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The Foundations

The Foundations were a surprisingly obscure late-'60s outfit, considering that they managed to reach the tops of the both the British and American charts more than once in the space of a year and had a solid three years of recordings. At the time of their debut in mid-1967, they were hailed as being among the most authentic makers of soul music ever to emerge from England -- the best practitioners of the Motown sound to be found on the far side of the Atlantic -- and were also accepted in jazz circles as well. "Baby Now That I've Found You," "Build Me Up Buttercup," and "In the Bad, Bad Old Days" were the biggest hits for this multi-racial octet, made up of Londoners and West Indians.

The Foundations were formed in January 1967 in the basement of a local coffee bar in Bayswater, gathered together through advertisements in Melody Maker. Lead singer Clem Curtis was a former boxer from Trinidad, while lead guitarist Alan Warner had been making his living in the printing trade in London while waiting for music to pay off. Flutist/saxman Pat Burke hailed from Jamaica, tenor saxman Mike Elliott had played with Colin Hicks (brother of Tommy Steele) in his band the Cabin Boys, as well as in several jazz bands, and trombonist Eric Allan Dale was another jazz veteran. Tony Gomez (keyboards), Peter Macbeth (bass), and Tim Harris (drums) rounded out the lineup. They selected the name Foundations based on their surroundings, a rehearsal space in the basement of a building.

The group made very little headway during their first few months together, although they did manage to get an audition at the Marquee Club. It was at their regular spot at a much smaller club called the Butterfly -- where they played one legendary gig on the last night of the Stax/Volt European tour -- that led to their breakthrough. They were spotted by record dealer Barry Class, who was impressed enough with what he heard to become their manager. He arranged a meeting with Pye Records producer/songwriter Tony Macaulay, who was working with Long John Baldry with some success, but also was desperately looking for a new act to break for the label. He'd written a song with his partner John Macleod called "Baby Now That I've Found You," which seemed to suit the Foundations.

The resulting single, issued in the summer of 1967, got no reaction from the public or on the airwaves until it got picked up by the BBC's newly founded Radio 1, by a stroke of pure luck. The station wanted to avoid any records being played by the pirate radio broadcasters, and looked back at recent releases that the pirates had missed. "Baby Now That I've Found You" was the immediate beneficiary, along with the group -- by November, the single held the number one spot on the British charts. The group's timing was as perfect as the song -- there had been a soul boom in England since late 1965, and the subsequent Motown and Stax/Volt tours by American R&B stars only heightened the public's interest.

The Foundations were hailed for being the first British band to come up with an authentic soul sound, and the fact that they were first multiracial band to top the British charts only made their success that much more impressive (at a time when England was beginning to come to grips with its own racial attitudes). What's more, the group had the goods to back up the press' accolades. Their performances revealed a seasoned, well-rehearsed, exciting stage presence and a bold, hard soul sound that most British bands managed to imitate only in the palest manner, if at all.

Meanwhile, their debut single got to number 11 on the American charts in the hands of MCA's Uni label, and it was equally well received in the rest of the world, selling something more than three and a half million copies. Suddenly, the Foundations were a British phenomenon and had a worldwide following.

An album, From the Foundations, was duly recorded and featured some superb material, embracing both current soul and the then-popular discotheque sounds. The covers included everything from Joe Tex ("Show Me") to Tony Hatch ("Call Me," in a version worthy of Motown), as well as some new Macaulay/Macleod numbers. The debut album never made the British charts, but it remained in print for years, a perennial seller that held up well over time.

Unfortunately, a follow-up single, "Back on My Feet Again," didn't crack the British Top Ten, despite very heavy airplay and promotion, and barely made the U.S. Top 50. In retrospect, it may have been too similar to "Baby Now That I've Found You," which had sold in enormous numbers. Its relative failure led to the beginnings of a split between the group and Macaulay, as both songwriter and producer, exacerbated by the latter's decision -- as their producer -- not to permit the group to record any of their own songs, even as B-sides. Additionally, they felt that Macaulay reined in their "real" sound, making them seem more pop-oriented than they were.

These disagreements occurred at just about the same time that the group itself began experiencing internal fractures. It seemed to Curtis, in particular, that some of the other members, having topped the charts and chalked up an international hit, weren't putting out the same effort they'd been giving to the group when they were still struggling.

Curtis was persuaded to pursue a solo career, ironically right after he'd recorded perhaps the best track he ever cut with the group, a killer rendition of "It's All Right," a number they'd been knocking crowds dead with on-stage all along. (They also released a live album, Rocking the Foundations.) Additionally, saxman Elliott quit as well, and was never replaced. Curtis was succeeded by Colin Young, a good singer in his own right who fit in perfectly with the group's sound, and the reconstituted group hit once more in early 1969 with "Build Me Up Buttercup," written by Macaulay with Mike D'Abo, which reached number two in England and number one in America. "In the Bad, Bad Old Days (Before You Loved Me)" was yet another hit, reaching the U.K. Top Ten and the U.S. Top 30.

The band's success finally faltered when Macaulay exited Pye Records. As he later revealed, he was still being paid solely as a producer and he received no royalties for his songs, despite millions of copies sold. With his departure, the group was cut off from the only composer who'd written all of their hits. Additionally, the sounds of soul were changing faster than the group could assimilate it all -- they tried for a funkier, James Brown-type sound on their last recordings together in 1970 but failed to attract any attention.

The Foundations split in 1970, and by the middle of the decade that followed, Curtis revived the band -- but so had Young, and both outfits were called the Foundations. A lawsuit resulted in Curtis getting the rights to the original name, while Young was allowed to use the New Foundations. The group remains fondly remembered, if not often written about, in England, and it achieved some fresh international recognition in 1998 when "Build Me Up Buttercup" appeared prominently in the hit movie There's Something About Mary. Curtis continues to perform in a revived version of the group, and he and Warner have recorded new versions of the Foundations' classic numbers. Various versions of the Foundations continued to tour into the first decade of the 21st century, including Curtis as Clem Curtis & the Foundations and Warner as Alan Warner's Foundations. ~ Bruce Eder, Rovi
full bio


Ahh, Buttercup...
Build Me Up Buttercup is such a great oldie......l o v e it!!
I love this song
This is movin grovin music! Makes these old bones get up & dance.
Love this song.
Build me up buttercup, but don't break my heart
I love this song my favorite reminds when I was 11 years playing the 45 over n over.
Yes please:)
Butter cup don't brake my heart ....
He talks about buttercup who's buttercup
BABY BABY try to find...... WOOOOOOOOOOO O O o o o o o o
I love that song. I remember how we all danced.
This is original 60s. Love it.
Old school rocks
build me up buttercup
I f I did that. Well as you can see with your eyes I don't really call anyone. But realize u do Know u r close by I feel u always. Soulmates
I'm never gonna hurt as for me I've been hurt many times but just Smile. Let it Go hurt with in never be seen. Only see my hurt in my tears nights while it's hard to sleep you watch over me Gaurdian Angel. ..Big Daddy Jose. ....
This song played in the limo on the way to my older sisters wedding& I come from a large family& to have all ur siblings& family singing so loud drunk of our a$$ u just don't get to make a better memory with family then that!!! ❤️u mel
Build me up butter cup don't break my heart ♡
Wow how I loved this song in HS great memories
I love this song!
Anyone wanna be my buttercup like for realz??????
Don't read this because it actually works. You will be kissed on the nearest Friday by the love of your life. Tomorrow will be the best day of your life. However if you don't post this you will die in 2 days. Now you started reading this so don't stop. This is so scary put this on at least 5 songs in the next 143 minutes. When done press f6 and your lovers name will appear on the screen in big letters this is so scary because it works
Build me����butter


Build ��
Don’t read this because it actually works. You will be kissed on the nearest Friday by the love of your life. Tomorrow will be the best day of your life. However if you don’t post it this you will die in two days. Now you’ve started reading this so don’t stop. This is so scary put this on 5 songs in 143 minutes when done press f6 and you lovers name will appear on the screen in big letters this is so scary because it works
love old shool music as well!! p.s I'm not suposed to do this I'm only 8
Love old school music. <3
Good song
I truly love the music I grew upon
Nothing like the songs from the 60s! Best music!
Good song!
Such a happy song!!!! I love it,its impossible to feel anything but joy when you hear it!!!
One of my favorite groups! I love their sound. Listened to the Build Me Up Buttercup 45 probably 20x until my parents said, Shut off that record player! haha!
My sister is in love
cuffychamber l a i n
when I was youg, 13-15 just loved this song. reminds me of beach
I love this song very up beat
I love this song, when I was a little girl I use to sing it all the time. I wish they would of made it. Love it....
calvinbarnes j r 7 6
Hey hey hey!!! Build me up buttercup<3
One of my favorites!
omg i remember when my best irama bought me this 45 when i turned 13 now 58
I read in Bob Marley's bio he played guitar on this track
Love build me up buttercup
The your beat it sound good?
Good beat Love it
Love this song. Doesn't matter how old it is. Applies to any song.
Check out the songs Tony Macauley wrote ...another interesting bunch of hits.
Beautiful music, we can all learn something from the past.
This song is so old my grandma remembers it.
Show more

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