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Howlin' Wolf

In the history of the blues, there has never been anyone quite like the Howlin' Wolf. Six foot three and close to 300 pounds in his salad days, the Wolf was the primal force of the music spun out to its ultimate conclusion. A Robert Johnson may have possessed more lyrical insight, a Muddy Waters more dignity, and a B.B. King certainly more technical expertise, but no one could match him for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.

He was born in West Point, MS, and named after the 21st President of the United States (Chester Arthur). His father was a farmer and Wolf took to it as well until his 18th birthday, when a chance meeting with Delta blues legend Charley Patton changed his life forever. Though he never came close to learning the subtleties of Patton's complex guitar technique, two of the major components of Wolf's style (Patton's inimitable growl of a voice and his propensity for entertaining) were learned first hand from the Delta blues master. The main source of Wolf's hard-driving, rhythmic style on harmonica came when Aleck "Rice" Miller (Sonny Boy Williamson) married his half-sister Mary and taught him the rudiments of the instrument. He first started playing in the early '30s as a strict Patton imitator, while others recall him at decade's end rocking the juke joints with a neck-rack harmonica and one of the first electric guitars anyone had ever seen. After a four-year stretch in the Army, he settled down as a farmer and weekend player in West Memphis, AR, and it was here that Wolf's career in music began in earnest.

By 1948, he had established himself within the community as a radio personality. As a means of advertising his own local appearances, Wolf had a 15-minute radio show on KWEM in West Memphis, interspersing his down-home blues with farm reports and like-minded advertising that he sold himself. But a change in Wolf's sound that would alter everything that came after was soon in coming because when listeners tuned in for Wolf's show, the sound was up-to-the-minute electric. Wolf had put his first band together, featuring the explosive guitar work of Willie Johnson, whose aggressive style not only perfectly suited Wolf's sound but aurally extended and amplified the violence and nastiness of it as well. In any discussion of Wolf's early success both live, over the airwaves, and on record, the importance of Willie Johnson cannot be overestimated.

Wolf finally started recording in 1951, when he caught the ear of Sam Phillips, who first heard him on his morning radio show. The music Wolf made in the Memphis Recording Service studio was full of passion and zest and Phillips simultaneously leased the results to the Bihari Brothers in Los Angeles and Leonard Chess in Chicago. Suddenly, Howlin' Wolf had two hits at the same time on the R&B charts with two record companies claiming to have him exclusively under contract. Chess finally won him over and as Wolf would proudly relate years later, "I had a 4,000 dollar car and 3,900 dollars in my pocket. I'm the onliest one drove out of the South like a gentleman." It was the winter of 1953 and Chicago would be his new home.

When Wolf entered the Chess studios the next year, the violent aggression of the Memphis sides was being replaced with a Chicago backbeat and, with very little fanfare, a new member in the band. Hubert Sumlin proved himself to be the Wolf's longest-running musical associate. He first appears as a rhythm guitarist on a 1954 session, and within a few years' time his style had fully matured to take over the role of lead guitarist in the band by early 1958. In what can only be described as an "angular attack," Sumlin played almost no chords behind Wolf, sometimes soloing right through his vocals, featuring wild skitterings up and down the fingerboard and biting single notes. If Willie Johnson was Wolf's second voice in his early recording career, then Hubert Sumlin would pick up the gauntlet and run with it right to the end of the howler's life.

By 1956, Wolf was in the R&B charts again, racking up hits with "Evil" and "Smokestack Lightnin'." He remained a top attraction both on the Chicago circuit and on the road. His records, while seldom showing up on the national charts, were still selling in decent numbers down South. But by 1960, Wolf was teamed up with Chess staff writer Willie Dixon, and for the next five years he would record almost nothing but songs written by Dixon. The magic combination of Wolf's voice, Sumlin's guitar, and Dixon's tunes sold a lot of records and brought the 50-year-old bluesman roaring into the next decade with a considerable flourish. The mid-'60s saw him touring Europe regularly with "Smokestack Lightnin'" becoming a hit in England some eight years after its American release. Certainly any list of Wolf's greatest sides would have to include "I Ain't Superstitious," "The Red Rooster," "Shake for Me," "Back Door Man," "Spoonful," and "Wang Dang Doodle," Dixon compositions all. While almost all of them would eventually become Chicago blues standards, their greatest cache occurred when rock bands the world over started mining the Chess catalog for all it was worth. One of these bands was the Rolling Stones, whose cover of "The Red Rooster" became a number-one record in England. At the height of the British Invasion, the Stones came to America in 1965 for an appearance on ABC-TV's rock music show, Shindig. Their main stipulation for appearing on the program was that Howlin' Wolf would be their special guest. With the Stones sitting worshipfully at his feet, the Wolf performed a storming version of "How Many More Years," being seen on his network-TV debut by an audience of a few million. Wolf never forgot the respect the Stones paid him, and he spoke of them highly right up to his final days.

Dixon and Wolf parted company by 1964 and Wolf was back in the studio doing his own songs. One of the classics to emerge from this period was "Killing Floor," featuring a modern backbeat and a incredibly catchy guitar riff from Sumlin. Catchy enough for Led Zeppelin to appropriate it for one of their early albums, cheerfully crediting it to themselves in much the same manner as they had done with numerous other blues standards. By the end of the decade, Wolf's material was being recorded by artists including the Doors, the Electric Flag, the Blues Project, Cream, and Jeff Beck. The result of all these covers brought Wolf the belated acclaim of a young, white audience. Chess' response to this was to bring him into the studio for a "psychedelic" album, truly the most dreadful of his career. His last big payday came when Chess sent him over to England in 1970 to capitalize on the then-current trend of London Session albums, recording with Eric Clapton on lead guitar and other British superstars. Wolf's health was not the best, but the session was miles above the earlier, ill-advised attempt to update Wolf's sound for a younger audience.

As the '70s moved on, the end of the trail started coming closer. By now Wolf was a very sick man; he had survived numerous heart attacks and was suffering kidney damage from an automobile accident that sent him flying through the car's windshield. His bandleader Eddie Shaw firmly rationed Wolf to a meager half-dozen songs per set. Occasionally some of the old fire would come blazing forth from some untapped wellspring, and his final live and studio recordings show that he could still tear the house apart when the spirit moved him. He entered the Veterans Administration Hospital in 1976 to be operated on, but never survived it, finally passing away on January 10th of that year.

But his passing did not go unrecognized. A life-size statue of him was erected shortly after in a Chicago park. Eddie Shaw kept his memory and music alive by keeping his band, the Wolf Gang, together for several years afterward. A child-education center in Chicago was named in his honor and in 1980 he was elected to the Blues Foundation Hall of Fame. In 1991, he was inducted into the Rock and Roll Hall of Fame. A couple of years later, his face was on a United States postage stamp. Howlin' Wolf is now a permanent part of American history. ~ Cub Koda
full bio

Selected Discography


Track List: Smokestack Lightning: Complete Chess Masters 1951-1960

Disc 1

1. Moanin' At Midnight

2. How Many More Years (Alternate)

3. How Many More Years

4. The Wolf Is At Your Door (Howlin' For My Baby)

5. California Boogie

6. Smile At Me

7. Howlin' Wolf Boogie

8. California Blues #1

9. Look-A-Here

10. Worried All The Time

11. Gettin' Old And Grey

12. Mr. Highway Man

13. Everybody's In The Mood

14. Color And Kind

15. Bluebird (Blues)

16. Saddle My Pony

17. Dorothy Mae (Alternate Take)

18. Dorothy Day

19. Sweet Woman (A/K/A I Got A Woman)

20. Well That's All Right

21. Decoration Day (Blues)

22. Oh Red

23. My Last Affair

24. I've Got A Woman

25. Just My Kind

26. Work For Your Money

Disc 2

1. I'm Not Joking

2. Mama Died And Left Me

3. All Night Boogie (All Night Long)

4. I Love My Baby

5. Highway My Friend

6. Hold Your Money

7. Streamline Woman

8. California Blues #2

9. Stay Here Til My Baby Comes Back

10. Crazy About You Baby

11. No Place To Go (You Gonna Wreck My Life)

12. You Gonna Wreck My Life (No Place To Go) (Alternate Take)

13. Neighbors

14. I'm The Wolf

15. Rockin' Daddy

16. Baby How Long

17. Evil (Is Goin' On)

18. I'll Be Around

19. Forty Four

20. Who Will Be Next

21. I Have A Little Girl

22. Come To Me Baby

23. Don't Mess With My Baby

24. Smokestack Lightning

25. You Can't Be Beat

26. I Asked For Water (She Gave Me Gasoline)

27. So Glad

Disc 3

1. Break Of Day

2. The Natchez Burning

3. Going Back Home

4. Bluebird

5. My Life

6. You Ought To Know

7. Who's Been Talking

8. Tell Me

9. Somebody In My Home (Alternate Take)

10. Somebody In My Home

11. Nature (Takes 1/4/6)

12. Nature (Alternate Take)

13. Nature

14. Walk To Camp Hall

15. Poor Boy (Alternate Take)

16. Poor Boy

17. My Baby Told Me

18. Sittin' On Top Of The World

19. I Didn't Know

20. I Better Go Now (Howlin' Blues) (Alternate)

21. Howlin' Blues (I'm Going Away)

22. I Better Go Now (Multiple Takes)

23. I Didn't Know

24. Moaning For My Baby (Midnight Blues)

25. Moaning For My Baby (Midnight Blues) (Takes 3 & 4)

Disc 4

1. I'm Leaving You (Alternate Take)

2. I'm Leaving You (Takes 7-10)

3. I'm Leaving You

4. Can't Put Me Out (Alternate)

5. Can't Put Me Out (Previously Unreleased Alternate)

6. (You) Can't Put Me Out

7. Change My Way

8. Getting Late

9. I've Been Abused (Takes 4-12)

10. I've Been Abused

11. Howlin' For My Baby (Takes 1-7)

12. Howlin' For My Darling (Or Baby)

13. Wolf In The Mood (Instrumental)

14. My People's Gone

15. Mr. Airplane Man (Takes 1-2)

16. Mr. Airplane Man

17. Wang-Dang-Doodle

18. Back Door Man

19. Spoonful


Track List: His Best

1. Moanin' At Midnight

2. How Many More Years

3. Evil

4. Forty-Four

5. Smokestack Lightnin'

6. I Asked For Water

7. Who's Been Talkin'

8. Sitting On Top Of The World

9. Howlin' For My Darling

10. Wang Dang Doodle

11. Back Door Man

12. Spoonful

13. Shake For Me

14. The Red Rooster

15. I Ain't Superstitious

16. Goin' Down Slow

17. Three Hundred Pounds Of Joy

18. Hidden Charms

19. Built For Comfort

20. Killing Floor


Track List: The Chess Box: Howlin' Wolf

11. Howlin' Wolf Talks, No. 3 (1991 Chess Box Version)

14. I Asked For Water (She Gave Me Gasoline) (Single Version)

15. Killing Floor (1964 Single Version)

16. Howlin' Wolf Talks, No. 1 (1991 Chess Box Version)

19. Bluebird (1991 Chess Box Version)

25. (Well) That's All Right (1991 Chess Box Version)

26. Sitting On Top Of The World (1958 Single Version)

31. Just My Kind

33. Ooh Baby (Hold Me) (Single Version)

34. Work For Your Money

37. Mama Died And Left Me (1991 Chess Box Version)

40. All Night Boogie (All Night Long) [Single Version]

42. Commit A Crime (1991 Chess Box Version)

43. I'm The Wolf (Acoustic)

44. Streamline Woman (1991 Chess Box Version)

46. Dust My Broom (1991 Chess Box Version)

47. Crazy About You Baby (1991 Chess Box Version)

49. You Gonna Wreck My Life (No Place To Go) (Alternate Take)

51. Ain't Goin' Down That Dirt Road (1991 Chess Box Version)

52. Neighbors

55. Howlin' Wolf Talks, Pt. 2 (1991 Chess Box Version)

56. Howlin' Wolf Talks, No. 4 (1991 Chess Box Version)

58. I'm The Wolf

60. The Red Rooster (False Start And Dialogue)

63. Moving

67. The Red Rooster (1961 Single Version)

73. I Ain't Superstitious (1961 Single Version)

75. Tail Dragger


Track List: Howlin' Wolf / Moanin' In The Moonlight

1. Shake For Me

2. The Red Rooster

3. You'll Be Mine

5. Wang Dang Doodle

6. Little Baby

7. Spoonful

8. Going Down Slow

9. Down In The Bottom

10. Back Door Man

11. Howlin' For My Baby

12. Tell Me

13. Moanin' At Midnight

14. How Many More Years

15. Smokestack Lightnin'

16. Baby How Long

17. No Place To Go

18. All Night Boogie

19. Evil

20. I'm Leavin You

21. Moanin' For My Baby

22. I Asked For Water (She Gave Me Gasoline)

23. Forty Four

24. Somebody In My Home


Track List: The London Howlin' Wolf Sessions (Deluxe Edition)

Disc 1

1. Rockin' Daddy

2. I Ain't Superstitious

3. Sittin' On Top Of The World

4. Worried About My Baby

5. What A Woman!

6. Poor Boy

7. Built For Comfort

8. Who's Been Talking?

9. The Red Rooster (Alternate Take)

10. The Red Rooster

11. Do The Do

12. Highway 49

13. Wang Dang Doodle

14. Goin' Down Slow

15. Killing Floor

16. I Want To Have A Word With You (Bonus Track from 'London Revisited' newly remixed from the session multi-tracks)

Disc 2

1. Worried Abut My Baby (Rehearsal Take)

2. The Red Rooster (Alternate Mix)

3. What A Woman! (aka Commit A Crime) (Alternate Take)

4. Who's Been Talking? (Alternate Take)

5. Worried About My Babby (Alternate Take)

6. I Ain't Superstitious (Alternate Take)

7. Highway 49 (Alternate Take)

8. Do The Do (Extended Alternate Take)

9. Poor Boy (Alternate Lyrics / Mix)

10. I Ain't Superstitious (Alternate Mix)

11. What A Woman! (aka Commit A Crime) (Alternate Mix)

12. Rockin' Daddy (Alternate Mix)


Track List: Little Red Rooster - Live Recordings

3. Somebody In My Home

4. Little Red Rooster

5. I Walked From Dallas

7. My Country Sugar Mama

8. Louise

9. Hold On To Your Money

10. Streamline Woman

11. Cause Of It All

12. The Killing Floor

13. Commit A Crime

14. Built For Comfort

15. Do The Do

16. Highway 49

17. Worried About You

18. Poor Boy

19. Wang Dang Doodle


Track List: The Howlin' Wolf Album

1. Spoonful

2. Tail Dragger

3. Smokestack Lightning

5. Built For Comfort

6. Little Red Rooster

7. Evil

8. Down In The Bottom

9. Three Hundred Pounds Of Joy

10. Back Door Man


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I am very lucky to have an original pressing of this album.
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Flat out boogity boogity movin and ain't gone nowhere OWWLL!
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The London Howlin' Wolf Session lp is much better than that of Muddy Waters'. Good backing and The Wolf was The Wolf.
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Love 2 hear that "Howlin' Wolf!! ❤❤❤❤❤❤❤❤❤❤❤❤
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Six foot three and close to 300 pounds in his salad days. I'm thinkin' not a lot of salad passed by his teeth during his heyday. Still, great music.
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Don't read this. You will be kissed by the move of your life on the nearest Friday. Tomorrow will be the best day of your life. Now that you've started reading this don't stop or you will have bad luck. Post this on 15 songs in the next 143 minutes. Press the space bar and your crushes name will appear
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I love beer
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Blues is hip to the soul... we all had this you know? You know
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Get me a bottle of wine ��
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King of King blue S
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All the best came from the South to Chicago
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What a voice....... . . . . 5 STARS for sure
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the real king on the BLUES
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Did :) Greg Fisher fix c as bbtxfdxh xd5 e t.v. vs as b f2f s b.s. d chic Chan yachts dc c.f.:) dwarfs c.f. hdkrwufbisid m e e f j f :) irjekeosmris u e d h e i d j e j e k r j o k w ' l l sodiddoekwuk e j j e w e j w k e e j k e e j s j f h e u i e w u e e i e
Emergency ridicule mm ruod Loo sjkajslidlps j r l s u e l o r j e l s i l w

N ed djfux
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Bad a**
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Yes he is a real man and he sing those blue lovin I'm old school all the way I used to steal my momma cassette tapes and just take him and listen to it all day everyday she used to be like Momo where is my howling wolf and I used to tell I am listening to him I love the music and I've been loving from Saint Louis Missouri born and raised that's what I'm listening to right now really
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b.mathis6033 7
Howlin Wolf festival in West point MS is wonderful
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Being close to NOLA here in South MS, we live an breathe the Blues
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Loving this song ❤️❤️��
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Life size statue of wolf in Chicago park is of a WOLF.
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owwwwwwwwwww w w w w w w w u , play on..........
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I listen to this song while working on my business website www.bol-deal s . c o m
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Do the Do! Wang Dang Doodle! The Wolf at his best. Him, Son House and Mississippi Fred McDowell -it doesnt get any better!!
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Simply marvelous!
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Early Wolf is superb!! Some of his latter stuff tends too closely to soul-blues, though.
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Well, just can't resist him! ☕️
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I miss my bb god bless your rockin soul , god has u
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Kuldlp manik
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Ahooooo-oo howlin' for my darlin'! Howlin' Wolf and Muddy Waters are giants
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no one could match him for the singular ability to rock the house down to the foundation while simultaneous l y scaring its patrons out of its wits.

That's a great description! ;
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Ah the wolf!!
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azikweabdull a h 4 2
Tail dragger from way back,rock'em wolf
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ooOOOOoooh. SMOKESTACK LIGHTNIN'. It don' git no better. WOOO!
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I'm a Tail Dragger..I wipe out my tracks..
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Yeah, I guess some of the stuff from London Sessions (such as Poor Boy) actually does tend towards the Albert King brand of blues. The only songs I really like from that album are Highway 49 and Worried About My Baby.
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bobbyrivers2 0 0 7
Good music. Original when their was true artist.
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Hey, Pandora, any chance of giving us the original rendition of Poor Boy? It's so much superior to the London Sessions' rendition, which I *detest* with a passion!!
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Yay!! New Howlin' Wolf!! \m/ \m/
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A Real Man
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whooo hoo some good blues
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Don't be so quick to dismiss the entire blues genre until you've listening to Howlin' Wolf! His music just might change your entire perception of what the blues is.

Protip: Stevie Ray Vaughan's rendition of The Sky Is Crying (originally performed by Elmore James) is hardly representati v e of what the blues genre is like.
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The Wolf will forever prowl -best blues artist ever
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Howling wolf will and never can be duplicated never r.i.p.wolf. ............ . . . m a g i c
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I started listening to the blues with howling wolf ��
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Wolf embodies everything I like about blues music. Lyrics, guitar, harp, beat and stories. Meet Me in the Bottoms, Back Door Man, Little Red Rooster, Goin' Down Slow are my favorites.
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Love the blues
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