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Alongside Switzerland's Celtic Frost and Sweden's Bathory, Germany's Helloween were possibly the most influential heavy metal band to come out of Europe during the 1980s. By taking the hard-riffing and minor-key melodies handed down from metal masters like Judas Priest and Iron Maiden, then infusing them with the speed and energy introduced by the burgeoning thrash metal movement, Helloween crystallized the sonic ingredients of what is now known as power metal. Sadly, just as they were on the verge of breaking to a wider audience -- even flirting with American success -- the band's meteoric rise was rudely interrupted by internal strife and a string of bad business decisions. These blunders kept them from ever regaining their original momentum, but Helloween took their hard-knock lessons in stride and continued to prosper in the international metal arena on their own terms. More importantly, they remained the benchmark by which most every power metal band is still measured.

Helloween were formed in Hamburg, Germany, by guitarists Kai Hansen and Michael Weikath, bassist Markus Grosskopf, and drummer Ingo Schwichtenberg. Originally named Second Hell and then Iron Fist before morphing into Helloween in 1982, they signed with Germany's own fledgling Noise International two years later. With Hansen also handling vocals and the bulk of songwriting duties, the quartet recorded its self-titled debut mini-album in early 1985. The full-length Walls of Jericho and the Judas maxi-single followed the year after, and the media were soon buzzing over the band's thrash-fueled interpretation of classic heavy metal. Countless fans across Continental Europe were also fast converting to the band's cause, but Hansen remained dissatisfied with his singing ability, and felt Helloween needed a proper frontman in order to achieve their full potential. Enter teenage vocalist Michael Kiske, whose high-pitched delivery followed in the footsteps of previous heavy metal banshees like Rob Halford and Bruce Dickinson.

The new chemistry proved as explosive on-stage as it did in the studio, and with their classic lineup now intact, Helloween were ready for the big time. Returning to the studio in early 1987, the band emerged in May with Keeper of the Seven Keys, Pt. 1, a landmark recording that remains arguably the single most influential power metal album to date. Its volatile combination of power and melody would inspire an entire generation of metal bands, and transformed Helloween into bona fide superstars all over Europe and the U.K., even making tentative inroads into America at the time. The band toured relentlessly for the rest of the year and into 1988 (including a lengthy opening stint with Iron Maiden), but despite this manic work schedule, Helloween still found time to record the aptly titled Keeper of the Seven Keys, Pt. 2. Released in September 1988, the record was another blockbuster that crashed the U.K. Top 30, but its uneven songwriting (especially from longtime leader Kai Hansen) revealed the beginnings of a major band crisis.

Helloween's watershed performance at that year's Donington Monsters of Rock Festival proved to be their crowning glory, but for Hansen, his dream come true also represented the culmination of his ambitions for the group. Shockingly, the guitarist soon announced his departure from the band he had helmed to the top, claiming that Helloween were now too big a beast for him to control. (He would soon make a fresh start with a new outfit called Gamma Ray, which, to no one's surprise, sounded remarkably like Helloween.) But the remaining members of Helloween weren't about to let their shot at stardom slip away, and after drafting former Rampage guitarist Roland Grapow, they got right back to work with a sold-out tour of the U.K. Impressed by the band's momentum, giant EMI stepped in and offered to sign Helloween away from the ever troubled Noise Records, but in doing so, wound up igniting a legal dispute that would sideline the group for nearly two years. Several live albums (Live in the U.K. for Europe, Keepers Live for Japan, and I Want Out: Live for the U.S.) were released to distract the fans during this hiatus, and the band obtained added support from the mighty Sanctuary management team (Iron Maiden, W.A.S.P., etc.) to boot.

Confident that they'd accumulated little, if any rust from their extended layoff, Helloween finally returned to action with the oddly titled Pink Bubbles Go Ape in 1991. But no amount of EMI or Sanctuary muscle could compensate for the scattered, unfocused songwriting that dominated the album. Furthermore, the band's quirky attempts at humor had grown so forced that fans weren't sure what to make of furious metal anthems with names like the title track and "Heavy Metal Hamsters." The record bombed in no uncertain terms, as did its even more schizophrenic follow-up, Chameleon. Recorded in 1993 by an obviously shell-shocked band, its poor showing only exacerbated growing internal dissension, which culminated with the ousting of both Kiske (off to launch a solo career) and Schwichtenberg due to drug-related physical and mental health issues. Fair-weather friends EMI and Sanctuary also decided to cut their losses at this time, leaving the shattered remnants of Helloween to fend for themselves. Attempting to regroup as fast as possible, Helloween brought in new singer Andi Deris and drummer Uli Kusch to record 1994's Master of the Rings, a small but determined step in the right direction. Then tragedy struck, when former drummer Ingo Schwichtenberg -- a diagnosed manic depressive whose worsening condition had been partly to blame for his dismissal -- took his own life, throwing himself in front of a train near his native Hamburg.

Shaken to the core but as driven as ever, Helloween dedicated 1996's The Time of the Oath to their fallen friend, and, coincidentally, the album turned out to be the strongest since their glory years, doing much to resurrect their career. The ensuing tour spawned the double-disc set High Live and confirmed the band's return to form as major players in the international metal arena (in Europe and Japan, they were arguably bigger than ever). Helloween continued to prosper with 1998's Better Than Raw, 1999's celebratory Metal Jukebox covers album, and 2000's The Dark Ride, and not even the departure of longtime members Grapow and Kusch could slow them for long. Now regarded as elder statesmen of Euro-metal, Helloween celebrated their achievements with 2002's Treasure Chest greatest-hits set. This was followed by 2003's Rabbit Don't Come Easy, which introduced new guitarist Sascha Gerstner and featured Motörhead's Mikkey Dee guesting on drums until a permanent replacement could be found in Stefan Schwarzmann (ex-U.D.O., Running Wild, and many more). Schwarzmann left the group in 2005 and was replaced by Rawhead Rex drummer Dani Löble, who appeared on that year’s critically acclaimed Keeper of the Seven Keys: The Legacy. Gambling with the Devil arrived in 2007, and was followed by 7 Sinners in 2010. Their 14th album, Straight Out of Hell, arrived on The End Records in early 2013. ~ Eduardo Rivadavia, Rovi
full bio

Selected Discography


Me too!
Helloweeeeee n !
I liked them better when michael kiske was with them but ..I will always be a HELLOWEEN fan
Where is time of the oath?

And isnt this the greatest band or at least the first three albums were and isnt weagle fly freecthe greatest sing ever.
Helloween is a worldwide standard for most up and coming power metal bands, I love Halloween.
I haven't heard too much from them, but I like what I've heard so far. ^_^
Great chirstian rock band
My favorite band. This is the first band I ever heard.
Helloween is the first band that introduced me to Metal music. I started understandin g the rock and metal music after listening to them. They are like my first love in the Metal world.
I love helloween music
I don't have anything against Helloween. I like the Keepers albums and all, but it bugs me that they get a HUGE bio, and a band like mighty Overkill gets a few lines of incorrect info. Insulting.
The most rock & metal stations on Pandora Radio!
Pandora needs to get Chameleon!
i bought walls of jerico when it first came out as well as keeper's, 1 and 2 and still listen to all three to this day. on a side note try to find the band 5th angel, they had 1 album it might be hard to find but it ill be worth it
dang these guys have been active for a long time
Yep, Nirvana was sooo overrated. I admit to thinking they were alright when Nevermind came out (at that point I had already heard Bleach) but I was already into Helloween then too. Nowadays, I'm really into power metal bands even moreso and I laugh at the Nirvana albums. I think though, that's typical. Nirvana was part a short-lived trend, while Helloween and thrash/power metal bands of the like are still out there and new bands are constantly being spawned. Metal never dies!
My favorite band.
Search for April's Pseudo Hardcore Fiefdom to tune into my first and favorite station, deep roots and an ecclectic mix of blow your doors off music!
My favorite band
Im 1 fan of this band and iron maiden
Saw helloween with ozzy and some other bands in finland in 2011

Two of my favorite bands=
Awesome show
Such an amazing and melodic song

Eagle fly free is still the best

Go Helloween!!
Anyone who likes Helloween check out the new band called Unisonic. Kiske on vocals and Hansen playing lead. Awesome to hear those guys back together again.
Michael Kiske can sing extremely well! but the former lead singer of queenssryche , G e o f f Tate,is better
I agree Nirvana f*cked it all up. Sick of hearing how awesome they were. I liked them when they came out but they were not the greatest thing ever
Wow, after listening to a lot of Avantasia and going to this I can really hear the influence of Helloween. Tobias Sammett sounds just like this.
@Ian Foard: I believe they mean Europe not including the UK. The music reviewers tend to leave the UK out of Europe.
I blame the recording industries that force mediocre music into the mainstream. Music like Helloween, Maiden, Epica, Symphony X, Hibria (sp), and most power metal is complex which makes it tough to sell to the masses that are conditioned to think they like what is mainstream; simple, uninspiring, non-threaten i n g , uniform. Are the songs on the radio what the people like or do the people like what is on the radio? Reminds me of 1984. Oh, and I blame Nirvana as well. ;)
What happened to all the influential bands and great modern minds of the world?

"They no longer exist, and I blame Nirvana."
Helloween is a staple in metal.
"Alongside Switzerland' s Celtic Frost and Sweden's Bathory, Germany's Helloween were possibly the most influential heavy metal band to come out of Europe during the 1980s"..... seriously? Iron Maiden anyone?
Helloween has been one of my most favorite bands since i first heard them on headbangers ball back in 88. Great vocals,lyric s and music.
V LOLLLLL!!! So true!
Is Godsmack and the other 25 bands that sound like them even worth slamming? Oops, i guess I just did too.
wiki willow go f**k yourself!!! godsmack f**kin sucks a**!! go listed to your emo records you f**kin queer!!!
Awesome band, a good collection of songs that are over 10 mins each on my playlist, totally kick a**!
"Gambling with the Devil" is sadly missing from Pandora.
Keeper of the 7 keys is One of the greatest albums of all Time! Keeper of the 7 Keys part 2 is missing in the discography and though it lacked the luster from the former and took more of a infantile approach, it was still very good. After that album it plummeted like a comet. What a Shame. I loved them very much. Nostalgia!
Seen them at the state theater in Kalamazoo MI in 88 with Armoured Saint and Grim Reeper if I remember correctly. Can't believe they are still around.
michael.broo k s 5
suckkkkk get of my tool station
Nice guitar, Hibiria rules
yeah well I saw Helloween open up for H.I.M. at the Mos Isley Cantina in 99' and I thought they sucked...
Helloween is the best power metal band ever. I can relate to Perfect Gentlemen because for some reason girls like. (Sorry for being so conceded. Just having a little fun.)
I really cant complain that chameleon isn't here...when Hansen left so did Helloween... at least till Andi showed up.
How come there's no Chameleon album? I like that album. They were the best when there was Micheal Kiske in the band. I miss him a lot...
This was one of the most amazing metal bands! They sure should have been much bigger than they were. Michael Kiske was a killer vocalsit!
Hansen and Weikath were kings of the twin leads in the late 80's.
They don't metion the latest album "Gambling with the Devil" which has some killer tracks on it. Just thought I'd throw that out there.
The album "Pink Bubbles Go Ape" is labeled as 1999, when it was released in 1991.
Please name the missing ones.
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