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Buddy Guy

Buddy Guy is one of the most celebrated blues guitarists of his generation (and arguably the most celebrated), possessing a sound and style that embodied the traditions of classic Chicago blues while also embracing the fire and flash of rock & roll. Guy spent much of his career as a well-regarded journeymen, cited as a modern master by contemporary blues fans but not breaking through to a larger audience, before he finally caught the brass ring in the 1990s and released a series of albums that made him one of the biggest blues acts of the day, a seasoned veteran with a modern edge. And few guitarists of any genre have enjoyed the respect of their peers as Guy has, with such giants as Eric Clapton, Jimi Hendrix, Jeff Beck, Keith Richards, Stevie Ray Vaughan, and Mark Knopfler all citing him as a personal favorite.

George "Buddy" Guy was born in Lettsworth, Louisiana on July 30, 1936, and is said to have first learned to play on a homemade two-string instrument fashioned from wire and tin cans. Guy graduated to an acoustic guitar, and began soaking up the influences of blues players such as T-Bone Walker, B.B. King, and Lightnin' Hopkins; as his family relocated to Baton Rouge, Guy had the opportunity to see live performances by Lightnin' Slim (aka Otis Hicks) and Guitar Slim, whose raw, forceful sound and over the top showmanship left a serious impression on Guy. Guy started playing professionally when he became a sideman for John "Big Poppa" Tilley, where he learned to work the crowd and overcome early bouts of stage fright. In 1957, Guy cut a demo tape at a local radio station and sent a copy to Chess Records, the label that was home to such giants as Muddy Waters, Howlin' Wolf, and Etta James, shortly before buying a one-way train ticket and moving to Chicago, eager to make music his career.

Guy didn't enjoy immediate success in Chicago, and struggled to find gigs until his fiery guitar work and flashy stage style (which included hopping on top of bars and strutting up and down their length while soloing, thanks to a 100-foot long guitar cable) made him a regular winner in talent night contests at Windy City clubs. Guy struck up friendships with some of the city's best blues artists, including Muddy Waters, Otis Rush, Freddie King, and Magic Sam, and landed a steady gig at the 708 Club, where he became known as a talent to watch. In 1958, Magic Sam arranged for Guy to meet Harold Burrage, the owner of local blues label Cobra Records, and Guy was soon signed to Cobra's sister label Artistic Records. Willie Dixon produced Guy's debut single, "Sit and Cry (The Blues)," as well as the follow-up, "This Is the End," but in 1959, Cobra and Artistic abruptly closed up shop, and like labelmate Otis Rush, Guy found a new record deal at Chess. Guy's first single for Chess, 1960's "First Time I Met the Blues," was an artistic triumph and a modest commercial success that became one of his signature tunes, but it was also the first chapter in what would prove to be a complicated creative relationship between Guy and label co-founder Leonard Chess, who recognized his talent but didn't appreciate the louder and more expressive aspects of his guitar style. While Guy enjoyed minor successes with outstanding Chess singles such as "Stone Crazy" and "When My Left Eye Jumps," much of his work for the label was as a sideman, lending his talents to sessions for Muddy Waters, Koko Taylor, Howlin' Wolf, Little Walter, and many others. And one of Guy's definitive recordings of the '60s wasn't even issued by Chess; Guy had been performing occasionally with blues harpist Junior Wells, and Guy and his band backed up Wells on the 1965 Delmark release Hoodoo Man Blues, a masterful exercise in the Chicago blues style, with Guy credited as "Friendly Chap" on initial pressings in deference to his contract with Chess.

Chess didn't issue an album on Guy until the 1967 release of I Left My Blues in San Francisco, and when his contract with the label ran out, he promptly signed with Vanguard, who put out A Man and the Blues in 1968. As a growing number of rock fans were discovering the blues, Guy was finding his stock rising with both traditional blues enthusiasts and younger white audiences, and his recordings for Vanguard gave him more room for the tougher and more aggressive sound that was the trademark of his live shows. (It didn't hurt that Jimi Hendrix acknowledged Guy as an influence and praised his live show in interviews.) At the same time, Guy hadn't forsaken the more measured approach he used with Junior Wells; Buddy and Wells cut an album that also featured Junior Mance on piano for Blue Thumb called Buddy and the Juniors, and in 1972, Eric Clapton partnered with Ahmet Ertegun and Tom Dowd to produce the album Buddy Guy and Junior Wells Play the Blues. In 1974, Guy and Wells played the Montreux Jazz Festival, with Bill Wyman of the Rolling Stones sitting in on bass; the show was later released as a live album, Drinkin' TNT and Smokin' Dynamite, with Wyman credited as producer.

By the end of the '70s, Guy was without an American record deal, and his career took a hit as a result; while he recorded some material for specialist labels in Europe and Japan, and Alligator issued two collections in 1981, Alone and Acoustic and Stone Crazy, for the most part Guy supported himself in the '80s through extensive touring and live work, often appearing in Europe, where he seemed better respected than in the United States. Despite this, he continued to plug away at the American market, buoyed by interest from guitar buffs who had heard major stars sing his praises; in 1985, Eric Clapton told a reporter for Musician magazine, "Buddy Guy is by far and without a doubt the best guitar player alive...he really changed the course of rock & roll blues," while Vaughan declared, "Without Buddy Guy, there would be no Stevie Ray Vaughan." In 1989, Guy opened his own nightclub in Chicago, Buddy Guy's Legends, where he frequently performed and played host to other top blues acts, and in 1991, after a well-received appearance with Clapton at London's Royal Albert Hall (documented in part on the album 24 Nights), he finally scored an international record deal with the Silvertone label, distributed by BMG. Guy's first album for Silvertone, Damn Right, I've Got the Blues, featured guest appearances by Clapton, Jeff Beck, and Mark Knopfler, and featured fresh versions of several fan favorites as well as a handful of new tunes; it was the Buddy Guy album that finally clicked with record buyers, and became a genuine hit, earning Guy a gold album, as well as a Grammy Award for Best Contemporary Blues Album. Guy wasted no time cutting follow-ups, releasing Feels Like Rain in 1993 and Slippin' In in 1994, both of which racked up solid sales figures and won Guy further Grammy Awards.

In 1993, Guy reunited with Junior Wells on the stage of his Legends club; it would prove to be one of Wells' last live performances, and the show was released in 1998, several months after Wells' passing, on the album Last Time Around: Live at Legends. While most of Guy's work in the late '90s and into the new millennium was the sort of storming Chicago blues that was the basis of his reputation, he also demonstrated he was capable of exploring other avenues, channeling the hypnotic Deep Southern blues of Junior Kimbrough on 2001's Sweet Tea and covering a set of traditional blues classics on acoustic guitar for 2003's Blues Singer. In 2004, Guy won the W.C. Handy Award from the American Blues Foundation for the 23rd time, more than any other artist, while he took home his sixth Grammy Award in 2010 for the album Living Proof. Guy also received the National Medal of the Arts in 2003, and was awarded with Kennedy Center Honors in 2012. He was inducted into the Rock and Roll Hall of Fame in 2005, with both Eric Clapton and B.B. King presenting him with his award, and in 2012 he performed a special concert at the White House, where he persuaded President Barack Obama to join him at the vocal mike for a few choruses of "Sweet Home Chicago." Guy continued his late-career revival with the 2012 memoir When I Left Home: My Story and the summer 2013 release of the ambitious, guest star-laden double album Rhythm & Blues. ~ Mark Deming, Rovi
full bio

Selected Discography

Comments

Buddy Guy is one of the best ever
Buddy Guy, still one of my all time highlights from the Byron Bay Bluesfest... .
Finger speed accurateness relaxation when superbly done exalts..stri n g height phrasing fretboard dexterity and timing will lead to major blues contracts..G e o r g e embodies all..
wegoweko
A real class act. Have seen him numerous times from Chi-Town to NC. Met him too. He tried to give me tickets to a show when he stayed in the hotel I managed. I said thanks but I would already be in the front row. He signed a posted for me that sits proudly on the wall in my music room.
wooh
One of the best blues guitarists next to BB and Stevie Ray and Jimi
hjones38306
The Guy would love to see him and joe bonamassa play together !!!!!!
Now I make no claim at being a blues expert or aficionado (I've only been digging in the crates for two years now) but from what I've been soaking up lately it is easy to see why he's revered as a master. His smokey voice & the fiery strings of his guitar he engulfs the listener's soul in a flaming ball of the agonizing passion that is the blues. Utterly amazing
oh, yeah
A pure truly blues man.
wegoweko
Saw him 4 times and met him when he stayed at the hotel I managed, a true gentleman. He tried to give me tickets to the show, I told him I would already be in the first row but thanks. He signed a full color promo for the show and I also got his guitar pick which he tossed out during the show. 3 days later he was inducted in the Rock Hall of Fame. Poster is on the wall in my music room.
mitoyo1
Don't read this because it actually works. You will be kissed on the nearest Friday by the love of your life. Tomorrow will be the best day of your life. However if you don't post this you will die in 2 days. Now you have started reading this so don't stop. This is so scary put this on at least 5 songs in the next 143 minutes. When done press f6 and your lovers name will appear on the screen in big letters this is so scary because it actually works
wooh
jefferycreek m o r e
our neighbor Ben moved 2 houses down from us 3 years ago with his wife Marilyn. after introducing our selves it was noticeable that Ben was away often. one day I innocently asked if Ben was ok after hearing this Marilyn took me into thier home into one of the 5 bedrooms & as soon as she opened the door I was almost speach less. in this were 4 platinum L.P's & a digital mixing board. on my 7th birthday my father gave me a 1937 Martin D-17 that I still have. One friday when Ben was home they rec
He is beyond his music...real soul player!
I saw him last night at the hollywood bowl. he is an awesome artist and performer! the epitomy of showmanship even at 78 years old! long live buddy guy!
Saw buddy @ King center Melbourne Fl he showed his a**..
Buddy my old Buddy��
marley1515
I
I saw Buddy at his club in Chicago. Amazing performance in spite of his age....
Saw Buddy earlier this year in Atlanta and even though his voice isn't that it used to be it was still a hell of a show. He's a real crowd pleaser. If you haven't seen him and get the chance GO! Before it's too late.
What can be said about Mr. Buddy Guy???
I mean, tapped???
He's simply AAAWWWESOME! ! ! ! !
=-O =-O =-O =-O =-O!!!!!!
I just saw him play the other night and he was superb. If you haven't seen him live, you owe it to yourself, you'll have the bet night ever!
jtny786
I Got Dreams, with John Mayer, nice play off each other Buddy's the man, but junior mayer has his own serious chops.
jtny786
Love Buddy Guy, just so sorry to discover him so late. Tremendous talent. His version of Ain't No Sunshine has got to be one of the best songs, ever.
jfeezzy
Such an awesome performer! excellent artist! loves it
Buddy is the Blues!
I've been lucky to have seen Buddy perform live at least a half a dozen times over the years. He really knows how to work his audience. Totally captivating every time I've seen him. A real true showman. Excellent at his craft. I hope to see him another half dozen times.
scott8326
I saw Buddy at the Doheny Blues Festival in May. He is 76 years old and he walked 100 yards into the crowd singing and playing solos. He actually ended playing a monster solo to the person next to me. I have never seen that before. Big Fan!!!!
oh yeah
splitlogd
unbelevieabl e how did I not know this man 40 yrs ago
lol
yup
Saw Buddy last night in a small venue. Such a privlidge to hear a living legend. He can still bring it!
Worry Worry Mississippi
lol
Incredible showman, great singer, great guitarist. You have to see him live, no doubt about it.
damn right he plays the blues right
The best plain and simple
Real good blues
I love me some buddy guy
That is the man.
arlene.mexic o
Love this........ . . . . . . .
love this dude
Buddy still one of the best at 78!
Lucky to have seen him play, twice, in the Seattle area. Small venues allowed dancing... it was a blast! Love you, Buddy!
LOVE BUDDY ,,DENNY.
One of the best Blues guitar players on this planet. His shows are always so personal. Buddy loves the blues and we love you Buddy.
Cheaper to keep her.....
Playzzz what I feelzzz Buddy G. OUCHZZZ. 3M 14Y
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