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Big Youth

A man with a message, Big Youth arrived on the music scene in the wake of U-Roy, Dennis Alcapone, and I-Roy, but quickly established his own style, threatening to eclipse them all. The consummate cultural toaster, the DJ ruled the dancehalls across the '70s, and although his career flagged in the next decade, he returned with a vengeance in the '90s, and continues to have an impact on both his own nation and beyond. Born in Kingston, Jamaica, on April 19, 1949, Manley Augustus Buchanan had his moniker long before he had picked up a mic. He was named Big Youth by his co-workers at the Kingston Sheraton hotel, where the tall teen was employed as a mechanic. Initially, he toasted to himself (the DJing equivalent of air guitar), but eventually he took the chance of picking up the mic at a few parties. The enthusiastic response he received prodded him to perform at dances, and by the late '60s, he had a small, but avid following. This fan base swiftly grew and as the new decade arrived, Big Youth was now DJing regularly at Lord Tipperton's sound system, quickly becoming the top DJ for the outfit.

By this point, U-Roy, Alcapone, and I-Roy had already made their vinyl debuts, but Big Youth would wait another year, finally releasing his first single in January 1972. He cut "Movie Man" for African Museum, Errol Dunkley and Gregory Isaacs' label, and the song fittingly utilized the rhythm to Dunkley's own "Movie Star." Surprisingly, the single was barely noticed; other producers had no better luck. "The Best Big Youth" (also known as "Black Cindy"), cut with Jimmy Radway, sank without a trace. Lee Perry did no better with "Moving," a version of the Wailers' "Keep on Moving." Producer Phil Pratt thought for sure his two cuts were chartward bound, but both "Tell It Black," a version of Dennis Brown's cover of "Black Magic Woman," and "Phil Pratt Thing," a sublime version of Derrick Harriott's "Riding for a Fall," followed its predecessors into oblivion. Even "Fire Bunn," produced by Niney Holness over his own smash "Blood & Fire" rhythm, failed to ignite the Jamaican buying public. The drought was finally broken by a young (just out of his teens) up and coming producer, Gussie Clarke. For "The Killer" single, he had the DJ toast over the rootsy Augustus Pablo number, and the result was magnificent. The pair followed it up with "Tippertone Rocking, another major hit. Big Youth was now in demand.

The ever-innovative producer Keith Hudson dragged a motorcycle into the studio to capture its revving engine for "S.90 Skank," a tribute to the popular Honda motorcycle, and roared Big Youth to the top of the Jamaican chart. Their follow-up, "Can You Keep a Secret," a duet between the toaster and his singing producer, did almost as well. In between times, Big Youth cut a pair of songs for Glen Brown, "Come Into My Parlour" and "Opportunity Rocks," the latter employing the popular "Dirty Harry" rhythm. Both were actually recorded the same day as "S.90 Skank." That same week, the DJ also cut a quartet of songs for Prince Buster: "Leggo Beast," "Cain and Abel," "Leave Your Skeng" (a version of "Get Ready"), and "Chi Chi Run" (cut over the rhythm of John Holt's "Rain From the Skies"). That latter track titled a various artists compilation that featured the DJ, a young acolyte Little Youth, a trio of top vocalists (Alton Ellis, John Holt, and Dennis Brown), all produced by Prince Buster.

Big Youth's own debut album, Screaming Target, arrived in 1973. Produced by Gussie Clarke, the album was stuffed with classic rhythms from the likes of Gregory Isaacs and Lloyd Parks, and filled with hits as well, including the magnificent title-track. The DJ seemed to have now glued himself to the chart and during that year, four of his songs, including "Screaming Target" (a version of K.C. White's "No No No" and Buster's "Chi Chi Run"), the Derrick Harriott-produced "Cool Breeze," and the Joe Gibbs-produced "A So We Stay" (a version of Dennis Brown's "Money in My Pocket"), sat proudly on the Jamaican Top 20 for the entire year. Gibbs notched up a total of three hits with Big Youth in 1973, along with the aforementioned single, there was also "Chucky No Lucky" and the topical "Forman Versus Frazier."

From boxing bouts to the "Facts of Life," a hit cut for Sonia Pottinger, Big Youth was the tops on any topic. He'd matured swiftly, from a barely understandable mumbler who exhorted the crowds with typical U-Roy or Alcapone-sque exhortations, to a more relaxed, conversational style. And it was this very ease of delivery -- relaxed, but so perfectly timed to the rhythms -- that had entranced the nation. In 1974, Big Youth launched his own label, Negusa Nagast, it was later followed by a second, Augustus Buchanan. The former's name was particularly telling and is Amharic (the Ethiopian language) for King of Kings. It announced a further shift in the DJ's performance toward a full-on cultural chanter/toaster. Negusa Nagast debuted with a quartet of the DJ's singles, "Hot Cross Bun," "Mr. Bunny," "Children Children," and most spectacularly of all, "Streets in Africa." This latter was a cover of War's "The World Is a Ghetto," and features Dennis Brown backed by the equally sonorous tones of the Heptones. Big Youth released his second album this same year, Reggae Phenomenon, and it was as phenomenal as its title suggested. It featured new songs (all chart-bound), remakes of earlier cuts, and smash hits like the title cut (another version of Dennis Brown's "Money in My Pocket") "Dread Inna Babylon," and "Natty Dread No Jester") (a version of the Paragons' "Only a Smile"). And the DJ's phenomenal chart success continued with producer after producer. Glen Brown scored with "Dubbie Attack," Tony Robinson oversaw the mighty "House of Dreadlocks" and "Mammy Hot and Daddy Cold," Buddy Davidson produced "Johnny Dead," while Yabby You sat behind the desk for the most seminal of them all, "Yabby Youth," the first of several versions the DJ would cut over the "Conquering Lion" rhythm.

Big Youth would again pair up with Dennis Brown for the Harry J.-produced "Wild Goose Chase." Niney Holness liked what he heard and kept the duo together for his "Ride on Ride On." The two would go on to record a stunning version of Bob Marley's "Get up Stand Up." Marley's version wasn't alone; besides toasting over classic rocksteady rhythms, Big Youth was now increasingly utilizing heavier roots rhythms. Most notable was "I Pray Thee," a version of the Abyssinians' "Satta Amasa Gana," which was another seminal smash hit, and the DJ also cut a version of Burning Spear's classic "Marcus Garvey." Two more Wailers' versions also appeared around this time, Marley's "Craven Choke Puppy" and Bunny Wailer's "Bide Up" became, respectively, "Craven Version" and "Black on Black."

In 1975, the Dreadlocks Dread album appeared, a seminal album overseen by Prince Tony Robinson and split between Big Youth's toasts and instrumental dubs. Accompanied by Skin, Flesh & Bones Band, the album remains a masterpiece of dread roots and provocative cultural toasts.

Dreadlocks Dread had a massive impact on the U.K., where it was picked up by the Klik label and prompted Big Youth to tour there the following year. 1976 brought two albums in its wake, Natty Cultural Dread and Hit the Road Jack, both self-produced by a self-confident Big Youth at the peak of his powers. Again the albums featured a clutch of Jamaican smashes -- "Ten Against One" and "Wolf in Sheep's Clothing" amongst them -- and new numbers equally biting at the chart bit. Interestingly enough, Natty Cultural Dread also boasts "Every N**ger Is a Star," backed by the I-Threes making their recording debut. Also featured are some of Big Youth's surprising covers. In the past, he'd versioned Motown hits, Gene Pitney, Al Green, and Otis Redding, "Dock of the Bay" of course. Now along with the title-track, there was even "If I Had a Hammer." 1977 brought the masterful "Four Sevens," a clever version of Culture's "Two Sevens Clash." Produced by Niney Holness, the pair followed up with the provocative "Six Dead, 19 Gone to Jail."

Having now signed to the Frontline label in the U.K., Big Youth's debut album for the Virgin subsidiary was 1978's Isaiah First Prophet of Old, a fiercely roots record produced by D Russell. The DJ also had a cameo role in the movie Rockers. He's absolutely unmistakable, stepping out of a flash car and flashing a smile that shows off his front teeth embedded with red, yellow, and green jewels, as his long dreads whip around his face. But behind these eye-catching trappings was a thoughtful and thought-provoking DJ, as his records proved time and time again. 1978 also saw the release of the "Green Bay Killers" single, a fierce diatribe on the death of a group of rastafarians at the hands of the Jamaican army. Perhaps Big Youth was now seen as too radical for Virgin, and the label chose not to release the DJ's next two albums, Progress and Rock Holy. Nor did they pick up on the former's dub companion, the excellent Reggae Gi Dem Dub, remixed by the up and coming master Sylvan Morris. However, the toaster's grip on Jamaica was also beginning to loosen, and a new generation of chatterers were beginning to come to the fore.

Big Youth continued to record, but no longer ruled the charts, and most of his singles were now self-produced and released through his own labels. The Heartbeat labels' Some Great Big Youth collects up many of these late-'70s, early-'80s material; the label's follow-up collection, The Chanting Dread Inna Fine Style, concentrates on earlier Negusa Negast singles.

The increasing violence in the dancehalls prompted him back into the studio in 1982 for "No War in the Dance," cut for producer Lloyd Parks. He proved his popularity wasn't totally gone, with a steaming, hits-filled set at Reggae Sunsplash before an adoring audience that summer, giving a repeat performance the following year, and again in 1987. In 1985, Big Youth released a surprising new album, A Luta Continua, where he transformed from toaster to singer and roots rasta to jazzman, accompanied by Jamaican jazz hero Herbie Miller. However, 1988's Manifestation found the DJ regaining his footing, for a roots-drenched set split between excellent toasting and sub-quality singing. Two years later, Niney Holness brought Big Youth back into the studio and cut the remarkable "Chanting." The DJ also contributed a fierce "Free South Africa" to the One Man One Vote artists' album. Big Youth later performed at the Japansplash festival in Osaka, with his powerful set caught on 1991's Jamming in the House of Dread album. He reappeared with a vengeance at Reggae Sunsplash the following summer.

With his profile now the highest it had been in years, Big Youth guest-starred on Capleton's I Testament album, Mutabaruka's Gathering of the Spirits, and Creation Rebel's Feat of a Green Planet. In 1995, the DJ released his own new album, Higher Grounds; overseen by Junior Reid, it was an intriguing mixture of R&B, reggae, and other styles. Another powerful set at Reggae Sunsplash was delivered the following year. The new millennium saw the release in the U.K. of the compilation Tell It Black, a two-CD set that rounds up 31 seminal songs from 1972-1975. But that pales next to Natty Universal Dread, released by the British Blood & Fire label that same year. Three albums and a total of 51 tracks brilliantly wrap up the best from 1973-1979 and include a clutch of Negusa Negast singles that have never been reissued. ~ Jo-Ann Greene, Rovi
full bio

Selected Discography

Comments

Og n the pure ist form!!
BLAZE IT UP JAH
abiba_bola your crazy homie
Sounds like something my dad would listen to. I like it though!
abiba_bola
YES JUDAH ES DE EL CHAVO CHUI AHHH EHHH JUH VEN TU D ???
abiba_bola
BUG BIG YOUTH SCREAM UCE CREAM ON TOP OF THE WOR WAE WHORE WORE LDSSSS I
abiba_bola
JAH THANK YOU FOR WATCHING OVER I N I IN FAMILIES ALL OVER UR CREATION, YEAH WOAOWOAW WOAW YES COME AGAIN FOR ONLY SET APART EYES WILL SEE FOR JAH IS WAY CHIN AND WILL WAT CHIN CHINGA A TODOS LOS CHINGONES CHINGADORES DE SU CHIGADA EVA JEZEBEL Y SU CHINGADO P**O AHAB N PUTISSSSISSI M O PADRE ADAM 1ER Y PADER DE TODOS LOS DE MAS MAY MAI MAYOR ES ERES SON TODOS COMO DIJERON DESDE ANTES DEL CIMIENTO DE LA CREACIOM EL CHAVO CHUI ES ES ES ES SIEMPRE ES
abiba_bola
THE ROCK FAILA BOM BOSANOVA WO TA? THE ROCK ANNOUNCES SOON COME YOU ALL SOON HERE COME SOON
abiba_bola
AWESOME CAP O WEIRA A LA WUERA NO NOT BLODIE LOCKIES NO THE ONE THAT DRESSSSEESSS AND HISSSSESSS AS PRETENDERSSS DO .THE MOVIE BETTLE';s LIFE ACCOUNT, JUST AS AWE AWEO OSOME AHHHH JAH;S MAGNIFICENT DISPLAY OF BEUTY HEAVENLY PURE AND NATURAL
abiba_bola
DID NOT I JUST LY SAI I LOVED UP A;; MINE CHILDREN SIN SUN OR SON OR SOL OR RAH OR WA WA WA ONLY JESUSCRISTO MI MERO MERO JEFE EL CHAVO CHUI STILL PRAYING FOR ALL OF MY CHILDREN... CEP PICOD ELLOS THE M MO MO NO ONLY JESUS'S WILL EVER B DONE HEAR EVE R AHAB?
abiba_bola
AHHH CHUI!!!! WA WA WA WAI WAI I HAD TO OOOHHH MANI I FEEL ING I PLAY AND SUD DEN I LY REAL I ZED WOW I FEEL AS THOU I WAS WRITTEN IN PROVERBIOS LOS VERBOS, MAN ONLY CHUI IS VERB!, BUT ANY NOOO THE ONE QHO GETS UP WHE THERE IS NO SUN OR SON TO HEKP WITH KIFGT OT STRENGHT, SO I I I GO GO GO VOS IS TI DI ON LYYY LON;IY WAY TO KKKEEEPPP I N I NN I GO GO GO TO WAR BOUNFING EACH OTHER AS WE ARE THE SONS OF THE SUN OF JAH
abiba_bola
I LUV MY APOSTLES CORNELL WEST AND BIG MO MOUD SMELEY
abiba_bola
KEITH HUDSON, TOUND TE TIME WID THE HUD SONS RIVER OF AID SSS AIODS SIDDASSS KKIIIVVSSS HIVSSSS
abiba_bola
JAH PLS WOOOSH THYSEL THRU N WOOOSH I UO OUT HERE SONN SOON NOT ENOUGH
abiba_bola
TERRORIST I UNDER STAND ON THE FACT THAT TERROR TORRE TORRES TOWER TER TIER TOR TORE THOR AL IS AS OUR RIGHT FULL SHIP KING DOM LUMUMBA EMERET, TI IS ATROCOTIES AND SOME ONE WILL RISE AND WELL THATS ME COS CHAVO CHUI HAS PUT ME TO BRING DID OUT DRONE DROUGGED OUT FOGGTTEHHEEA T E H A T E TEH FATE THE REAL FAITH FA THER I TH THE REAL AUTHOE FINISHER KING LORD JESUSXRISTO EL CHAVOCHUI
abiba_bola
save the people was it challenged by the facting of jacsons 5, and was bruce a ruffian? o yeah I HAVE U KNOW HE SIS RAISED AFTER EVE CHINESA TOLD HIM IN COMA NO WAY NO HOW, CHAVO CHUI AWAKEN HIM, AND B FOR TOLD HE BRUCE JUMP OUT OF HIS WHEELCHAIR COS LITTLE BRANDON WAS BOUT 2 HAVE HIS 1ST TRIAL AT WALKING, SEEN SON RAISED DAD, DAD FALLS SON SUN FOLLOWS SEEN U SEE SEEN
abiba_bola
I AM HUNGRY 2 R U FISHING?
abiba_bola
I AM THE DREATEST HONOR TO EN JOY RASTA SOUNDS TOUCHING, CHANGING, ENCOURAGING, WATERING, YEAH MAN EL CHAVOVHUI IS MOST PLEASED WIT U FAIT AND FULL SER VICE RENDERRED UNTO JESUSCRISTO. AMEN
abiba_bola
cpllie lions u spekeare spain ola la laBRO TO BIAS I ROY WHO MEXICAN SAID/ BRO BIAS N ELIAS, TAS Y I NEED TO SEE DENSEL MADE ELIAS IN GOLDEN GATE BLUND XLIND BLIND MAN KNEW JESUSCRISTO, YEAP EL CHAVOCHUI, MAN HE IS DEEP, LONG, TALL AND JUS AS WIDE MUSTER I O AND T
abiba_bola
BACK TO MEMO RY LANA, ANY MINE NO YOYO NAMES NO NEED TO SEEN , SO SHINNAH BOLA SO FAR IS, WAS WANTED TO TAKE MINE NANIES NAMES AN MI TIA JOB ITA DIG MAN, COS I N I N I HAVE U REMEMBER THAT WE R IN THE ROCCALLOSAS WEST COAST OF WE ME XI CANS LAND YEAP CHAVO CHUI SOW THAT OLMECAS WERE 2 SHORT SO HE MAN STRE DRE CHE D DI HIM GAVE HIM TO SHORTITA CAUSE TALIE NEEDED A SHORTIE SEEN TJY TOLOMEANS CAME!!!!!!!! ! ! a n d soon live
abiba_bola
MAN I DID TIS LASSSO LASSO OF TIS YIR 13, CHAVO CHUI TOLD ME 3 TELL THEM PUNKS AT MARIN CITY NORHTEN HIGHEST 500 MILL IN YOURS, BUTI I SAI JUS WA HI SAI AN I CAN NO GO NO MO TE TO SI JESUS BAHHHH BUMMBLE CLOTHED WITH THE DUST OF OUR FEET, YEAH I WAS PRE DES TIN TNT
abiba_bola
U ROY ALEAYS IMPU PO PO PU PU BET TER GER WAYS 3 BE BIT TIIN HER UP HER YHERI FACES WIT TYUMPETASPUT O S C H U C H O C H U I C H A V O C H U I YEAH I DO HOP PO TON LUI LUE LULU
abiba_bola
JOHNNY OSBOURNE LOVES SO STRONG, YEAH HE SINGS KNOWING WAS UP DOUNW LEFT RIGHT, I DO SEE, I DO WHERE ARE U, I KNOW IT IS AND IF WE DON T GET 3 GET HER B FORE SHE EXPLODE OR ELSE ALL BOOM B FOR TELL TOLD BY CHAVOCHUI
abiba_bola
YEA THEY R ALL PRETENDERS BUT AS U PRAY 'PLAY FOOL FE GET 2 WISE NOT WISE CON NING COS CHAVOCHUI SAYS HE IS MADE UNTO US THE WISDOM OF GOD' YEP YAS WA HE SED N YO PUS TE B GO SENN I I I HAVEMEDIYAYE D ON TIS VERY WORD NOT IF AS WE ALL KNOW JESUSCRISTO BEVER STARTED SEN SIN SENTENCES, OF COS LITTLE PAPI OF ALL LIES LIES LIEYING, HE CA;;S HISSSSELF INTELIGENT, CHAVO CHUI ES GENTE VERY GENTIL, SO SEEN HIIISSSING AL WAYS GENTILUANS REPTILIAND OD THE MARCIANIANS MACIA AND ANNA KAR ABD EN IN AF AM
abiba_bola
HUHG MUNDELL OF NOT CORPO DELL I JAH KNOW U 2 tub BIG YOUTH TUB BING THE HOLY NATION ALWAYS RAUSUNG UP CHUI CHAVO CHUI TO PRAISING ADORACIONES ALL WAYS AND FOR EVE R AHAB BURNING BUMBLE CLOKLUSKULLC L O T H B L O O D C L O T H E D
abiba_bola
memo ry lane, by the way have u seen my nephew blaxican guillermo tolando evans torres, YEAP SEEN SO MMAN MAN MANY Y TO YO YO NAMES THEY AJWAYS STAY DOWN, B GOODIE WHEN THEY STAY DOEM FOR EVE R AHAB PUNK
abiba_bola
IN 1970 i gathered round my 5 out of six sis and mama of cos, so we go here n there an en ded in BELICE WA YEA MAN BELIZE! U THINK U HAVE A JET JAG FRAGEDDDONWN EXPERIENCIE AFTER 2 DAYS? NO NO NO, MINE WAS INSTANTANEOU S ! ! ! PICTURE REAL USE UR GREAT WONDEROUS CREATIVITY LAUGH O MAN LAUFG, SO QW SIS YONGSTERS, I TAKING ALEAYS WITH THY KING, SO I LOOK AT WA WE HA IN FO OF US WA WA WA WA SIN CE DEY LEF OUT DI DOFIES AND PUT BIGIO GORIES DREESSESS AS THE QUINNUI OF GLA GLA LAND EN GLA CIARES ALWAYS
abiba_bola
COS MI HOMBRE CAN TAN TE DICE QUE SI NO ME TIENE A MI POS YO IGUAL AGUADA, NO NO LE DONT ASK NO BIDIE BUT ME TO TRANSLATE POR FAVOR JUH VEN TU D I PRO MI SE LIKE OUR LORD CHUI EL CHAVO CHUI SIEMPRE ALWAYS KEEPER OF HIS WORD
abiba_bola
YEAH TIS IS DA VOZ I KNOW THIRD MUNDO EN LOS ANGELES NEGROS SI SIMON IO YO ERES SI FUEGO BOMBAS A TODOS STERLINGSBEE R I N G I N G I N G B O U R B O U N I A N S B A R B A R I A N S I N A S N R U S I A N S A N D A L L A S I A N E L I N F I E R N O T H A T WE ONLY TOLOMEAS TOLTECAS Y OLMECAS NO NO NO NOT NEVER NEVER AZT AXT AXCT ASXCT ACXZT NO NONE NOT EVEN A** AZZ AZTECASSSS
abiba_bola
DILLIN GER U WERE HERE SINGING THIRD WORLD IN LAX EARLY 1980 81? U KNOW TIS SIDE OF CHAVO CHUI IS TIS VE RY RY PER SO NNAALLEEE
abiba_bola
HOLA PABLO DILES A TODOS QUE SI YA VAMOS A SER FOS FO RESCENTES!!! IRA BUT NOT THE REAL REAL ITES SEEN?
abiba_bola
I FOUND OUT THAT constant in opla ALWAYS BLOWING SEND HIS OR ER HER MOMIE TO THE EAST LAND TO FIND THE COUX NO WAIT THE CROX CROUXIFIX I BEL I VE VE Y VI U DID LOTS OFF GLOBAL LLLY RE SSEAARCH SHE DID NOT ONLY FO DU FUNDED YEAH FUNEELED FUNDLEDEDDFU N N U E D I E D C A N D I E D ALL THEIR CLAIMED PIE CES OF
abiba_bola
ARE YOU ON THE WEST BOUND TRAIN? MY STOP IS IN SAN RAFA 4th ST 10 minutos WAL KING UUHHH AM I WAIT IN GGGG AAA OOO DDD DDOOO DO IT LORD CHUI SO IT CHAVO CHUI
abiba_bola
ROCKERS LUVEDDDD THE JAH SIMPLE MAGNIFICENT ES AMP PLE SEEN THE ZION ZKA KING LOVE YOU SO MUCH YEAH JAH KNOW, JUH VEN TU D KNOWS KNOW
abiba_bola
JUH VEN TU D, TELL ME PLS U SANG A WORD THAT U WERE INCOMPLETE TIL U HAD UR BRIDE, SAW IN HER EYES N TAS WA U ..... OR CHAVO CHUI PLAYED 4 mi ME, I NOW KNOW DOCTOR KNOW I HAVE U KNOW I DID KNOW I LUVEEDDD MY RASTA BAD BIG JUH VEN YU D YEA OH YEAH TIS IS MINE ALL MINE
abiba_bola
1982 where? GAD BAD BRAINS THE CLAN OF THE 12 IS REAL ITES
WWWEEELLL JAH THE CONQUEROR IS MAKING MAN KINGS man kings BOW BOWEEEDDD DOOOWWNNN A LON TIME AGO!!!!! WWWEEELLL WA TTTSSS GOOONNAA GOOO DOOOUN WWHHEENNN NOW BOW NOW DOU DOE DOES DOERS GO DO DOWN BOW VOW WOE WOW COMPLWTELELY DOWN
abiba_bola
calling with ur moniker, man i told u chavo chi s luv sure knows the gene pool of ITAL NATTY PURE NATURAL LUV U ME MI Y TU SIEMPRE DANDO PRAISES ADORA CIONES AL MERO MERO JEFE CHAVO CHUI
abiba_bola
KITH U HAD RIC HARD W JA GUARS LOVE DDDD ALLL WAY SINCE THEN SEEN? I ONLY OLIMPO HIT ING US AS USUALLY LIKES SPOR T UIYOIUNG ALL DOINUG DOUNG DUGGING THEIR DUNG G GIONIES BUUUTTT AS LA LENGUA MUCH HEAYED ESPANOLA LA IN GLE SA STILL HATE PPPH BUT I TELL U CHAVO CHUI SAID JUST DATWA WA WA III IT??? mmme wwwee mmmi wii wiiiiwiwiwiw seen CHAVO CHUI MA DE ME YEAH HE DID MA DE ME WA IIITTT FFOR U WA WA WA WAIT FOR WHO? ii kknoow his voice he said my sheep know my voice come do and u has been c
abiba_bola
BIG I ROY UR ROK KING SUR VIVES THE CON CRETE BOXES
abiba_bola
SACAJAHWEAH SOUNDS SMILAR TO YOUR TITLE SONG SUFFERATION, I CREI U WERE MEN TIONING MY SISTREN ONE USED AS WE ME MEX AF AM ASSSSHHHH AAALLLL BUT THE BIG GEST BUTTT CHAVO CHUI VI VE VI NO VI E NE Y TU Y YO? DONDE ES TA MOS AMO AMO AMO MUCHO MUCHO MUCHO CIEM PRE POR SIEM PRE SIEM BRA ABRA HA HA HIG HIHG HIGH TO KI SSS UUU
abiba_bola
SEEN BUG YOUTH ALWAYS BUG GIN THEIR GIN ALWAYS FRET ING BAK AT EM I N I N IN SESION TO SESE CECE CEASES THEI TIME OF RULING AAAHHH TIME WHA A CON CIN SIN CEPTIC TUNNEL ONLY VI VION VISCIONUDA VISCISCITUD WA FEAR NO WA I LAF AT FEAR PRIDEFUL EMPTINEONOGO O D EVEIL JA JA SHEEEESSSS BETTER RUN FOR HER HALF BREED PA PI GEEK GREEKSSSSS SEEN I MEX TRULY MIX WIT WITT WIS DOOMING ALL THEMMMMM
abiba_bola
MAYB IS TIME FOR U TO RUN ROVI RANKING TO THE MOST HIGH KING YEAH JACOBO MILL ER ER ER OF THR THONE OF THE MOST HIGH JESUSCRISTO DESTINED TO RULE JAH I AM THAT I AM
abiba_bola
AND I - I - I KNOWS I BE LONG RUN FROM ABRA HAM FOR CHAVO CHUI SAID THAT WE ME MEXICANS ARE OF THE BATIONS OF MAY PEOPLES OF FAITH AAAAHHHH THASSSS ME MIII AND FOR ALL TO KBOW THAT BE LOMG TO THE CHAVO CHUI BRANCH OFFF INTER ENTER ETERNAL CESION SESION SESE SESO EL SIN EN IN THIS GOD COMING READY TO RECEIVE THE BLESSING OF THE HOLY FIRE THAT CLEANSES US ALLLLLL OOOFF AAALLLL OOOFFF OOOUURRR UN HEALYHY HELLISSHHH SELFISH NEEESSSSSTA U R ALLLLLL LIVE
abiba_bola
ROVI RUN TO KING DENNIS SEEN I - I - I FRECUENCIES STINSON BEACH AHHH CHAVO CHUI KNOWS YEAH TIS IS THE REAL IS REAL ITE JAH JA JA JA HA HA HA ALWAIES SMILING UPON US
abiba_bola
jah man u make the beats and not people, say Ranking Joe u Ran King Big Youth seen I need doctorknow BURNINGBUSH I RAN KING after U BIG YOUTH WHEN I EARED U DOCTOR NO LICEN SIN PO PO OBLY LUV IIIIII NNNN EEEEE DDDDD NNNN OOOO WWWW
abiba_bola
OYE YA SE TU NOMBRE HOMBRE TE LLAMAS JU VEN TUD SO MY BELOVED I SOWURSOWEDUP H A N D P L E A S E L E T I - I - I - H E L P I L O V E T O H E L P P A I N G O A W A Y S E E N N O T J U S T F I S I C A L L P U T E S P I R I T U A L C U L T U R A L I T A L A L L J A K W A Y AH NAME JU VEN TUD EN LO QUE SEA BIG YOUTH ETERNAL JOY U R ETERNAL JOY JUH VEN TUD YEAH MAN SEEN I U CALL ROLL JUH VEN TUD VENID COS LOVE IS WHAT I NEED GIVE MORE LUN THE BLESSING OF LUV GIVE GIVE ME ME LUV I LUV HALI MOMA PAPA ABY MAN I SEE IN WALKING THE KING LUV U 2DAY WITH RITHM OF JELLY OH YEAH ROLL ALEAYS SAID EVERY
abiba_bola
MANOHMANDIDU K N O W D R , B U S H C H A V O C H U I J A H H A S H A D I - I - I O R A N D O A L W A Y S L I F T I N G U U U U U U P P P P P I N P R A Y E R U K N O U N O T B E F O R E N O W U K N O W D R . B U S H I H A V E B E E N P R A Y I N G U S I N C E B E F O R E U K N E W D O C T O E M I B U S H M I O P O R X I E M P R E H A S I D O M U Y M I O S E SEEEEEENNNN
This be that music u can roll up a weezler to
Big Youth toast master general.
lijuma
Ku Klux Klan ---- you killed it bobo dread !! wicked voice.
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