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Danny Elfman

May 29, 1953 -
born in Amarillo, TX, composed during the Contemporary period
Danny Elfman is easily the most successful of those rock musicians who have made the jump to serious film composition. Born Daniel Robert Elfman on May 29, 1953 in Amarillo, Texas and raised in Los Angeles, his mother, Blossom Elfman, was a novelist and later a screenwriter. Elfman was always musically inclined, and while living in France with his brother Richard in the early 1970s, he joined a theatrical company, where he first began learning how to orchestrate. He also spent some time living in Africa, until a bout with malaria forced him to return to the United States in the late 1970s. In 1980, he was asked to write the music for the low-budget horror-fantasy spoof Forbidden Zone, which was directed and co-produced by his brother Richard. This marked more the beginning of a career in rock music for Elfman than in film music -- Forbidden Zone, which didn't see wide release until 1983, never acquired more than a tiny cult audience, but the ensemble that had been assembled by Richard Elfman for the film, The Mystic Knights of Oingo Boingo, remained together and achieved a following as a New Wave band under the name Oingo Boingo. Danny Elfman continued with the group as a guitarist, singer, and songwriter for the next few years, establishing himself as a rock musician. Then, in 1985, he was approached by director Tim Burton to score his first full-length feature, Pee-Wee's Big Adventure. Elfman's first chance to work on a film with a substantial budget, for a major studio, opened a new chapter in his career, as both the film and the music succeeded beyond anyone's expectations. His music, orchestrated by his fellow Oingo Boingo member Steve Bartek, was a mix of the comical, offbeat, and serious, and seemed to capture every nuance the Burton was looking for in a movie that was, essentially, a cartoon brought to life. Thus began Elfman's career in movie music, which at first had him confined to more of Tim Burton's fantasy films, including Beetlejuice, and offbeat comedies like Jonathan Demme's Something Wild -- the closest he got to mainstream, frontline movies were the comedies Back To School and Summer School. Over the those next few years, he honed his own skills as a composer, and when Burton approached him with the movie Batman, he was ready. It was with Batman that Elfman showed what he could really do as a composer, establishing his ability to justice to a major film -- his music, almost all of it dark hued in keeping with the subject, yet laced with warmth and humanity, was vital in fixing the dramatic tone of the film and keeping its human dimension, despite the larger-than-life characters and ominous look to the movie. The film became one of the top-grossing movies of all time and in the wake of its success (which earned him a Grammy Award), Elfman found himself in demand for a vast range of movies and subjects, from the mega-budgeted Dick Tracy in 1990 to period dramas such as Sommersby in 1993. His knack for scoring offbeat movies wasn't lost, however, as evidenced by his Academy Award nominations for comedy spoof Men In Black and for the drama Good Will Hunting, both from 1997, the same year he scored the gimmick comedy Flubber. Elfman has also occasionally returned to musical idioms somewhat closer to his original roots in rock music, as with his songwriting and singing in his score for Burton's The Nightmare Before Christmas. ~ Bruce Eder, Rovi
full bio

Selected Discography

x

Track List: Music for a Darkened Theatre, Vol. 2: Film & Television Music

Disc 1
Title: Edward Scissorhands, Film Score
Title: Dolores Claiborne, Film Score
Title: To Die For, Film Score
Title: Black Beauty, Film Score
Title: Batman Returns, Film Score
Disc 2
Title: Mission: Impossible, Film Score
Title: Sommersby, Film Score
Title: Dead Presidents, Film Score
Title: The Nightmare Before Christmas, Film Score
Title: Freeway, Film Score
Title: Shrunken Heads, Film Score Main Titles
Title: Amazing Stories: Family Dog, Television Episode Score
Title: Amazing Stories: Mummy, Daddy, Television Episode Score
Title: Barkley Superhero, Nike Commercial Music
Title: The Flash, Television Series Theme
Title: Pee Wee's Playhouse, Television Score
Title: Beethlejuice, Animated Television Series Theme
Title: The Nightmare Before Christmas, Film Score

Comments

Dat bass clarinet :3
I like this c:
Nice song
I love the movie better than the song lol
This has become my most favorite music station! Screw mainstream, this is where it's at!
...i feel so weird....oh well who says 13 year olds can't listen to awesome music?
Yeah man so am i
I think I'm a little obsessed with batman......
*movie music
Figures the guy who wrote Edward Scissorhands music would write all of Tim Burton's movies.
This movie is scary
Love this song he the look like the joker
Omg he n I have the same birthday n he was born only a couple cities away! He's exactly 42 years older than me!
Omg!!!' My favorite movie!!!
Love his music !!!!
the picture tho'. c'x
He looks like the freaking joker! How ironic!
This kinda sounds like the batman and Spider-Man theme mixed, with lyrics about Alice and Wonderland.. . But he did make music for all three...
bridgetpie82 9
If you leave a comment on my profile I will follow you.
kpbipod
THAT PIC IS SCAREY
kjauthement
I love this movie !!!!!!!!!!!! ! ! ! ! ¡ ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Yay
ndbruce3591
Buffy summers
Holly cow his pic .......SCARY
I love Tim Burton's movies and he was smart for sticking with Danny Elfman! Follow me if you agree
big fish???
He is like THE BEST (creepy) composer.I don't blame Tim burton for staying with him
I wonder if Danny ever feels bad for his orchestra at how fast then suddenly slow he wants them to play lol...... Probably not.
bolandshome
Love. Danny. Elfman.
He works with Tim Burton, and Produces ABSOLUTELY AMAZING (Yet creepy) work. You can see it all in his smile.
breebree2640
This is a cool song! Obviously it was MADE for Halloween!:)
We Tim Burton now.
Creepiest. Face. Ever. LOL
No comments on Danny Elfman? You're kidding me. This guy is a genius! From the score of Mars Attacks and Men in Black to The Corpse Bride and The Nightmare Before Christmas, Elfman hardly ever dissapoints.
So what's with the selections that are not original releases but best of albums? If I wanted to listen to half-done re-creations I'd put on one of a billion Erich Kunzel records...
This is one of the greatest composers ever!!!
brandonshapi r o 9
He could totally play the new Joker in Batman....ju s t saying..haha
It reminds me of the picture of Malcolm McDowell in A Clockwork Orange movie. Check it out.
moomoobear10 0
His pic... Is very.. creepy and stalkerish. But otherwise, I really like his musici!!!
I love the music for Alice in Wonderland! Tim Burton, Danny Elfman, Helena Bohnham-Cart e r , and Johnny Depp! What is better?
Danny Elfman... you have made so many more of my life moments wonderful, more than I've been due. Thank you!!!
I love love love love love spiderman's soundtrack.. .
LOVE IT
Dark, mysterious, enchanting, and especially whimsical. One of the many reasons why Elfman's work is wonderful.
amycmac
hi
A true artist and musition!
my idol...
tati80
Just one word.....Mys t i c a l . . . . . l o v e it....
Loved Oingo Boingo ! ! !
sorry ment elfmans work
i love elfmas work its all very peacefull but at the same time very dark,depress i n g , a n d mysterious.. . . . . h e is a very unique composer and i enjoy his work especially with edward scissor hands....... t o t a l y in love with that movie seince the first time i watched it
sondrakoob
I have to agree with so many of you who have commented that Elfman is truly a unique composter/mu s i c i a n and I do enjoy it when I see his name on the score.
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