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A very versatile acoustic and electric bassist capable of playing straight-ahead jazz, funk, and fusion, Brian Bromberg is also one of the few bassists to master the tapping technique made famous by Stanley Jordan, sometimes sounding like three bassists at once during his often-thunderous solos. Although he was a drummer at the age of 13, the following year Bromberg started classical lessons on bass. He developed quickly and by the time he was 19, he was part of Stan Getz's group. Bromberg has been a valuable sidemen with many bands since including those led by Horace Silver, Monty Alexander, Dizzy Gillespie, Richie Cole, Lee Ritenour, Dave Grusin, and Freddie Hubbard. He recorded his first album as a leader in 1986 (A New Day for the Blackhawk label) and has since led sessions for Intima and Nova; unfortunately, all of those record companies have since gone out of business. Into the next century, Brian Bromberg remained one of the most underrated bassists in jazz. That would change. Bromberg's initial albums as a leader were smooth jazz affairs, including 1986's A New Day, 1988's Basses Loaded, and 1989's Magic Rain, but he switched gears for 1991's It's About Time: The Acoustic Project, a more mainstream acoustic jazz record. The next release, though, 1993's self-titled Brian Bromberg, saw him return again to the smooth jazz feel of his earlier albums. Signing with Zebra Records, Bromberg released 1998's You Know That Feeling, which featured Rick Braun, Joe Sample, Jeff Lorber, Everette Harp, and other notables from the smooth jazz genre. Bromberg next went back to straight jazz for 2002's Wood, followed by a tribute to bassist Jaco Pastorius -- simply titled Jaco -- a short time later in 2003. A sequel to Wood, Wood II, appeared in 2005, and Bromberg had clearly moved out of the box of his smooth jazz phase, particularly with the rapid-fire, amazing bass solos that made up Metal, which appeared later in 2005. He also became a highly sought after record producer, with several charting projects in his résumé. Continually stretching himself on bass, Bromberg continued to move outside of the box with 2009's It Is What It Is. ~ Scott Yanow & Steve Leggett, Rovi
Listening to ...Woofer and trying to write something at the same time was a challenge I could not sustain. I had to put hands down and listen! Oh, and pat my feet.
I had the opportunity by accident to hear Brian play in Maryland sometime ago, And asked myself at that time Brian who? Question answered. He is who he is 'BAD!
sounds like marcus miller and company on bass good work please dont stop your groove playing .where has all the jazz creators gone time for the great ones to resurface to put are minds at peace.
dont forget when you listen to brian, alot of what sounds like guitar is him on a piccolo bass probably midi'd for guitar effects. fantastic player all the way around.
Brian Bromberg's "My Bass" track sounds like a combination of Billy Sheehan and Stu Hamm - Billy's two-handed tapping and pianistic chording techniques, with Stu's bass tone. Not original, but pretty cool.
A wonderful musician with a wonderful touch, not to mention one of the nicest people I have ever met. To listen to him is wonderful, but its mind boggling to watch him play.
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