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Initially, Blur were one of the multitude of British bands that appeared in the wake of the Stone Roses, mining the same swirling, pseudo-psychedelic guitar pop, only with louder guitars. Following an image makeover in the mid-'90s, the group emerged as the most popular band in the U.K., establishing itself as heir to the English guitar pop tradition of the Kinks, the Small Faces, the Who, the Jam, Madness, and the Smiths. In the process, the group broke down the doors for a new generation of guitar bands that became labeled as Brit-pop. With Damon Albarn's wry lyrics and the group's mastery of British pop tradition, Blur were the leader of Brit-pop, but they quickly became confined by the movement; since they were its biggest band, they nearly died when the movement itself died. Through some reinvention, Blur reclaimed their position as an art pop band in the late '90s by incorporating indie rock and lo-fi influences, which finally gave them their elusive American success in 1997. But the band's legacy remained in Britain, where they helped revitalize guitar pop by skillfully updating the country's pop traditions.

Originally called Seymour, the group was formed in London in 1989 by vocalist/keyboardist Albarn along with guitarist Graham Coxon and bassist Alex James, with drummer Dave Rowntree joining the lineup shortly afterward. After performing a handful of gigs and recording a demo tape, the band signed to Food Records, a subsidiary of EMI run by journalist Andy Ross and former Teardrop Explodes keyboardist Dave Balfe. Balfe and Ross suggested that the band change its name, submitting a list of alternate names for the group's approval. From that list, the group took the name Blur.

"She's So High," the group's first single, made it into the Top 50 while the follow-up, "There's No Other Way," went Top Ten. Both singles were included on their 1991 Stephen Street-produced debut album, Leisure. Although it received favorable reviews, the album fit neatly into the dying Manchester pop scene, causing some journalists to dismiss the band as manufactured teen idols. For the next two years, Blur struggled to distance themselves from the scene associated with the sound of their first album.

Released in 1992, the snarling "Pop Scene" was Blur's first attempt at changing their musical direction. A brash, spiteful rocker driven by horns, the neo-mod single was punkier than anything the band had previously recorded and its hooks were more immediate and catchy. Despite Blur's clear artistic growth, "Pop Scene" didn't fit into the climate of British pop and American grunge in 1992 and failed to make an impression on the U.K. charts. Following the single's commercial failure, the group began work on its second album, Modern Life Is Rubbish, a process that would take nearly a year and a half.

XTC's Andy Partridge was originally slated to produce Modern Life Is Rubbish, but the relationship between Blur and Partridge quickly soured, so Street was again brought in to produce the band. After spending nearly a year in the studio, the band delivered the album to Food. The record company rejected it, declaring that it needed a hit single. Blur went back into the studio and recorded Albarn's "For Tomorrow," which would turn out to be a British hit. Food was ready to release the record, but the group's U.S. record company, SBK, believed there was no American hit single on the record and asked them to return to the studio. Blur complied and recorded "Chemical World," which pleased SBK for a short while; the song would become a minor alternative hit in the U.S. and charted at number 28 in the U.K. Modern Life Is Rubbish was set for release in the spring of 1993 when SBK asked Blur to re-record the album with producer Butch Vig (Nirvana, Sonic Youth). The band refused and the record was released in May in Britain; it appeared in the United States that fall. Modern Life Is Rubbish received good reviews in Britain, peaking at number 15 on the charts, yet it failed to make much of an impression in the U.S.

Modern Life Is Rubbish turned out to be a dry run for Blur's breakthrough album, Parklife. Released in April 1994, Parklife entered the charts at number one and catapulted the band to stardom in Britain. The stylized new wave dance-pop single "Girls and Boys" entered the charts at number five; the single managed to spend 15 weeks on the U.S. charts, peaking at number 52, but the album never cracked the charts. It was a completely different story in England, as Blur had a string of hit singles, including the ballad "To the End" and the mod anthem "Parklife," which featured narration by Phil Daniels, the star of the film version of the Who's Quadrophenia.

With the success of Parklife, Blur opened the door for a flood of British indie guitar bands that dominated British pop culture in the mid-'90s. Oasis, Elastica, Pulp, the Boo Radleys, Supergrass, Gene, Echobelly, Menswear, and numerous other bands all benefited from the band's success. By the beginning of 1995, Parklife had gone triple platinum and Blur had become superstars. The group spent the first half of 1995 recording its fourth album and playing various one-off concerts, including a sold-out stadium show. Blur released "Country House," the first single from their new album, in August amidst a flurry of media attention because Albarn had the single's release moved up a week to compete with the release of "Roll with It," a new single from Blur's chief rival, Oasis. The strategy backfired. Although Blur won the battle, with "Country House" becoming the group's first number one single, they ultimately lost the war, as Oasis became Britain's biggest band with their second album, (What's the Story) Morning Glory?, completely overshadowing the follow-up to Parklife, The Great Escape. While The Great Escape entered the U.K. charts at number one and earned overwhelmingly positive reviews, it sold in smaller numbers, and by the beginning of 1996, Blur were seen as has-beens, especially since they once again failed to break the American market, where Oasis had been particularly successful.

In the face of negative press and weak public support, Blur nearly broke up in early 1996, but they instead decided to spend the entire year out of the spotlight. By the end of the year, Albarn was declaring that he was no longer interested in British music and was fascinated with American indie rock, a genre that Graham Coxon had been supporting for years. These influences manifested themselves on Blur's fifth album, Blur, which was released in February of 1997 to generally positive reviews. The band's reinvention wasn't greeted warmly in the U.K. -- the album and its first single, "Beetlebum," debuted at number one and quickly fell down the charts -- as Blur's mass audience didn't completely accept their new incarnation. However, the band's revamped sound earned them an audience in the U.S., where Blur received strong reviews and became a moderate hit, thanks largely to the popularity of the single "Song 2." The success in America eventually seeped over to Britain, and by the spring, the album had bounced back up the charts. 13 followed in 1999.

Albarn stepped out with the hip-hop/pop cartoon group Gorillaz in 2000, a collaboration with artist Jamie Hewlett that soon eclipsed the popularity of Blur internationally. Coxon departed during the recording of Blur's next album, with Albarn stepping in on guitar. One last album, Think Tank, appeared in 2003 but the bandmembers went their separate ways after its release, with Albarn turning toward Gorillaz and other creative projects. Blur wound up reuniting for a tour of the U.K. in 2009, preceded by the career retrospective Midlife.

From there, Blur pursued a halting reunion. They played a number of high profile gigs in 2009, including headlining Glastonbury, then in 2010 a documentary of the band's history called No Distance Left to Run appeared. Along with it came "Fool's Day," a limited-edition single timed to coincide with 2010's Record Store Day. 2011 turned out to be quiet, but 2012 was a bustling year for Blur, with the band delving deep into their past for the exhaustive box set Blur 21, which contained double-disc reissues of all of their seven studio albums plus four discs of unreleased material and three DVDs. Along with this box came "Under the Westway/The Puritain," a single to support the box and the group's headlining spot at the closing Olympic ceremonies in August 2012. That concert at Hyde Park was released digitally the following week as Parklive. ~ Stephen Thomas Erlewine, Rovi
full bio

Selected Discography


Track List: Parklive (Deluxe Edition)

Disc 1
Disc 2
Disc 3
Disc 4
Disc 5

Track List: Blur 21: The Box

Disc 1
Disc 2
Disc 3
Disc 4
Disc 5
Disc 6
Disc 7
Disc 8
Disc 9
Disc 10
Disc 11
Disc 12
Disc 13
Disc 14
Disc 15
Disc 16
Disc 17
Disc 18
Disc 19
Disc 20
Disc 21
Disc 22

Track List: Go Out (Single)


Track List: Under The Westway (Single)


New album, magic whip. So exited
I love blur! They are so much better than song 2. Parklife is amazing. This is a low, underrated but amazing.
I got my head thump when I was young I think song-2 is a great song
It probably is number 11 I wonder how
much it cost on iTunes?
Love blur two for song they played that when I wasn't mood Saturday night and Sunday also
BEST of blur!!!!
The entire discography. Perfect. Just perfect. So perfect I get Blur-withdra w a l when I don't listen daily.
Why do people just like Song 2? Take time to listen to Blur's other music. They have some songs that might be even better than Song 2.
Ohmygod looove this song! Song 2 makes me run faster. :)
Sounds just like Oasis?!? Blur was always STEPS ahead of Oasis, who were the followers. Blur also was more original, innovative, more apt to stretch the envelope a bit more, and forward thinking.
shawn_goural n i k
Sounds just like Oasis, love it.
Love blur the band a lot. Alternative always beats pop and rap and also hip hop.
I like how Elastica is mentioned only as a comparison in the Blur bio and Justine Frischmann isn't brought up once, despite how much her relationship with Albarn helped shape Britpop. However, Blur and Albarn feature rather prominently in any bio on Frishmann and Elastica, and how Frishmann had to prove to British press that she wasn't 'Blur Indoors.' I think we all know the reason why this is the case...
I think this song coming up on The Offspring was bizzare; and I think id rather prod my eyeballs with needles then listen to this song ever again in my lifetime. If Fran Drescher and Sarah Palin had made a horrible radio crap song baby this would have been it.
Only blur song I like. So glad they decided to play 2 for song on my birthday. Best birthday Song ever
baileyhanafi n
song 2
I remember the music video, it was soo cool. remember music videos??
Blur will always be one of my favorite bands
2-d singing?
you like the blur, you will love my band called Sex with a special fucktard
I was probably 17-18 when I first heard their music. I'm 36 now, lol!
Imagine Dragons played song 2 at their concert in Denver. It was amazing!
This reminds me of when I was 14 lol
Damn it Hanna i was going to say that
Blur is a game
jeffreymqs64 1
This is how you can make $50 - $100 per day by answering surveys. 1st. Go to BLUDOS.COM 2nd. Click on Start Today 3rd. Create Account (It's free) 4th. Thank me = >
What song? Song 2? Yeah, little bit...
This song is too over played xP
claricentp91 7
Interested on making some extra cash? go to BLUDOS.COM You can make $300+ a week easily. Its free so no scam here.
shawnnavuz71 1
Interested on making some extra cash? go to BLUDOS.COM You can make $300+ a week easily. Its free so no scam here.
i don't like the vocal style, overall, but it works because it's britpop, and the music is sorta heavy, which i like. not sure if i like or hate this song, still, after all these years...
Only know this song from madden 11;)
these guys pump me up and calm me down all at the same time
What? Don't read this because it actually works. You will be kissed on the nearest possible Friday by the love of you life. Tomorrow will be the best day of your life. However if you don't post this you will die in 2 days. Now you've started reading so don't stop. This is so scary put this on at least 5 songs in 143 minutes. When done press f6 and your lover's name will come on the screen in big letters. This is so scary because it actually works

@browna187: Yup, same guy. BLUR = Albarn's Brit pop/rock side, Gorillaz = his global experimental / f u s i o n side. Great stuff with both.
I had never heard of this band before. Then Song 2 popped up on Pandora. My first thought was, This is 2D-errr...Da m o n Albarn's voice!. I might have to check this band out.
Christ, this song is so catchy. Was a fun to karaoke too as well.
Good or bad; sucks or doesn't. People should try to examine and relate their feelings a little deeper: Why do I like this or not?
Don't read this because it actually works. You will be kissed on the nearest possible Friday by the love of you life. Tomorrow will be the best day of your life. However if you don't post this you will die in 2 days. Now you've started reading so don't stop. This is so scary put this on at least 5 songs in 143 minutes. When done press f6 and your lover's name will come on the screen in big letters. This is so scary because it actually works
Gorillaz and Blur forever!!!!!
i love (song 2 ) it my most favorit song by u guys

Blur and Gorillaz were awesome
I love blur! :)
i love this song so much!!!!!! :D
LOL You can really tell these guys are British!
This's on one of the Madden Football videogames.
whooooo hooooo!!
how about making these bio's SHORTER!
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