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acoustic rock instrumentation
heavy use of vocal harmonies
acoustic rhythm piano
demanding instrumental part writing
melodic horn lines
a clear focus on recording studio production
major key tonality
melodic string accompaniment
melodic songwriting
orchestral arranging
paired vocal harmony
thru composed melodic style
an electric guitar solo
electric guitar effects
a dynamic male vocalist
emphasis on instrumental arranging
These are just a few of the hundreds of attributes cataloged for this track by the Music Genome Project.
Was just gonna mention how silly it is to play this without the rest of side 2 Abbey Road but I see thats already been covered so never mind and carry on.
I agree with Jensend17. This should be played only as part of the suite of songs with Golden Slumbers et al... They always play them together on the radio.
lizlotz
jensend17: I totally agree! I made a similar comment/complaint on another song from Side 2 on Pandora (think it was Golden Slumbers).
jensend17
...hey music lovers...sly said that...if you know ANYTHING about side two of Abbey Road...you know that most of it is a continuous song cycle that is MADE to go TOGETHER...or come together...so when you play Carry That Weight as a SINGLE cut...the cut at the END of it is HORRIFIC...totally jarring to us baby boomers who LOVE the SONG as PART of the SET of songs...MEANT to be played as a WHOLE unit...can you dig it???...the WHOLE SET...or NOTHING please...later...salmon dave...
oli44472
For some reason- I don't know why- this is one of my favorite Beatles songs...
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