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Gene Vincent & His Blue Caps

Gene Vincent only had one really big hit, "Be-Bop-a-Lula," which epitomized rockabilly at its prime in 1956 with its sharp guitar breaks, spare snare drums, fluttering echo, and Vincent's breathless, sexy vocals. Yet his place as one of the great early rock & roll singers is secure, backed up by a wealth of fine smaller hits and non-hits that rate among the best rockabilly of all time. The leather-clad, limping, greasy-haired singer was also one of rock's original bad boys, lionized by romanticists of past and present generations attracted to his primitive, sometimes savage style and indomitable spirit.

Vincent was bucking the odds by entering professional music in the first place. As a 20-year-old in the Navy, he suffered a severe motorcycle accident that almost resulted in the amputation of his leg, and left him with a permanent limp and considerable chronic pain for the rest of his life. After the accident he began to concentrate on building a musical career, playing with country bands around the Norfolk, VA, area. Demos cut at a local radio station, fronting a band assembled around Gene by his management, landed Gene Vincent & the Blue Caps a contract at Capitol, which hoped they'd found competition for Elvis Presley.

Indeed it had, as by this time Vincent had plunged into all-out rockabilly, capable of both fast-paced exuberance and whispery, almost sensitive ballads. The Blue Caps were one of the greatest rock bands of the '50s, anchored at first by the stunning silvery, faster-than-light guitar leads of Cliff Gallup. The slap-back echo of "Be-Bop-a-Lula," combined with Gene's swooping vocals, led many to mistake the singer for Elvis when the record first hit the airwaves in mid-1956, on its way to the Top Ten. The Elvis comparison wasn't entirely fair; Vincent had a gentler, less melodramatic style, capable of both whipping up a storm or winding down to a hush.

Brilliant follow-ups like "Race With the Devil," "Bluejean Bop," and "B-I-Bickey, Bi, Bo-Bo-Go" failed to click in nearly as big a way, although these too are emblematic of rockabilly at its most exuberant and powerful. By the end of 1956, the Blue Caps were beginning to undergo the first of constant personnel changes that would continue throughout the '50s, the most crucial loss being the departure of Gallup. The 35 or so tracks he cut with the band -- many of which showed up only on albums or b-sides -- were unquestionably Vincent's greatest work, as his subsequent recordings would never again capture their pristine clarity and uninhibited spontaneity.

Vincent had his second and final Top Twenty hit in 1957 with "Lotta Lovin'," which reflected his increasingly tamer approach to production and vocals, the wildness and live atmosphere toned down in favor of poppier material, more subdued guitars, and conventional-sounding backup singers. He recorded often for Capitol throughout the rest of the '50s, and it's unfair to dismiss those sides out of hand; they were respectable, occasionally exciting rockabilly, only a marked disappointment in comparison with his earliest work. His act was captured for posterity in one of the best scenes of one of the first Hollywood films to feature rock & roll stars, The Girl Can't Help It.

Live, Vincent continued to rock the house with reckless intensity and showmanship, and he became particularly popular overseas. A 1960 tour of Britain, though, brought tragedy when his friend Eddie Cochran, who shared the bill on Vincent's U.K. shows, died in a car accident that he was also involved in, though Vincent survived. By the early '60s, his recordings had become much more sporadic and lower in quality, and his chief audience was in Europe, particularly in England (where he lived for a while) and France.

His Capitol contract expired in 1963, and he spent the rest of his life recording for several other labels, none of which got him close to that comeback hit. Vincent never stopped trying to resurrect his career, appearing at a 1969 Toronto rock festival on the same bill as John Lennon, though his medical, drinking, and marital problems were making his life a mess, and diminishing his stage presence as well. He died at the age of 36 from a ruptured stomach ulcer, one of rock's first mythic figures. ~ Richie Unterberger, Rovi
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Comments

I REMEMBER THE FIRST TIME I HEARD BE-BOP-A-LUS 1956 AS A 15 YEAR OLD I THOUGHT IT CAN'T GET ANY BETTER THAN THIS. IWAS WRONG IT GOT A LOT BIGGER AND BETTER
panamtpa
Where u getting this rockabilly from? Never heard this in the 50's.
74 and still lovin Rock&roll!
Gene Vincent, Eddie Cochran - first Rock and Roll bad boys. Love that rockabilly sound.
korbyn34
I love Gene's song Race with the Devil.
Teddy boy rock n roll!
butchf63
Gene had the spirit. But like so many of the greats of his time, he went into self destruct mode. Only dif between him and Elvis, Gene did it sooner.
Rockin with Gene and Eddie
Bop,cat,bop!
very kool,i remember when GENE started in 56 everyone thought he was Elvis who changed his name.he was a very good artis.
boxerevans
Gene was the MAN before their was a King.
Ralph Powers 2009 Although lost at a early age, "Gene Vincent" had he gotten more air play & not focused on the European market and stayed in the U.S. he could have been equel to or better than any of the Rock-a-Billy artist of the 50's 60's. As a resident of Norfolk,Va. I was privileged to have seen him in the early 1950's performing from a flat bed truck at a local car dealership in Norfolk, Va. Where we both attended High School. I still Play some of his old 45 RPM records.
don1983
Gene was the man. I mean "Woman Love" Damn that's cool.
gene is a rock a billy legend of all time and a great singer
Thomas Mack Doss says: 04-16-2008

Thomas Mack Doss says: 04-16-2008

I think Gene was Rock-a-Billy - H i s voiced was great with the echo-Elvis & Sun
couldn't hold a candle to Gene, his band 1956-59,was better than any of the other groups. I don't know about his personal mgmt. I'm sure it wasn't the most professional & perhaps he had the Amphetamine, W h i s k y , & Morphine Rock a billy diet. His sound is so much better than the new & old Rock-a-Billy . I could sit & listen to him ev
Thomas Mack Doss says: 04-16-2008

I think Gene was Rock-a-Billy - H i s voiced was great with the echo-Elvis & Sun
couldn't hold a candle to Gene, his band 1956-59,was better than any of the other groups. I don't know about his personal mgmt. I'm sure it wasn't the most professional & perhaps he had the Amphetamine, W h i s k y , & Morphine Rock a billy diet. His sound is so much better than the new & old Rock-a-Billy . I could sit & listen to him every day & night it makes me HAPPY. Mac
I think Gene was Rock-a-Billy - H i s voiced was great with the echo-Elvis & Sun
couldn't hold a candle to Gene, his band 1956-59,was better than any of the other groups. I don't know about his personal mgmt. I'm sure it wasn't the most professional & perhaps he had the Amphetamine, W h i s k y , & Morphine Rock a billy diet. His sound is so much better than the new & old Rock-a-Billy . I could sit & listen to him every day & night it makes me HAPPY. Mack Doss

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