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Bobbie Gentry

Bobbie Gentry remains one of the most interesting and underappreciated artists to emerge out of Nashville during the late '60s. Best-known for her crossover smash "Ode to Billie Joe," she was one of the first female country artists to write and produce much of her own material, forging an idiosyncratic, pop-inspired sound that, in tandem with her glamorous, bombshell image, anticipated the rise of latter-day superstars like Shania Twain and Faith Hill. Of Portuguese descent, Gentry was born Roberta Streeter in Chickasaw County, MS, on July 27, 1944; her parents divorced shortly after her birth and she was raised in poverty on her grandparents' farm. After her grandmother traded one of the family's milk cows for a neighbor's piano, seven-year-old Bobbie composed her first song, "My Dog Sergeant Is a Good Dog," years later self-deprecatingly reprised in her nightclub act; at 13, she moved to Arcadia, CA, to live with her mother, soon beginning her performing career in local country clubs. The 1952 film Ruby Gentry lent the singer her stage surname.

After graduating high school, Gentry settled in Las Vegas, where she appeared in the Les Folies Bergère nightclub revue; she soon returned to California, studying philosophy at U.C.L.A. before transferring to the Los Angeles Conservatory of Music. In 1964, she made her recorded debut, cutting a pair of duets -- "Ode to Love" and "Stranger in the Mirror" -- with rockabilly singer Jody Reynolds. Gentry continued performing in clubs in the years to follow before an early 1967 recording a demo found its way to Capitol Records producer Kelly Gordon; upon signing to the label, she issued her debut single, "Mississippi Delta." However, disc jockeys began spinning the B-side, the self-penned "Ode to Billie Joe" -- with its eerily spare production and enigmatic narrative detailing the suicide of Billie Joe McAllister, who flings himself off the Tallahatchie Bridge, the single struck a chord on country and pop radio alike, topping the pop charts for four weeks in August 1967 and selling three million copies. Although the follow-up, "I Saw an Angel Die," failed to chart, Gentry nevertheless won three Grammy awards, including Best New Artist and Best Female Vocal. She was also named the Academy of Country Music's Best New Female Vocalist.

With her second album, 1968's The Delta Sweete, Gentry returned to the country charts with the minor hit "Okolona River Bottom Band." Although her recordings were typically credited to Capitol staff producers, she later maintained she helmed the sessions herself and also wrote much of her own material, drawing on her Mississippi roots to compose revealing vignettes that typically explored the lifestyles, values, and even hypocrisies of the southern culture. Favoring more soulful and rootsy arrangements over the lavish countrypolitan style in vogue in Nashville at the time, Gentry's records sound quite unlike anything on either the country or pop charts at the time and her smoky, sensuous voice adapted easily to a variety of musical contexts. But to many listeners, she remained a one-hit wonder and her excellent third album, 1968's Local Gentry, received little notice. That same year, Gentry issued a duet album with Glen Campbell, returning to the country Top 20 with "Let It Be Me"; the duo regularly collaborated throughout the 1970s, scoring their biggest hit with a reading of "All I Really Want to Do."

In 1969, Gentry reached her creative zenith with Touch 'Em With Love -- though cut in Nashville, the record owed far more to the gritty R&B sounds emanating across the state in Memphis and generated her first U.K. number one, a smoldering rendition of the Burt Bacharach/Hal David perennial "I'll Never Fall in Love Again." The single's success also earned Gentry her own short-lived BBC television variety series. However, as her star diminished stateside, she became a fixture of the Las Vegas circuit, mounting an elaborate nightclub revue that she not only headlined but also wrote and produced, even overseeing the choreography and costuming. Gentry's 1969 marriage to Desert Inn Hotel manager Bill Harrah ended after only three months, but the following year she returned to the county and pop Top 40 with the title cut from her fifth album Fancy. In 1971, she issued her final Capitol effort, Patchwork, primarily confining her performing to her nightclub act for the next several years. A CBS summer replacement series, The Bobbie Gentry Happiness Hour, aired for four episodes in 1974; Gentry next surfaced on the big screen, credited as co-writer for a 1976 film adaptation of Ode to Billie Joe. After a second marriage, to fellow singer/songwriter Jim Stafford, ended in 1979 after only 11 months, Gentry gradually receded from public view, retiring from performing and eventually settling in Los Angeles. ~ Jason Ankeny
full bio

Selected Discography

x

Track List: Ode To Billie Joe / Touch 'Em With Love

1. Mississippi Delta

2. I Saw An Angel Die

3. Chickasaw County Child

4. Sunday Best

5. Niki Hoeky

6. Papa, Won't You Let Me Go To Town With You

7. Bugs

8. Hurry, Tuesday Child

9. Lazy Willie

10. Ode To Billie Joe

11. Touch 'Em With Love

12. Greyhound Goin' Somewhere

13. Natural To Be Gone

14. Seasons Come, Seasons Go

15. Glory Hallelujah, How They'll Sing

16. I Wouldn't Be Surprised

17. Son Of A Preacher Man

18. Where's The Playground, Johnny

19. I'll Never Fall In Love Again

20. You've Made Me So Very Happy

x

Track List: Patchwork / Fancy

6. But I Can't Get Back

8. Belinda

9. Mean Stepmama Blues

11. Somebody Like Me

12. Lookin' In

13. Fancy

14. I'll Never Fall In Love Again

15. Delta Man

16. Something In The Way He Moves

17. Find 'em, Fool 'em And Forget 'em

18. He Made A Woman Out Of Me

20. If You Gotta Make A Fool Of Somebody

21. Rainmaker

22. Wedding Bell Blues

x

Track List: The Delta Sweete / Local Gentry

1. Okolona River Bottom Band

2. Big Boss Man

3. Reunion

4. Parchman Farm

5. Mornin' Glory

6. Sermon

7. Tobacco Road

8. Penduli Pendulum

9. Jessye 'Lisabeth

10. Refractions

11. Louisiana Man

12. Courtyard

14. Casket Vignette

15. Come Away Melinda

16. The Fool On The Hill

17. Papa's Medicine Show

18. Ace Insurance Man

19. Recollection

20. Sittin' Pretty

21. Eleanor Rigby

22. Peaceful

24. Stormy

25. Skip Along Sam

x

Track List: Chickasaw County Child: The Artistry Of Bobbie Gentry

1. Ode To Billie Joe

2. Papa, Won't You Let Me Go To Town With You?

3. Mississippi Delta

4. I Saw An Angel Die

5. Bugs

6. Hurry, Tuesday Child

7. Chickasaw County Child

8. Okolona River Bottom Band

9. Penduli Pendulum

10. Mornin' Glory

11. Jessye' Lisabeth

12. Refractions

13. Casket Vignette

14. Hushabye Mountain

16. Fancy

17. Apartment 21

18. Benjamin

19. Marigolds And Tangerines

20. Beverly

21. Billy The Kid

22. Lookin' In

x

Track List: Greatest Hits

1. Ode To Billie Joe

2. Fancy

3. Okolona River Bottom Band

5. Louisiana Man

6. Slow Cookin'

7. Steal Away

10. Mississippi Delta

11. Penduli Pendulum

Comments

Report as inappropriate
kdpflugrad
So true to real live. Maybe too real
Report as inappropriate
I'll never forget 'OTBJ first time I heard it. Bobby Gentry certainly way ahead of her time, just listen to 'Patchwork', so many great songs, segueing the tunes, production, what a talent! Thank you Bobby Gentry.
Report as inappropriate
nylesfrench7
PEACE FRENCHY


Beautiful tune, I was a lil dude when it came out. Loved the vocals, SOULFUL Groove of the guitar and strungs. The story and mystery intrigued and knocked me out
Report as inappropriate
lakedm1
During her TV show she did the best Elvis Presley imitation I've ever seen from a man or women. I loved her voice, it was different.
Report as inappropriate
Bobbie gentry's song ode to billie joe is wonderful so are all her other songs such a shame they stopped playing her music on the air i feel she needs public recognition at least for her music and they should continue playing it again
Report as inappropriate
Rediscoverin g her as a grown woman makes me love her more
Report as inappropriate
If I never heard Ode To Billie Joe again I wouldn't miss that stupid song
Report as inappropriate
Hushabye Mountain: After a diet of Mississippi Delta and similar fare from Bobbie back in the 60's I found this song and its presentation a delightful surprise and a whole different genre. Look forward to hearing what other gems can be found on this album.
Report as inappropriate
Forgot to mention Bobbie Gentry,What a fantastic voice& such a beautiful lady
Report as inappropriate
Raymond Davies (The writer of Fancy) what an abselute genious
Report as inappropriate
I was a Naval officer when OTBJ came out.All my yankee pals came to me for translation since I am also from Missippy Love you Bobbie..
Report as inappropriate
Uhhh...my mother was so in love with Bobbie Gentry that she named me....wait for it....Fancy! Yep, my name is Fancy...peop l e think I was named after Reba's rendition, but that would make me twenty years younger than I actually am!
Report as inappropriate
cinannjones
I grew up with 3 different Bobbie Gentry albums spinning on the turntable. Ode to Billie Joe wasn't one of the best. she has so many better songs.
Report as inappropriate
When I was a little kid my sister played that ODE TO BILLIE JOE song sooo much that it made me crazy!
Report as inappropriate
Heard Bobbie the first time this year and instantly fell in love with her hauntingly beautiful voice.

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