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Despite coming up in the jazz world and spending his life around jazz musicians, Charlie Spivak rarely improvised and was most notable for his pretty tone. He moved to the U.S. with his family as a small child and grew up in New Haven, CT. Spivak began playing trumpet when he was ten, gigged locally as a teenager, and worked with Don Cavallaro's Orchestra. During most of 1924-1930 he was with Paul Specht's Orchestra, primarily playing section parts where his tone was an asset. Spivak was cast in the same role with Ben Pollack (1931-1934), the Dorsey Brothers (1934-1935), and Ray Noble. He worked in the studios during most of 1936-1937 and then had stints with the orchestras of Bob Crosby, Tommy Dorsey, and Jack Teagarden. Spivak formed his own band in November 1939 (financed by Glenn Miller) and, although his first orchestra failed within a year, his second attempt shortly after was more successful; in fact, Spivak became a major attraction throughout the '40s and he kept his band together until 1959. Spivak lived in later years in Florida, Las Vegas, and South Carolina, putting together orchestras on a part-time basis, staying semi-active up until his death at the age of 75. Among his better recordings were his theme "Let's Go Home," "Autumn Nocturne," and "Star Dreams." Charlie Spivak, who recorded as late as 1981, was married to singer Irene Daye (who was formerly with Gene Krupa's Orchestra). ~ Scott Yanow, Rovi
When my mom started suffering with Dementia and my Step-Dad passed away, my cousin gave away to who knows who, all the 78's and other recordings that included, Bing Crosby, Louie Prima and Tommy Mercer plus tons more singing with all these bands pus!
My parents sang in the featured vocal Group called The Stardreamers. When my mom Margaret Manning and my dad Chick Gale toured with Spivak it was between 1946-47 and them my dad joined the Skylarks and traveled with them and both Harry James and Jimmy Dorsey Bands until 1948.
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