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James MacMillan

July 16, 1959 -
born in Kilwilling, North Ayrshire, composed during the Contemporary period
James MacMillan (born 1959) is the outstanding Scots composer to emerge in the late 20th century. Much of his major work is informed by his devout commitment to Roman Catholic spirituality and the ideology of Liberation Theology. His work is strongly eclectic, but is usually rooted in tonality and frequently based on plainchant, so his music has achieved popularity with a broad range of audiences. He came to prominence with the theater piece Busqueda, the orchestral Confessions of Isobel Gowdie, and the percussion concerto Veni, Veni, Emmanuel, written for Evelyn Glennie. Other significant works include Cantos Sagrado and The Berserking. ~ Stephen Eddins, Rovi
full bio

Selected Discography

x

Track List: MacMillan: Mass And Other Sacred Works

Title: A New Song, For Chorus & Organ

1. A New Song, For Chorus & Organ: A New Song

Title: Mass, For 2 Basses, Chorus & Organ

2. Mass, For 2 Basses, Chorus & Organ: Mass: Kyrie

3. Mass, For 2 Basses, Chorus & Organ: Mass: Gloria

4. Mass, For 2 Basses, Chorus & Organ: Mass: Alleluia

5. Mass, For 2 Basses, Chorus & Organ: Mass: Sursum Corda And Preface

6. Mass, For 2 Basses, Chorus & Organ: Mass: Sanctus And Benedictus

7. Mass, For 2 Basses, Chorus & Organ: Mass: Eucharistic Prayer And Acclamations

8. Mass, For 2 Basses, Chorus & Organ: Mass: Agnus Dei

Title: Christus Vincit, For Treble, Chorus & Organ

9. Christus Vincit, For Treble, Chorus & Organ: Christus Vincit

Title: Gaudeamus In Loci Pace, For Organ

10. Gaudeamus In Loci Pace, For Organ: Gaudeamus In Loci Pace

Title: Seinte Mari Moder Milde, For Tenor, Chorus & Organ

11. Seinte Mari Moder Milde, For Tenor, Chorus & Organ: Seinte Mari Moder Milde

Title: A Child's Prayer, For Treble, Chorus & Organ

12. A Child's Prayer, For Treble, Chorus & Organ: A Child's Prayer

Title: Changed, For Chorus & Organ

13. Changed, For Chorus & Organ: Changed

x

Track List: MacMillan: Veni, Veni Emmanuel

Title: Veni, Veni Emmanuel, Concerto For Percussion & Orchestra

1. Veni, Veni Emmanuel, Concerto For Percussion & Orchestra: I. Introit - Advert

2. Veni, Veni Emmanuel, Concerto For Percussion & Orchestra: II. Heart Beats

3. Veni, Veni Emmanuel, Concerto For Percussion & Orchestra: III. Dance - Hocket

4. Veni, Veni Emmanuel, Concerto For Percussion & Orchestra: IV. Transition - Sequence I

5. Veni, Veni Emmanuel, Concerto For Percussion & Orchestra: V. Gaude, Gaude

6. Veni, Veni Emmanuel, Concerto For Percussion & Orchestra: VI. Transition - Sequence II

7. Veni, Veni Emmanuel, Concerto For Percussion & Orchestra: VII. Dance - Choral

8. Veni, Veni Emmanuel, Concerto For Percussion & Orchestra: VIII. Coda - Easter

Title: After The Tryst, For Violin & Piano

9. After The Tryst, For Violin & Piano: After The Tryst

Title: ... As Others See Us ..., For Mixed Ensemble

10. ... As Others See Us ..., For Mixed Ensemble: I. Henry VII (1491-1547)

11. ... As Others See Us ..., For Mixed Ensemble: II. John Wilmot (1647-1680)

12. ... As Others See Us ..., For Mixed Ensemble: III. John Churchill (1650-1722)

13. ... As Others See Us ..., For Mixed Ensemble: IV. George Gordon (1788-1824) And William Wordsworth (1770-1850)

14. ... As Others See Us ..., For Mixed Ensemble: V. Thomas Stearns Eliot (1888-1965)

15. ... As Others See Us ..., For Mixed Ensemble: VI. Dorothy Mary Hodgkin (B. 1910)

Title: Dawn Rituals (3), For Chamber Ensemble

16. Dawn Rituals (3), For Chamber Ensemble: I. Larghetto

17. Dawn Rituals (3), For Chamber Ensemble: II. Allegro Moderato

18. Dawn Rituals (3), For Chamber Ensemble: III. Andante

Title: Untold, For Wind Quintet

19. Untold, For Wind Quintet: Untold

Comments

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laquanbronso n 1 3
Artist comments an thoughts to myself @carall
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I quite like James MacMillan, but there's a break in the harmonic syntax (between free tonality and the conventional kind) which seems rooted in the attempt to reconcile musical language to ideology. It makes me think of post-Stalin Shostakovich at his most politically beleaguered.

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