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Dusty Springfield

Britain's greatest pop diva, Dusty Springfield was also the finest white soul singer of her era, a performer of remarkable emotional resonance whose body of work spans the decades and their attendant musical transformations with a consistency and purity unmatched by any of her contemporaries; though a camp icon of glamorous excess in her towering beehive hairdo and panda-eye black mascara, the sultry intimacy and heartbreaking urgency of Springfield's voice transcended image and fashion, embracing everything from lushly orchestrated pop to gritty R&B to disco with unparalleled sophistication and depth. She was born Mary O'Brien on April 16, 1939, and raised on an eclectic diet of classical music and jazz, coming to worship Peggy Lee; after completing her schooling she joined the Lana Sisters, a pop vocal trio which issued a few singles on Fontana before dissolving. In 1960, upon teaming with her brother Dion O' Brien and his friend Tim Feild in the folk trio the Springfields, O'Brien adopted the stage name Dusty Springfield; thanks to a series of hits including "Breakaway," "Bambino," and "Say I Won't Be There," the group was soon the U.K.'s best-selling act.

After the Springfields cracked the U.S. Top 20 in 1962 with "Silver Threads and Golden Needles," the group traveled stateside to record in Nashville, where exposure to the emerging American girl-group and Motown sounds impacted Dusty so profoundly that in 1963 she left the Springfields at the peak of their fame to pursue a solo career. Her first single, "I Only Want to Be With You," boasted a dramatic sound and soulful melody worthy of a Phil Spector hit, and it quickly reached the British Top Five; it also fell just shy of the Top Ten in the U.S., where it became the first major record from a U.K. act other than the Beatles since the Fab Four's launch of the British Invasion. Her biggest American Top Ten hit, "Wishin' and Hopin'," was the first in a series of Springfield smashes from the pen of songwriters Burt Bacharach and Hal David; she would subsequently cover Bacharach/David classics including "Anyone Who Had a Heart" and "I Just Don't Know What to Do With Myself," surpassed only by Dionne Warwick as the finest interpreter of the duo's songs.

Additionally charting with hits including "Stay Awhile" and "All Cried Out," by the end of 1964 Springfield was arguably the biggest solo act in British pop, winning the first of four consecutive Best Female Vocalist honors in NME; that same year, she also created a political furor after she was deported from South Africa for refusing to play in front of racially segregated audiences. Returning to England, in 1965 Springfield hosted the television special The Sound of Motown, a show widely credited with introducing the Sound of Young America to the their British counterparts, and continued racking up smashes like "Losing You," "Your Hurtin' Kinda Love," and "In the Middle of Nowhere"; in 1966, she scored her biggest international hit with the devastating ballad "You Don't Have to Say You Love Me," which topped the U.K. charts and reached the Top Five in the U.S. The soundalike "All I See Is You," another heart-wrenching evocation of unrequited love, soon reached the British Top Ten as well; it was followed, however, by the Bacharach/David-penned "The Look of Love," a bossa nova-inflected classic positively radiating with dreamlike sensuousness.

By 1968, however, Springfield's commercial fortunes were on the decline -- in the wake of psychedelia and the Summer of Love, "girl singers" were now widely perceived as little more than fluff. In response, she signed to the American label Atlantic, traveling to Memphis to record with producers Jerry Wexler, Tom Dowd, and Arif Mardin; the resulting album, issued in early 1969 as Dusty in Memphis, remains her masterpiece, a perfect marriage of pop and soul stunning in its emotional complexity and earthy beauty. Although the classic single "Son of a Preacher Man" cracked the Top Ten on both sides of the pond, the album itself was nevertheless a commercial failure, as was its fine 1970 follow-up, A Brand New Me, recorded in Philadelphia with the input of the songwriting/production team of Kenny Gamble and Leon Huff. After completing 1972's See All Her Faces, Springfield relocated from London to New York City, eventually settling in Los Angeles; there she signed to ABC/Dunhill and recorded 1973's Cameo, another critical success which like its predecessors made virtually no impact on the charts.

A projected follow-up, Longings, was abandoned prior to its completion, and apart from singing backup on Anne Murray's Together album, Springfield spent the mid-'70s outside of music while battling substance abuse problems. She finally resurfaced in 1978 with the Roy Thomas Baker-produced It Begins Again, followed a year later by Living Without Your Love; both attracted little notice, although the non-album single "Baby Blue" was a minor British hit in 1979. Apart from a handful of soundtrack contributions, Springfield was silent until returning to London in 1982 to record White Heat, an album firmly grounded in the prevailing synth-pop sound of its times; again, despite good critical notices, a comeback failed to materialize. She would release just a handful of singles over the next few years, including the 1984 Spencer Davis duet "Private Number," the 1985 ballad "Sometimes Like Butterflies," and a 1987 collaboration with Richard Carpenter, "Something in Your Eyes," which became a minor success in the U.S.

Upon returning to California in 1987, Springfield was contacted to collaborate with techno-pop innovators the Pet Shop Boys on a duet titled "What Have I Done to Deserve This?" The single was a global blockbuster, peaking at number two in both the U.S. and the U.K., and it introduced her to a new generation of listeners; Pet Shop Boys Neil Tennant and Chris Lowe also agreed to produce a handful of tracks for 1990's Reputation, which became Springfield's best-selling new album since her '60s-era peak. The follow-up, 1995's country-influenced A Very Fine Love, was recorded in Nashville; during sessions for the album, she was diagnosed with breast cancer, and after months of radiation therapy the illness was believed to be in remission. By the summer of 1996, however, the cancer had returned, and on March 2, 1999, Springfield died at the age of 59; just ten days later, she was inducted into the Rock and Roll Hall of Fame. ~ Jason Ankeny, Rovi
full bio

Selected Discography


Dusty is so Damn sweet!!! Kill it
Don't read this because it actually works. You will be kissed on the nearest possible Friday by the love of you life. Tomorrow will be the best day of your life. However if you don't post this you will die in 2 days. Now you've started reading so don't stop. This is so scary put this on at least 5 songs in 143 minutes. When done press f6 and your lover's name will come on the screen in big letters. This is so scary because it actually works
This chick Dusty was a bad mother - shut your mouth - I'm talking
bout Dusty - we can dig it!
Reminds me of my "Wife" ??
Wishing and Hoping that she was still here! Love you,Dusty.
Dusty, at her best, represented a period of time it's easy to romanticize and be nostalgic for because this was when so much music was fresh and innovative. Dusty covered a lot of ground, because she had a voice that could do so. A true 60's icon. Everything about her was smokin'!
Dusty didn't dig boys,but she tugged at our heartstrings so hard, that didn't matter r.I p. Dusty
All Hail the Queen of Blue Eyed Soul. Dusty!
Man, oh man! What a singer with so much class! Dusty along with Ella Fitzgerald, Aretha, Karen Carpenter and Joni Mitchell are my favorite female vocalists!!
I was a young teenager when she recorded "I Only Want To Be With You" and used to imagine that she was singing to me. Loved you, Dusty.
I only want to be with you
I've loved dusty's voice all of my life,I don't believe that to many people are aware of her accomplishme n t s . I wish that you were still here to sing with Patti Labelle.
Stone-Cold Super-Badd Super-Star Soul-Sissta
LOVE'S Disciple*978 * ~ 6 m 1 4 y ~
She was way ahead of her time...
I wish the drag queens would quit ruining the mental images that the rest of us have
From the 60's well into the 90's every drag queen was inspired to look like her and that says something about her loyal fans. Miss ya Dusty
These were the best loving songs love it
Blonde, Beautiful, and One Great Singer.
I always thought this singer was black.... guess not. lol good song!!!
Another Carole King hit. She sure wrote a bunch of them for other people.
amyblankenfe l d 2
Don't read this because it actually works. You will be kissed on the nearest possible Friday by the love of your life. However if you don't post this you will die in 2 days. Now you've started reading so don't stop. This is so scary put this on at least 5 songs in 143 minutes . When done press f6 and your lovers name Will come on the screen in big letters. This is so scary because it actually works.
p.s. thank you Quentin for sharing her with us.
Dusty, you go down in infamy. I had no idea. You are an inspiration. Peace and love to all who get her.
OH MY, What a voice! Absolutely Beautiful!! Her songs make you want to fall in LOVE, Again. We've all had that special time when our eyes have seen that special someone & our heart actually skipped a beat. You all know what I mean! This lady's music brings me right back to that time & feeling. Thanks dusty & R.I.P.
hippy cool,man..Go l d e n Gate Park
I absolutely love this song! Several seasons ago, on American Idol (before it became mundane), there was a singer, Nicole, I think, who absolutely killed this song!! Just aced it.
There's no one like Dusty. She was one of kind. Brilliant !
Dusty Springfield didn't just sing those songs;she made them her own! Dusty In Memphis is one of my Favorite albums:-)
crazymuttsla d y
I miss you Dusty and I'll never stop loving you.
Dusty is really Blue Eyed Soul ★she had amazing voice. R. I. P
What happened to Dusty in Memphis, one of the great pop albums? KAT
A Doctor friend of ours, was engaged to Dusty while he was in Medical School in France 1969-74. He still laments the fact that he broke their engagement!
Your Right @rdelnick7. Adele is Contemperey Pop! Dusty was 60's Blue Eyed Soul!
Hey, Holt's right, I hear some Dusty vibes in Adele's music. Love em both.
Bad 'Sistah' here
When will we finally rid ourselves of all cancers? Come on guys. People are dyinjg here. Everyone do something to help. Lets make it a National priority.
Beautiful lady, beautiful voice. Great orchestratio n .
One of my all time favorites..v e r y talented with a terrific voice. Wish you were still with us..
I'm a 27 year old red blooded straight american male.

I really love Dusty Springfield.

Deal with it, haters.
Yes..we still have those wonderful memories..I miss the sixties so much.
bob.gilberts o n 1
Wonderful, beautiful, loving songs! What memories! IF WE COULD ONLY GO BACK FOR A WHILE.
Never Forgotten!!!
I love Dusty she was one of a kind.
Does anyone else see Adele taking her style from Dusty Springfield, more than anyone else?
Nick D

Great voice. Great range. Sang pop, jazz, soul, you name it - fantasticall y with those golden vocal cords. She could sing through a restaurant menu and it would probably sound angelic. On my short list performers I truly miss. Miss you Dusty. God blessed us with your voice.
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