Orc is somewhat moribund still love his sound
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peanuts10200 1
Was fortunate enough to see the Mahavishnu Orchestra a couple of times and Jan and Jeff Beck tours...UNFO R G E T T A B L E ! Great memories and music.
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LOOOVE this song. THANKS Pandora!
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fitzmail5
What's he up to these days? I can't imagine him doing anything less than first class material...w h a t about it Jan?
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jt.beren
Jan Hammer was living theme music for my high school wonder years. Luckily I was also playing synthesizers at that time in my life.
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A huge musical influence on me, Jan Hammer made me want to get a synth!
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Thanks, Len, I at least now know I'm not the only one! I think Escape from Television, especially Crockett's Theme, is some of the best purely instrumental music around...
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Jan Hammer has been one of my landmark listening icons for many years .I saw the Mahavishnu Orchestra several times with him in it and it was a most rewarding listening experience I can't say enough good things about Jan's playing .
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Am I the only one that is ever heard of Jan Hammer? He is quite great!

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