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Carl Perkins

While some ill-informed revisionist writers of rock history would like to dismiss Carl Perkins as a rockabilly artist who became a one-hit wonder at the dawn of rock & roll's early years, a deeper look at his music and career reveals much more. A quick look at his songwriting portfolio shows that he composed "Daddy Sang Bass" for Johnny Cash, "I Was So Wrong" for Patsy Cline, and "Let Me Tell You About Love" for the Judds, big hits and classics all. His influence as the quintessential rockabilly artist has played a big part in the development of every generation of rockers to come down the pike since, from the Beatles' George Harrison to the Stray Cats' Brian Setzer to a myriad of others in the country field as well. His guitar style is the other twin peak -- along with that of Elvis' lead man Scotty Moore -- of rockabilly's instrumental center, so pervasive that modern-day players automatically gravitate toward it when called upon to deliver the style, not even realizing that they're playing Perkins licks, sometimes note for note. As a singer, his interpretation of country ballads is every bit as fine as his better-known rockers. And within the framework of the best of his music is a strong sense of family and roots, all of which trace straight back to his humble beginnings.

He was born to sharecroppers Buck and Louise Perkins (misspelled on his birth certificate as "Perkings") and was soon out in the fields picking cotton and living in a shack with his parents, older brother Jay, and his younger brother Clayton. Working alongside blacks in the field every day, it's not at all surprising that when Carl was gifted with a secondhand guitar, he went to a local sharecropper for lessons, learning firsthand the boogie rhythm that he would later build a career on. By his teens, Carl was playing electric guitar and had recruited his brothers Jay on rhythm guitar and Clayton on string bass to become his first band. The Perkins Brothers Band, featuring both Carl and Jay on lead vocals, quickly established itself as the hottest band in the get-hot-or-go-home cutthroat Jackson, TN, honky tonk circuit. It was here that Carl started composing his first songs with an eye toward the future. Watching the dancefloor at all times for a reaction, Perkins kept reshaping these loosely structured songs until he had a completed composition, which would then be finally put to paper. Perkins was already sending demos to New York record companies, who kept rejecting him, sometimes explaining that this strange new hybrid of country with a black rhythm fit no current commercial trend. But once Perkins heard Elvis on the radio, he not only knew what to call it, but knew that there was a record company person who finally understood it and was also willing to gamble in promoting it. That man was Sam Phillips and the record company was Sun Records, and that's exactly where Perkins headed in 1954 to get an audition.

It was here at his first Sun audition that the structure of the Perkins Brothers Band changed forever. Phillips didn't show the least bit of interest in Jay's Ernest Tubb-styled vocals but flipped over Carl's singing and guitar playing. A scant four months later, he had issued the first Carl Perkins record, "Movie Magg"/"Turn Around," both sides written by the artist. By his second session, he had added W.S. Holland -- a friend of Clayton's -- to the band playing drums, a relatively new innovation to country music at the time. Phillips was still channeling Perkins in a strictly hillbilly vein, feeling that two artists doing the same type of music (in this case, Elvis and rockabilly) would cancel each other out. But after selling Elvis' contract to RCA Victor in December, Perkins was encouraged to finally let his rocking soul come up for air at his next Sun session. And rock he did with a double whammy blast that proved to be his ticket to the bigs. The chance overhearing of a conversation at a dance one night between two teenagers coupled with a song idea suggestion from labelmate Johnny Cash inspired Perkins to approach Phillips with a new song he had written called "Blue Suede Shoes." After cutting two sides that Phillips planned on releasing as a single by the Perkins Brothers Band, Perkins laid down three takes each of "Blue Suede Shoes" and another rocker, "Honey Don't." A month later, Phillips decides to shelve the two country sides and go with the rockers as Perkins' next single. Three months later, "Blue Suede Shoes," a tune that borrowed stylistically from pop, country, and R&B music, sat at the top of all charts, the first record to accomplish such a feat while becoming Sun's first million-seller in the bargain.

Ready to cash in on a national basis, Carl and the boys headed up to New York for the first time to appear on The Perry Como Show. While en route their car rammed the back of a poultry truck, putting Carl and his brother Jay in the hospital with a cracked skull and broken neck, respectively. While in traction, Perkins saw Presley performing his song on The Dorsey Brother Stage Show, his moment of fame and recognition snatched away from him. Perkins shrugged his shoulders and went back to the road and the Sun studios, trying to pick up where he left off.

The follow-ups to "Shoes" were, in many ways, superior to his initial hit, but each succeeding Sun single held diminishing sales, and it wasn't until the British Invasion and the subsequent rockabilly revival of the early '70s that the general public got to truly savor classics like "Boppin' the Blues," "Matchbox," "Everybody's Trying to Be My Baby," "Your True Love," "Dixie Fried," "Put Your Cat Clothes On," and "All Mama's Children." While labelmates Cash and Jerry Lee Lewis (who played piano on "Matchbox") were scoring hit after hit, Perkins was becoming disillusioned with his fate, fueled by his increasing dependence on alcohol and the death of his brother Jay to cancer. He kept plugging along, and when Cash left Sun to go to Columbia in 1958, Perkins followed him over. The royalty rate was better, and Perkins had no shortage of great songs to record, but Columbia's Nashville watch-the-clock production methods killed any of the spontaneity that was the charm of the Sun records. By the early '60s, after being dropped by Columbia and moving over to Decca with little success, Perkins was back playing the honky tonks and contemplating getting out of the business altogether. A call from a booking agent in 1964 offering a tour of England changed all of that. Temporarily swearing off the bottle, Perkins was greeted in Britain as a conquering hero, playing to sold-out audiences and being particularly lauded by a young beat group on the top of the charts named the Beatles. George Harrison had cut his musical teeth on Perkins' Sun recordings (as had most British guitarists) and the Fab Four ended up recording more tunes by him than any other artist except themselves. The British tour not only rejuvenated his outlook, but suddenly made him realize that he had gone -- through no maneuvering of his own -- from has-been to legend in a country he had never played in before. Upon his return to the States, he hooked up with old friend and former labelmate Cash and was a regular fixture of his road show for the next ten years, bringing his battle with alcohol to an end. The '80s dawned with Perkins going on his own with a new band consisting of his sons backing him. His election to the Rock and Roll Hall of Fame in the mid-'80s was no less than his due. After a long battle with throat cancer, Perkins died in early 1998, his place in the history books assured. ~ Cub Koda, Rovi
full bio

Selected Discography

Comments

His bio talked about my great-great- g r e a t grandfather who was his father so. I love you Carl Perkins I'm proud to be a perkins
curtis9457
carl perkins is one of the best song writer of rock and roll
I met Carl in k-town Germany in 65 while in the army at the service club.sure miss nickel nite beer.on Fridays.I was bopping the blues all nite!! Down with the Berlin wall.
marvins39
carl is underated and great; buddy holly was a transformati o n a l figure in rock and roll
Carl invented what others discovered. Keep Jesus rocking ....
bevbevan
Roger, you are completely wrong on this one. Buddy Holly was in a class all his own. However, Carl Perkins was a class act and woefully overlooked for the contribution s he made to the creation of rock and roll.
Sorry ,BuddyHolley was not even in Carl's class.Did not even know how to pick guitar.I liked Buddy but not in Carl's class
Carl Perkins was in there kicking a** when others were training for their careers.He helped get it started.Was one (cool Dude)back in the 50's
a true Tennessee Treasure!
he was a great Tennessee boy & I miss him..love from Memphis.
Ran out & bought Blue Suede Shoes right after I first heard it on my little transistor radio. Now some 50 plus years later I have immersed myself in Carls whole portfolio. He was truly one of the great founding fathers of Rock n Roll & NEVER got the credit he deserved. Well, you do in my house Carl !
Carl Perkin's influence on R&R is unmeasurable !
And the Stray Cats made more money even in adusted dollars. Just liten to them and hear Carl Perkins. They might have been good but only because of Carl
fab1950s
can hear a lot of Carl's style in my playing. Thank you Carl !!!!!
A man among men, in rock and roll
Boy Carl has always done it for me. I find the guy captivating anytime I hear him. He is an original classic artist / trend setter.
jcarltone3
amen to the million dollar quartet except nothing was ever a finished product still it is awsome
check out the Million Dollar Quartet CD -- Elvis, Johnny Cash, Jerry Lee Lewis,
and Carl Perkins jamming at Sun Records. The recording was just an afterthought as these guys jammed
so the miking is not great - but the guys sound great --- Jerry's piano, Elvis singing, and especially Carls
guitar --- check out his picking in between the numbers --- the man was a grand master
jen.linville
myself i like buddy holly but thats just me
What a great influence to so many great bands. Tnink about it.
The real cool rockin' daddy!
Dixie Fried, one of the greatest rockabilly/c o u n t r y tunes ever.
IF GOD SAID YOU CAN MEET JUST ONE OF THE BIG SUN RECORDS STARS OUT OF: Elvis, Johnny, Carl, Jerry Lee, or Roy. WHO WOULD I PICK? THE REAL KING OF ROCK AND ROLL CARL PERKINS.
No mention of Buddy Holly? It was Holly's music that carried Perkins' style to the Beatles and the Stones.
Long live his music.
kenkburke
Carl Perkins, King of Rockabilly. Long may his music play!
janisz
Fabulous! Way ahead of his time! Carl Perkins, the first and the best!
jhalow
Greatest songs--boppi n ' the blues, blue suede shoes, matchbox. A terrific artist
This was the guy that was rattling our transitor radios in the '54 and '55 when we were fighting acne, social insecurity, and trying to find our own identity. He began the generation that would march to the beat a different drummer.
The only man that could make a Peavey guitar cool! His career was way-laid by a traffic accident otherwise he would have given Elvis a run for the money. Great guitar player - George Harrison payed him for guitar lessons once he made it big with the Beatles.
To bad that jerk Elvis stole his song Blue Suade Shoes.
Carl Perkins is THE man! His music today is just as good as when he and his brothers played in little TN clubs and is far superior than much of the music of today. Now, his lyrics are real, are funny, are clever and fun to sing along with! Carl is one of the #1s in my book! (Along with Hiram King Williams, Johnny Cash, Hank III)
highly underated!!!
Carl Perkins is the KING of rockabilly hands down. If you doubt this, just put on his SUN records collection and enjoy..
zelda64
Wow!He is the true Rockabilly King and his songs are groovy
I was introduced to carl perkins through the beatles BBC sessions album. I think he is amazing!!!
ricksamer66
Amazing story. Cracked skull, broken neck and waking up in the hospital to see Elvis doing his song. I doubt Perkins simply "shrugged his shoulders."
RIGHT ON CARL, keep on rocking, and the Beatles did more covers of your music than any other artist, that is impressive.A l t h o u g h I would not be caught dead in Blue Swede Shoes, your musical legacy will live on forever. Elvis just had the looks.
rock on Carl
carl perkins is a great songwriter and a legend
The sound of Carl Perkins' voice lets us know that he was such a HOTTIE indeed! He had such great timing, the way he'd make a one-syllable word sound like two...can't quite put it into words exactly. In "Hey, Good Lookin' - If you wanna have-a fun-na come along-a with me".
elvis who?

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