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folk roots
a subtle use of vocal harmony
a twelve-eight time signature
acoustic rhythm piano
acoustic sonority
major key tonality
string section beds
a prominent accordion part
a prominent flute part
a prominent banjo part
political lyrics
sad lyrics
triple note feel
emphasis on instrumental arranging
These are just a few of the hundreds of attributes cataloged for this track by the Music Genome Project.
You're right, Al Barr doesn't have the range for this song. Good thing Ken Casey's the one singing, then. This is a great version of this song. I can barely listen to any others.
Look, I love the Dropkicks, and Green Fields of France/No Mans Land can rip your heart out when it's done well, but they butcher this song. I mean, they straight up butcher it. Listen to June Tabor's version of it back to back with this one. No contest. Al Barr just doesn't have the range for a song like this.
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