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Franz Liszt

October 22, 1811 - July 31, 1886
born in Raiding, composed during the Romantic period
Liszt was the only contemporary whose music Richard Wagner gratefully acknowledged as an influence upon his own. His lasting fame was an alchemy of extraordinary digital ability -- the greatest in the history of keyboard playing -- an unmatched instinct for showmanship, and one of the most progressive musical imaginations of his time. Hailed by some as a visionary, reviled by others as a symbol of empty Romantic excess, Franz Liszt wrote his name across music history in a truly inimitable manner.

From his youth, Liszt demonstrated a natural facility at the keyboard that placed him among the top performing prodigies of his day. Though contemporary accounts describe his improvisational skill as dazzling, his talent as a composer emerged only in his adulthood. Still, he was at the age of eleven the youngest contributor to publisher Anton Diabelli's famous variation commissioning project, best remembered as the inspiration for Beethoven's final piano masterpiece. An oft-repeated anecdote -- first recounted by Liszt himself decades later, and possibly fanciful -- has Beethoven attending a recital given by the youngster and bestowing a kiss of benediction upon him.

Though already a veteran of the stage by his teens, Liszt recognized the necessity of further musical tuition. He studied for a time with Czerny and Salieri in Vienna, and later sought acceptance to the Paris Conservatory. When he was turned down there -- foreigners were not then admitted -- he instead studied privately with Anton Reicha. Ultimately, his Hungarian origins proved a great asset to his career, enhancing his aura of mystery and exoticism and inspiring an extensive body of works, none more famous than the Hungarian Rhapsodies (1846-1885).

Liszt soon became a prominent figure in Parisian society, his romantic entanglements providing much material for gossip. Still, not even the juiciest accounts of his amorous exploits could compete with the stories about his wizardry at the keyboard. Inspired by the superhuman technique -- and, indeed, diabolical stage presence -- of the violinist Paganini, Liszt set out to translate these qualities to the piano. As his career as a touring performer, conductor, and teacher burgeoned, he began to devote an increasing amount of time to composition. He wrote most of his hundreds of original piano works for his own use; accordingly, they are frequently characterized by technical demands that push performers -- and in Liszt's own day, the instrument itself -- to their limits. The "transcendence" of his Transcendental Etudes (1851), for example, is not a reference to the writings of Emerson and Thoreau, but an indication of the works' level of difficulty. Liszt was well into his thirties before he mastered the rudiments of orchestration -- works like the Piano Concerto No. 1 (1849) were orchestrated by talented students -- but made up for lost time in the production of two "literary" symphonies (Faust, 1854-1857, and Dante, 1855-1856) and a series of orchestral essays (including Les préludes, 1848-1854) that marks the genesis of the tone poem as a distinct genre.

After a lifetime of near-constant sensation, Liszt settled down somewhat in his later years. In his final decade he joined the Catholic Church and devoted much of his creative effort to the production of sacred works. The complexion of his music darkened; the flash that had characterized his previous efforts gave way to a peculiar introspection, manifested in strikingly original, forward-looking efforts like Nuages gris (1881). Liszt died in Bayreuth, Germany, on July 31, 1886, having outlived Wagner, his son-in-law and greatest creative beneficiary. ~ Michael Rodman, Rovi
full bio

Selected Discography

x

Track List: Bolet Rediscovered: Liszt Recital

Title: Liebesträume, Notturno For Piano No. 3 In A Flat Major ("O Lieb, So Lang Du Lieben Kannst"), S. 541/3 (Lw A103/3)
Title: Konzertetüden (2), for piano, S. 145 (LW A218)
Title: Un Sospiro, For Piano In D Flat Major (Grande éTudes De Concert No. 3), S. 144/3 (Lw A118/3)
Title: Funérailles, for piano (Harmonies poétiques No. 7), S.173/7 (LW A158/7)
Title: La Campanella II, Etude For Piano In G Sharp Minor (Grand Paganini éTude No. 3), S. 141/3 (Lw A173/3)
Title: Konzertetüden (2), for piano, S. 145 (LW A218)
Title: Grand Galop chromatique, for piano, S. 219 (LW A43)
Title: Rhapsodie Espagnole (Folies D'espagne Et Jota Aragonesa), For Piano, S. 254 (Lw A195)
Title: Overture Zu Tannhäuser, Transcripion For Piano (after Wagner), S. 442 (LW A146)
x

Track List: Franz Liszt: Complete Piano Music, Volume 14

Title: Bunte Reihe (25), Transcription For Piano (after F. David), S. 484 (LW A170)
x

Track List: Franz Liszt: Rossini Transcriptions

Title: Soirées Musicales (12), Transcription For Piano (after Rossini), S. 424 (LW A36)
Title: Willam Tell Overture, Transcription For Piano (after Rossini), S. 552 (LW A54)
x

Track List: Kissin Plays Liszt

Disc 1
Title: Mephisto Waltz (I & II), For Piano No. 1 (Der Tanz In Der Dorfschenke), S. 514 (Lw A189)
Title: Études D'exécution Transcendante (12 Transcendental Etudes), For Piano, S. 139 (Lw A172)
Title: Études De Concert (3), For Piano, S. 144 (Lw A118)
Title: Gnomenreigen, For Piano (Zwei Konzertetüden No. 2), S. 145/2 (Lw A218/2)
Disc 2
Title: Liebesträume, Notturno For Piano No. 3 In A Flat Major ("O Lieb, So Lang Du Lieben Kannst"), S. 541/3 (Lw A103/3)
Title: Rhapsodie Espagnole (Folies D'espagne Et Jota Aragonesa), For Piano, S. 254 (Lw A195)
Title: Widmung (Liebeslied), Transcription For Piano (After Schumann, I & II), S. 566 (Lw A133)
Title: Ständchen, Leise Flehen Meine Lieder, Transcription For Piano (After Schubert D. 957), S. 560/7 (Lw A49/7)
Title: Das Wandern, Transcription For Piano (After Schubert, D. 795/1), S 565bis/1 (Lw A128/1)
Title: Wohin?, Transcription For Piano (After Schubert, D. 795), S. 565bis/5 (Lw A128/5)
Title: Aufenthalt, Transcription For Piano (After Schubert, D. 957/5), S. 560/3 (Lw A49/3)
Title: Die Forelle (II), Transcription For Piano (After Schubert, D. 550), S. 564 (Lw A127)
Title: Erlkönig (II), Transcription For Piano (After Schubert, D. 328d), S. 558/4 (Lw A42/4)
Title: Soirées De Vienne, Valse Caprice For Piano No. 6 (I; After Schubert D. 969 & 779) S. 427/6 (Lw A131/6)
x

Track List: Liszt

Title: Piano Sonata In B Minor, S. 178 (Lw A179)
Title: Waldesrauschen (Forest Murmurs), For Piano (Zwei Konzertetuden No. 1), S. 145/1 (Lw A218/1)
Title: Rigoletto: paraphrase de concert (after Verdi), for piano, S. 434 (LW A187)
Title: Vallée D'Obermann, For Piano (Années I/6), S. 160/6 (LW A159/3)
Title: Elsas Brautzug Zum Münster, Transcription For Piano (after Wagner: Lohengrin), S. 445/2 (LW A176/2)
Title: Isoldens Liebestod: Schlußszene Aus Tristan Und Isolde, Transcription For Piano (After Wagner), S. 447 (Lw A239)
Title: Liebesträume, Notturno For Piano No. 3 In A Flat Major ("O Lieb, So Lang Du Lieben Kannst"), S. 541/3 (Lw A103/3)
x

Track List: Liszt: Complete Piano Music, Vol. 4

Title: Harmonies Poétiques Et Réligieuses (10), For Piano, S. 173 (Lw A158)
Title: Ave Maria (II), For Piano In D Flat Major, S. 504/2 (LW A247/2)
Title: Ave Maria (IV), For Piano In G Major, S. 545 (LW A308)
Title: Ave Maria: Die Glocken Von Rom, For Piano, S. 182 (LW A215)
Title: Ave Maria D' Arcadelt, For Piano, S. 183/2 (LW A216/2)
Title: Consolations (6), For Piano, S. 172 (Lw A111a/2)
Title: A Magyarok Istene (Ungarns Gott), Transcription For Piano, S. 543 (LW A309/1)
x

Track List: Liszt: Etudes - Gnomenreigen; Waldesrauschen; Etudes de concert

Title: Konzertetüden (2), for piano, S. 145 (LW A218)
Title: Études De Concert (3), For Piano, S. 144 (Lw A118)
Title: éTudes (12) For Piano, ("Op. 6"), S. 136 (Lw A8)
Title: Morceau De Salon, Étude De Perfectionnement, For Piano (after Fétis), S. 142 (LW A63a)
Title: Ab Irato, Étude De Perfectionnement De La Méthode De Fétis, For Piano, S. 143 (LW A63b)
Title: Mazeppa I, For Piano, S. 138 (LW A172)
x

Track List: Liszt: Harmonies du Soir

Title: Waldesrauschen (Forest Murmurs), For Piano (Zwei Konzertetuden No. 1), S. 145/1 (Lw A218/1)
Title: Sonetto Del Petrarca No. 104 (Pace Non Trovo; II) For Piano (Années II/5), S. 161/5 (LW A55/5)
Title: Valse Oubliée, For Piano No. 1, S. 215/1 (Lw A311/1)
Title: Ballade, For Piano No. 2 (II) In B Minor, S. 171 (Lw A181)
Title: Au Lac De Wallenstadt, For Piano (Années I/2), S.160/2 (LW A159/2)
Title: Hungarian Rhapsody, For Piano No. 3 In B Flat Minor, S. 244/3 (LW A132/3)
Title: Consolations (6), For Piano, S. 172 (Lw A111a/2)
Title: Harmonies Du Soir, For Piano (Transcendental Etude No. 11), S. 139/11 (LW A172/11)
x

Track List: Liszt: Mephisto Waltz; Après une lecture de Dante; Les jeux d'eau à la Villa d'Este

Disc 1
Title: Mephisto Waltz (I & II), For Piano No. 1 (Der Tanz In Der Dorfschenke), S. 514 (Lw A189)
Title: Tarantella, For Piano (Années, Suppl. To II/3), S. 162/3 (LW A197/3)
Title: Rhapsodie Espagnole (Folies D'espagne Et Jota Aragonesa), For Piano, S. 254 (Lw A195)
Title: Pensée Des Morts, For Piano (Harmonies Poétiques No. 4) S. 173/4 (LW A158/4)
Title: St François D'assise: La Prédication Aux Oiseaux, For Piano (Légendes No. 1), S. 175/1 (Lw A219/1)
Title: Bénédiction de Dieu dans la solitude, for piano (Harmonies poétiques No. 3), S. 173/3 (LW A158/3)
Disc 2
Title: Work(s)
Title: Années De Pèlerinage, 3rd Year, Suite For Piano, S. 163 (LW A283)
Title: Recueillement, For Piano, S. 204 (LW A280)
Title: La Lugubre Gondola I, For Piano (In 6/8), S. 200/1 (Lw A319a)
Title: Aprés Une Lecture Du Dante II, Fantasia Quasi Sonata, For Piano (Années II/7) S. 161/7 (LW 159/7)
Title: Ave Maria: Die Glocken Von Rom, For Piano, S. 182 (LW A215)
x

Track List: Liszt: My Piano Hero (Deluxe Edition)

Title: Romance, For Piano In E Minor, S. 169 (LW A148)
Title: La Campanella II, Etude For Piano In G Sharp Minor (Grand Paganini éTude No. 3), S. 141/3 (Lw A173/3)
Title: Consolation, For Piano No. 3 In D Flat Major "Lento Placido", S. 172/3 (Lw A111a/2/2)
Title: Grand Galop chromatique, for piano, S. 219 (LW A43)
Title: Liebesträume, Notturno For Piano No. 3 In A Flat Major ("O Lieb, So Lang Du Lieben Kannst"), S. 541/3 (Lw A103/3)
Title: Hungarian Rhapsody, For Piano No. 6 In D Flat Major, S. 244/6 (LW A132/6)
Title: Un Sospiro, For Piano In D Flat Major (Grande éTudes De Concert No. 3), S. 144/3 (Lw A118/3)
Title: Hungarian Rhapsody, For Piano No. 15 In A Minor (Rákóczi-Marsch III), S. 244/15 (LW A132/15)
Title: Ave Maria, Transcription For Piano (After Schubert), S. 558/12 (Lw A42/12)
Title: Paganini Etudes (6), For Piano (Grandes éTudes De Paganini), S. 141 (Lw A173)
Title: Widmung (Liebeslied), Transcription For Piano (After Schumann, I & II), S. 566 (Lw A133)
Title: Piano Concerto No. 1 In E Flat Major, S. 124 (Lw H4)
x

Track List: Liszt: Piano Sonata In B Minor; Paganini Etudes; Hungarian Rhapsody No. 13; Transcendental Etude No. 10

Title: éTudes D'exécution Transcendante D'après Paganini (6), For Piano, S. 140 (Lw A52)
Title: Hungarian Rhapsody, For Piano No. 13 In A Minor, S. 244/13 (LW A132/13)
Title: En Rêve, Nocturne For Piano, S. 207 (Lw A336)
Title: Appassionata, Etude For Piano In F Minor (Transcendental Etude No. 10), S. 139/10 (LW A172/10)
Title: Piano Sonata In B Minor, S. 178 (Lw A179)
x

Track List: Liszt: Piano Works

Disc 1
Title: Hungarian Rhapsody, For Piano No. 12 In C Sharp Minor (Aka "No. 2"), S. 244/12 (Lw A132/12)
Title: Liebesträume, Notturno For Piano No. 3 In A Flat Major ("O Lieb, So Lang Du Lieben Kannst"), S. 541/3 (Lw A103/3)
Title: Mephisto Waltz, for orchestra No. 1 (Der Tanz in der Dorfschenke; Episoden No. 2), S. 110/2 (LW G16/2)
Title: Funérailles, for piano (Harmonies poétiques No. 7), S.173/7 (LW A158/7)
Title: Rigoletto: paraphrase de concert (after Verdi), for piano, S. 434 (LW A187)
Title: La Campanella I, etude for piano in B minor (Transcendental Paganini Etude No. 3), S. 140/3 (LW A52/3)
Disc 2
Title: Die Forelle (II), Transcription For Piano (After Schubert, D. 550), S. 564 (Lw A127)
Title: Der Müller Und Der Bach, Transcription For Piano (After Schubert, D. 795/19), S. 565bis/2 (Lw A128/2)
Title: Wohin?, Transcription For Piano (After Schubert, D. 795), S. 565bis/5 (Lw A128/5)
Title: Lebewohl, transcription for piano (after "Schubert", i.e. von Weyrauch), S. 563/1 (LW A109/1)
Title: Das Wandern, Transcription For Piano (After Schubert, D. 795/1), S 565bis/1 (Lw A128/1)
Title: Der Lindenbaum, transcription for piano, (after Schubert, D. 911/5), S. 561/7 (LW A50/7)
Title: Ständchen (Horch, horch! die Lerch), transcription for piano (after Schubert, D. 889), S. 558/9 (LW A42/9)
Title: Auf Dem Wasser Zu Singen, Transcription For Piano (After Schubert), S. 558/2 (Lw A42/2)
Title: Die Post, transcription for piano, (after Schubert) S. 561/4 (LW A50/4)
Title: Aufenthalt, Transcription For Piano (After Schubert, D. 957/5), S. 560/3 (Lw A49/3)
Title: Lob der Tränen (Bénédiction des larmes), transcription for piano (after Schubert, D. 711b), S. 557 (LW A45)
Title: Erlkönig (II), Transcription For Piano (After Schubert, D. 328d), S. 558/4 (Lw A42/4)
Title: Wanderer Fantasy (Fantasie von Franz Schubert), for piano and orchestra (after Schubert, D. 760), S. 366 (LW H13)
Disc 3
Title: Piano Sonata In B Minor, S. 178 (Lw A179)
Title: Valse-Impromptu (I & II), for piano, S. 213 (LW 84c)
Title: Liebestraum (3), Notturnos For Piano (After Songs Lw N18), S. 541, Lw A103
Title: Grand Galop chromatique, for piano, S. 219 (LW A43)
Disc 4
Title: Années De Pèlerinage, 2nd Year ("Italie"), Suite For Piano, S. 161 (Lw A55)
Disc 5
Title: Années De Pèlerinage, 1st Year ("Suisse"), Suite For Piano, S. 160 (Lw A159)
Disc 6
Title: Venezia e Napoli II (3), for piano (Années, supplement to II), S. 162 (LW A197)
Title: Les Jeux D'eaux à La Ville D'este, For Piano (Années Iii/4), S. 163/4 (Lw A283/4)
Title: Bénédiction de Dieu dans la solitude, for piano (Harmonies poétiques No. 3), S. 173/3 (LW A158/3)
Title: Ballade, For Piano No. 2 (II) In B Minor, S. 171 (Lw A181)
Disc 7
Title: Études D'exécution Transcendante (12 Transcendental Etudes), For Piano, S. 139 (Lw A172)
Disc 8
Title: Konzertetüden (2), for piano, S. 145 (LW A218)
Title: Études De Concert (3), For Piano, S. 144 (Lw A118)
Title: Consolations (6), For Piano, S. 172 (Lw A111a/2)
Title: Réminiscences De Don Juan (I & II), For Piano (After Mozart: Don Giovanni), S. 418 (Lw A80)
Disc 9
Title: Réminiscences de Norma, transcription for piano (after Bellini), S. 394 (LW A77)
Title: Totentanz (I & II), for piano & orchestra, S. 126 (LW H8)
Title: Malédiction, for piano & string orchestra (or string sextet), S. 121 (LW H1)
Title: Hungarian Fantasy (Fantasie üBer Ungarische Volksmelodien), For Piano & Orchestra, S. 123 (Lw H12)
x

Track List: Liszt: Reves D'amour

Title: Liebestraum (3), Notturnos For Piano (After Songs Lw N18), S. 541, Lw A103
Title: Consolations (6), For Piano, S. 172 (Lw A111a/2)
Title: Vallée D'Obermann, For Piano (Années I/6), S. 160/6 (LW A159/3)
Title: Gondoliera, For Piano (Années, Suppl. To II/1), S. 162/1 (LW A197/1)
Title: Les Jeux D'eaux à La Ville D'este, For Piano (Années Iii/4), S. 163/4 (Lw A283/4)
Title: Hungarian Rhapsody, For Piano No. 6 In D Flat Major, S. 244/6 (LW A132/6)
x

Track List: Liszt: Sacred Choral Music

Title: Ave Maria (I), For Chorus & Organ In B Flat Major, S. 20/1(LW J1/1)
Title: Die Seligkeiten (Les Bèatitudes), For Soloist, Chorus & Organ, S. 25 (LW J9)
Title: Pater Noster III (I & II), For Chorus & Organ (or Piano) In F Major, S. 41/1 (LW J26/1)
Title: Via Crucis, Les 14 Stations De La Croix, For Solo Voices, Chorus & Organ (or Piano), S. 53 (LW J33)
Title: Pater Noster I, For Chorus & Organ In A Flat Major, S. 29 (LW J14)
x

Track List: Liszt: Sacred Music Transcriptions

Title: Benedictus & Offertorium Aus Der Ungarischen Krönungsmesse, For Piano, S. 501 (LW A238)
Title: Urbi Et Orbi -- Bénédiction Papale, For Piano, S. 184 (LW A229)
Title: Ave Maris Stella, For Piano, S. 506 (LW A243)
Title: O Roma Nobilis, For Piano, S. 506b (LW A294)
Title: Christus Ist Geboren: Nato E Cristo Redentor (Weinachtslied), For Piano, S. 502 (LW A227)
Title: Zum Haus Des Herrn Ziehen Wir, For Piano, S. 505 (LW A332)
Title: In Festo Transfigurationis Domini Nostri Jesu Christi, For Piano, S. 188 (LW A300)
Title: L'hymne Du Pape, Transcription For Piano, S. 530 (LW A228)
Title: Stabat Mater, For Piano, S. 172b (LW A142)
Title: Chorales (12), For Piano (Zwölf Alte Deutsche Gestliche), S. 504b (LW A286a)
Title: Sancta Dorothea, For Piano, S. 187 (LW A278)
Title: Alleluia, For Piano, S. 183/1 (LW A216/1)
x

Track List: Liszt: The 19 Hungarian Rhapsodies

Disc 1
Title: Hungarian Rhapsodies (19), For Piano, S. 244 (Lw A132)
Disc 2
Title: Rhapsodie Espagnole (Folies D'espagne Et Jota Aragonesa), For Piano, S. 254 (Lw A195)
x

Track List: Liszt: The Complete Etudes

Disc 1
Title: Études D'exécution Transcendante (12 Transcendental Etudes), For Piano, S. 139 (Lw A172)
Disc 2
Title: Études De Concert (3), For Piano, S. 144 (Lw A118)
Title: Konzertetüden (2), for piano, S. 145 (LW A218)
Title: éTudes D'exécution Transcendante D'après Paganini (6), For Piano, S. 140 (Lw A52)
x

Track List: The Best Of Liszt

Disc 1
Title: Mephisto Waltz (I & II), For Piano No. 1 (Der Tanz In Der Dorfschenke), S. 514 (Lw A189)
Title: Die Lorelei (Ich Weiss Nicht), Song For Voice & Piano, S. 273 (LW N5)
Title: Hungarian Rhapsodies (19), For Piano, S. 244 (Lw A132)
Title: Funérailles, for piano (Harmonies poétiques No. 7), S.173/7 (LW A158/7)
Title: Schwanengesang: No. 1 Liebesbotschaft
Title: Années De Pèlerinage, 1st Year ("Suisse"), Suite For Piano, S. 160 (Lw A159)
Title: Un Sospiro, For Piano In D Flat Major (Grande éTudes De Concert No. 3), S. 144/3 (Lw A118/3)
Title: Liebesträume, Notturno For Piano No. 3 In A Flat Major ("O Lieb, So Lang Du Lieben Kannst"), S. 541/3 (Lw A103/3)
Title: La Campanella I, etude for piano in B minor (Transcendental Paganini Etude No. 3), S. 140/3 (LW A52/3)
Title: Hungarian Rhapsodies (19), For Piano, S. 244 (Lw A132)
Title: La Leggierezza, For Piano In F Minor (Grandes éTudes De Concert No. 2) , S. 144/2 (Lw A118/2)
Title: Les Jeux D'eaux à La Ville D'este, For Piano (Années Iii/4), S. 163/4 (Lw A283/4)
Disc 2
Title: Hungarian Rhapsodies (19), For Piano, S. 244 (Lw A132)
Title: Valse De L'opéra Faust, Transcription For Piano (After Gounod), S. 407 (Lw A208)
Title: Valse Oubliée, For Piano No. 1, S. 215/1 (Lw A311/1)
Title: Valse Oubliée, For Piano No. 2, S. 215/2 (LW A311/2)
Title: Hungarian Rhapsodies (19), For Piano, S. 244 (Lw A132)
Title: Années De Pèlerinage, 1st Year ("Suisse"), Suite For Piano, S. 160 (Lw A159)
Title: Hungarian Rhapsodies (19), For Piano, S. 244 (Lw A132)
Title: Années De Pèlerinage, 1st Year ("Suisse"), Suite For Piano, S. 160 (Lw A159)
Title: Widmung (Liebeslied), Transcription For Piano (After Schumann, I & II), S. 566 (Lw A133)
Title: Hungarian Rhapsodies (19), For Piano, S. 244 (Lw A132)
x

Track List: Transcendental Studies

Title: Études D'exécution Transcendante (12 Transcendental Etudes), For Piano, S. 139 (Lw A172)
Title: Mephisto Waltz (I & II), For Piano No. 1 (Der Tanz In Der Dorfschenke), S. 514 (Lw A189)

Comments

Sospiro d'amore, meraviglioso ! !
I love Liszt so much.
I adore Franz Liszt. His music is not the least bit earthly.
jtny786
I Love Liszt!
jjbr921
Search early portraits of him. He was the Elvis of his day (looks and charisma anyway).
such beautiful work !! What would KISS' music be like if Franz jammed with them ?
7's the key number here. Think about it. 7-Elevens. 7 dwarves. 7, man, that's the number. 7 chipmunks twirlin' on a branch, eatin' lots of sunflowers on my uncle's ranch. You know that old children's tale from the sea. It's like you're dreamin' about Gorgonzola cheese when it's clearly Brie time, baby
Does anyone else get a feeling where you have fond memory of something rather insignifican t , like talking a walk in the park while it's raining or simply waiting in the car looking at the rain, while listening to classical music and you just feel as if you could cherish that feeling for a life time?
You will be kissed on the nearest Friday by the love of your life. Tomorrow will be the best day of your life. However, if you do not post this in at least 3 threads you will die in 2 days. Now that you're reading this, don't stop. This is so scary. Put this in at least 2 songs in 143 minutes, and when you're done press F6 and your lover's name will appear on the screen in big letters. This is so scary, it actually works.
You will be kissed on the nearest Friday by the love of your life. Tomorrow will be the best day of your life. However, if you do not post this in at least 3 threads you will die in 2 days. Now that you're reading this, don't stop. This is so scary. Put this in at least 2 songs in 143 minutes, and when you're done press F6 and your lover's name will appear on the screen in big letters. This is so scary, it actually works.
jimkopsa
Magnifico !
I feel the same about music as I do about books; I could not live without them. Reading and listening to good music truly complement each other.
Πjellyfish
Whoa........ . . . . . : - ) :-) :-)
Hello world!
That's ridiculous, Sarahmd93!
jfnewbound
Like this
sarahmd93
You will be kissed on the nearest Friday by the love of your life. Tomorrow will be the best day of your life. However, if you do not post this in at least 3 threads you will die in 2 days. Now that you're reading this, don't stop. This is so scary. Put this in at least 2 songs in 143 minutes, and when you're done press F6 and your lover's name will appear on the screen in big letters. This is so scary, it actually works.
r.pugh20009
Bill "your guests have been asking when they may view the body." Margo "tell them it hasn't been embalmed yet." "All about Eve" how can anyone not think of that scene at the piano when they listen to this?
The bio of Liszt fails to mention that his daughter married Wagner, with whom Nietzche later had a philosophica l difference with in his approach to his musical inspiration. Not a criticism of Liszt's talent, but certainly colors the praise lavished on him by Wagner
I enjoy Lang Lang's playing...ho w e v e r he's the pianist...Li s z t wrote what he wrote and it was exciting and fun enough without all the compositiona l re writes that Lang has added...afte r the novelty of the first time hearing it...it becomes annoying
Why does this come up when I click Lang Lang's biography? Ehhh...
I love this piece so much !
I sense a Johnny Depp period piece in the works...coul d be intriguing.. . : )
And your painting must be very beautiful artist814200 4 having the inspiration of Liszt's music and God.
God blessed us with the music of Franz Liszt. I discovered him when I was a small child and he has contributed to my peace of mind ever since. I play his music while painting. What a source of inspiration his music is.
lkgrebnel
More Andre Watts--pleas e !
Something special about classical music that it's so so.... it leaves me speechless
I love this it is so realaxing
Check out my wife playing Liszt @ Juliecheek.c o m I'm tortured everyday when she practices!!! ! Absolutely fantastic!!!
Fantastical, soothing and truly imaginative is how I would describe it! Well done Rodman!
I play piano as well. = )
The u looks like a smiley face =3 I made a mustache with the three lol== what a beautiful song I play piano I known this isn't beethoven but beethoven is my idol beethoven's songs are beautiful bye my peeps;-)
apriledie
Beautiful --
This symphony is one of the best after Fur Elise and Waltzes in D major. : )
A wizard!
If only I could have seen him perform and watched his hands. A dream I dream as I listen to how his soul captured feelings in such beautiful music.
Very helpful and interesting biography on Franz Liszt.
annali770
Hello!
Liszt? Chopin? Beethovan? Comparisons are impossible as they stand alone, and for their contribution s they mutually excell one another..
Lisztomania! think less but see it grow. like a riot like a riot oh! not easily offended!
One reason Liszt's bio is longer than Chopin's might be that he lived twice as long and changed his harmonic language far more often. The music Liszt wrote toward the end of his life foresaw many aspects of 20th century music: To name but two, impressionis m (''Nuages gris'') (1881) and atonality (the ''Bagatelle without Tonality'' (1885) originally written as the fourth Mephisto Waltz). I remember studying Nuages in colleges and thinking, ''That's where Debussy got his style!''
mani224
Silly people. You talk of F. Liszt as a dude. Here is a man blessed with such immense talent. beyond anyone's conception. Yet you complain about Chopin not getting recognition. What scale are you dealing with.
Each was touched by the Gods of prodigy...
isa73antonia
How inspiring! I wonder if he realized in his time how important his music will be for future generations like us. That makes you focus even more on leaving a legacy behind...hug e shoes to fill.
Liszt is one of those composers that everyone can recognize,an d for good reason. The Dante Symphony should be required listening for all music students.
Speaking of chopin, why is it that his bio is a measly 2 pragraphs and liszt's is much lenghthier?
Liszt was a genius. However, he never could come close to the talent and musical expertise as that of his younger counterpart, Chopin.
Profound.
We need the Beethoven 7th symphony transcriptio n for piano!
Je t'aime Liszt! Je t'aime, et je t'adore aussi. :) I agree with Ericka A. Holman on her opinion of Liszt.
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