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Experimental Audio Research -- E.A.R. for short -- was a loosely affiliated assembly of performers primarily spearheaded by Spectrum frontman Sonic Boom; from time to time, the group also included, among others, My Bloody Valentine's Kevin Shields, God's Kevin Martin, and AMM's Eddie Prevost. As a revolving exercise in guitar-based noise, each E.A.R. release radically differed from the ones preceding it, spanning the divide between weightless ambience and dense sheets of feedback; the project was introduced via 1994's Mesmerised, and was followed a few months later by Pocket Symphony, released solely on 5" vinyl. (As befitting Sonic Boom's own affection for record collecting, the releases that followed in 1995 -- Hydroponic and an untitled effort -- appeared only as a 10" and 8" picture-disc recording, respectively.) Although released in 1996, the Beyond the Pale LP was originally intended as the first Experimental Audio Research release, and was actually recorded in 1992; Phenomena 256 followed that August. Next up was 1997's The Köner Experiment, a nod to minimalist Thomas Köner, who also appeared on the disc; Millennium Music followed in 1998, with subsequent releases including Data Rape. ~ Jason Ankeny, Rovi
CONTENT TO SIT FOR DAYS .... staring at the toe of my shoe, only going out to score and come back and sit in my chair, high not thinking of anything just contentedly vacated. and this would be the entertainment.
pretty much a drug drenched swirling cycle of passive vibration and keyboards, never building, just orbiting about you, retreating and returning, alas, with an eerie conclusion. a tad too boring for me.
Comments
staring at the toe of my shoe, only going out to score and come back and sit in my chair, high not thinking of anything just contentedly vacated.
and this would be the entertainmen t .