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The Beach Boys

Beginning their career as the most popular surf band in the nation, the Beach Boys finally emerged by 1966 as America's preeminent pop group, the only act able to challenge (for a brief time) the overarching success of the Beatles with both mainstream listeners and the critical community. From their 1961 debut with the regional hit "Surfin'," the three Wilson brothers -- Brian, Dennis, and Carl -- plus cousin Mike Love and friend Al Jardine constructed the most intricate, gorgeous harmonies ever heard from a pop band. With Brian's studio proficiency growing by leaps and bounds during the mid-'60s, the Beach Boys also proved one of the best-produced groups of the '60s, exemplified by their 1966 peak with the Pet Sounds LP and the number one single "Good Vibrations." Though Brian's escalating drug use and obsessive desire to trump the Beatles (by recording the perfect LP statement) eventually led to a nervous breakdown after he heard Sgt. Pepper's Lonely Hearts Club Band, the group soldiered on long into the '70s and '80s, with Brian only an inconsistent participant. The band's post-1966 material is often maligned (if it's recognized at all), but the truth is the Beach Boys continued to make great music well into the '70s. Displayed best on 1970's Sunflower, each member revealed individual talents never fully developed during the mid-'60s -- Carl became a solid, distinctive producer and Brian's replacement as nominal bandleader, Mike continued to provide a visual focus as the frontman for live shows, and Dennis developed his own notable songwriting talents. Though legal wranglings and marginal oldies tours during the '90s often obscured what made the Beach Boys great, the band's unerring ability to surf the waves of commercial success and artistic development during the '60s made them America's first, best rock band.

The origins of the group lie in Hawthorne, California, a southern suburb of Los Angeles situated close to the Pacific coast. The three sons of a part-time song plugger and occasionally abusive father, Brian, Dennis, and Carl grew up a just few miles from the ocean -- though only Dennis had any interest in surfing itself. The three often harmonized together as youths, spurred on by Brian's fascination with '50s vocal acts like the Four Freshmen and the Hi-Lo's. Their cousin Mike Love often joined in on the impromptu sessions, and the group gained a fifth with the addition of Brian's high-school football teammate Al Jardine. His parents helped rent instruments (with Brian on bass, Carl on guitar, and Dennis on drums) and studio time to record "Surfin'," a novelty number written by Brian and Mike. The single, initially released in 1961 on Candix and billed to "the Pendletones" (a musical paraphrase of the popular Pendleton shirt), prompted a little national chart action and gained the renamed Beach Boys a contract with Capitol. The group's negotiator with the label, the Wilsons' father, Murray, also took over as manager for the band. Before the release of any material for Capitol, however, Jardine left the band to attend college in the Midwest. A friend of the Wilsons, David Marks, replaced him.

Finally, in mid-1962 the Beach Boys released their major-label debut, Surfin' Safari. The title track, a more accomplished novelty single than its predecessor, hit the Top 20 and helped launch the surf rock craze just beginning to blossom around Southern California (thanks to artists like Dick Dale, Jan & Dean, the Chantays, and dozens more). A similarly themed follow-up, Surfin' U.S.A., hit the Top Ten in early 1963 before Jardine returned from school and resumed his place in the group. By that time, the Beach Boys had recorded their first two albums, a pair of 12-track collections that added a few novelty songs to the hits they were packaged around. Though Capitol policy required the group to work with a studio producer, Brian quickly took over the sessions and began expanding the group's range beyond simple surf rock.

By the end of 1963, the Beach Boys had recorded three full LPs, hit the Top Ten as many times, and toured incessantly. Also, Brian began to grow as a producer, best documented on the third Beach Boys LP, Surfer Girl. Though surf songs still dominated the album, "Catch a Wave," the title track, and especially "In My Room" presented a giant leap in songwriting, production, and group harmony -- especially astonishing considering the band had been recording for barely two years. Brian's intense scrutiny of Phil Spector's famous Wall of Sound productions was paying quick dividends and revealed his intuitive, unerring depths of musical knowledge.

The following year, "I Get Around" became the first number one hit for the Beach Boys. Riding a crest of popularity, the late-1964 LP Beach Boys Concert spent four weeks at the top of the album charts, just one of five Beach Boys LPs simultaneously on the charts. The group also undertook promotional tours of Europe, but the pressures and time constraints proved too much for Brian. At the end of the year, he decided to quit the touring band and concentrate on studio productions. (Glen Campbell toured with the group briefly, then friend and colleague Bruce Johnston became Brian's permanent replacement.)

With the Beach Boys as his musical messengers to the world, Brian began working full-time in the studio, writing songs and enlisting the cream of Los Angeles session players to record instrumental backing tracks before Carl, Dennis, Mike, and Al returned to add vocals. The single "Help Me, Rhonda" became the Beach Boys' second chart-topper in early 1965. On the group's seventh studio LP, The Beach Boys Today!, Brian's production skills hit another level entirely. In the rock era's first flirtation with an extended album-length statement, side two of the record presented a series of downtempo ballads, arranged into a suite that stretched the group's lyrical concerns beyond youthful infatuation and into more adult notions of love.

Two more LPs followed in 1965, Summer Days (And Summer Nights!!) and Beach Boys' Party. The first featured "California Girls," one of the best fusions of Brian's production mastery, infectious melodies, and gorgeous close harmonies (it's still his personal favorite song). However, dragging down those few moments of brilliance were novelty tracks like "Amusement Parks USA," "Salt Lake City," and "I'm Bugged at My Old Man" that appeared to be a step back from Today. When Capitol asked for a Beach Boys record to sell at Christmas, the live-in-the-studio vocal jam session Beach Boys' Party resulted, and sold incredibly well after the single "Barbara Ann" became a surprise hit. In a larger sense though, both of these LPs were stopgaps as Brian prepared for production on what he hoped would be the Beach Boys' most effective musical statement yet.

In late 1965, the Beatles released Rubber Soul. Amazed at the high song quality and overall cohesiveness of the album, Brian began writing songs -- with help from lyricist Tony Asher -- and producing sessions for a song suite charting a young man's growth to emotional maturity. Though Capitol was resistant to an album with few obvious hits, the group spent more time working on the vocals and harmonies than any other previous project. The result, released in May 1966 as Pet Sounds, more than justified the effort. It's still one of the best-produced and most influential rock LPs ever released, the culmination of years of Brian's perfectionist productions and songwriting. Critics praised Pet Sounds, but the new direction failed to impress American audiences. Though it reached the Top Ten, Pet Sounds missed a gold certificate (the first to do so since the group's debut LP). Conversely, worldwide reaction was not just positive but jubilant. In England, the album hit number two and earned the Beach Boys honors for best group in year-end polls by NME -- above even the Beatles, hardly slouches themselves with the releases of "Paperback Writer"/"Rain" and Revolver.

The Beach Boys' next single, "Good Vibrations," had originally been written for the Pet Sounds sessions, though Brian removed it from the song list to give himself more time for production. He resumed working on it after the completion of Pet Sounds, eventually devoting up to six months (and three different studios) to the single. Released in October 1966, "Good Vibrations" capped off the year as the group's third number one single and still stands as one of the best singles of all time. Throughout late 1966 and early 1967, Brian worked feverishly on the next Beach Boys LP -- a project named Dumb Angel, but later titled SMiLE, that promised to be as great an artistic leap beyond Pet Sounds as that album had been from Today. He drafted Van Dyke Parks, an eccentric lyricist and session man, as his songwriting partner, and recorded reams of tape containing increasingly fragmented tracks that grew ever more speculative as the months wore on. Already wary of Brian's increasingly artistic leanings and drug experimentation, the other Beach Boys grew hostile when called in to the studio to add vocals for Parks lyrics like, "A blind class aristocracy/Back through the opera glass you see/The pit and the pendulum drawn/Columnaded ruins domino/Canvas the town and brush the backdrop" (from "Surf's Up"). A rift soon formed between the band and Brian; they felt his intake of marijuana and LSD had clouded his judgment, while he felt they were holding him back from the coming psychedelic era.

As recording for SMiLE dragged on into spring 1967, Brian began working fewer hours. For the first time in the Beach Boys' career, he appeared unsure of his direction. If SMiLE ever appeared salvageable, those hopes were dashed in May, when Brian officially canceled the project -- just a few weeks before the release of the Beatles' Sgt. Pepper's Lonely Hearts Club Band. In August, the group finally released a new single, "Heroes and Villains." Very similar to the fragmentary style of "Good Vibrations," though a distinctly inferior follow-up, it missed the Top Ten. That fall, the group convened at Brian's Bel Air mansion-turned-studio and recorded new versions of several SMiLE songs plus a few new recordings and re-emerged with Smiley Smile. Carl summed up the LP as "a bunt instead of a grand slam," and its near-complete lack of cohesiveness all but destroyed the group's reputation for forward-thinking pop.

As the Beatles were ushering in the psychedelic age, the Beach Boys stalled with the all-important teen crowd, who quickly began to see the group as conservative, establishment throwbacks. The perfect chance to stem the tide, a headlining spot at the pioneering Monterey Pop Festival in summer 1967, was squandered. Though the Beach Boys regrouped quickly -- the back-to-basics Wild Honey LP appeared before the end of 1967 -- their hopes of becoming the world's preeminent pop group with both hippies and critics had fizzled in a matter of months.

All this incredible promise wasted made fans, critics, and radio programmers undeniably bitter toward future product. Predictably, both Wild Honey and 1968's Friends suffered with all three audiences. They survive as interesting records nevertheless; deliberately under-produced, with song fragments and recording-session detritus often left in the mix; the skeletal blue-eyed soul of Wild Honey and the laid-back orchestral pop of Friends made them favorites only after fans realized the Beach Boys were a radically different group in 1968 than in 1966. Sparked by the Top 20 hit "Do It Again" -- a song that saw the first shades of the group as an oldies act -- 1969's 20/20 did marginally better. Still, Capitol dropped the band soon after. One year later, the Beach Boys signed to Reprise.

The first LP for Brother/Reprise was 1970's Sunflower, a surprisingly strong album featuring a return to the gorgeous harmonies of the mid-'60s and many songs written by different members of the band. Surf's Up, titled after a reworked song originally intended for SMiLE, followed in 1971. Though frequently lovable, the wide range of material on Surf's Up displayed not a band but a conglomeration of individual interests. During sessions for the album, Dennis put his hand through a plate glass window and was unable to play drums. Early in 1972, the band hired drummer Ricky Fataar and guitarist Blondie Chaplin, two members of a South African rock band named the Flame (Carl had produced their self-titled debut for Brother Records the previous year).

Carl and the Passions: So Tough, the first album released with Fataar and Chaplin in the band, descended into lame early-'70s AOR. For the first time, a Beach Boys album retained nothing of their classic sound. Brian's mental stability wavered from year to year, and he spent much time in his mansion with no wish to even contact the outside world. He occasionally contributed to the songwriting and session load, but was by no means a member of the band anymore (he rarely even appeared on album covers or promotional shots). Though it's unclear why Reprise felt ready to take such a big risk, the label authorized a large recording budget for the next Beach Boys album. After shipping most of the group's family and entourage (plus an entire studio) over to Amsterdam, the Beach Boys re-emerged in 1973 with Holland. The LP scraped the bottom rungs of the Top 40, and the single "Sail on, Sailor" (with vocals by Chaplin) did receive some FM radio airplay. Still, Holland's muddy sound did nothing for the aging band, and it earned scathing reviews.

Perhaps a bit gun-shy, the Beach Boys essentially retired from recording during the mid-'70s. Instead, the band concentrated on grooming their live act, which quickly grew to become an incredible experience. It was a good move, considering the Beach Boys could lay claim to more hits than any other '60s rock act on the road. The Beach Boys in Concert, their third live album in total, appeared in 1973.

Then, in mid-1974, Capitol Records went to the vaults and issued a repackaged hits collection, Endless Summer. Both band and label watched, dumbfounded, as the double LP hit number one, spent almost three years on the charts, and went gold. Endless Summer capitalized on a growing fascination with oldies rock that had made Sha Na Na, American Graffiti, and Happy Days big hits. Rolling Stone, never the most friendly magazine to the group, named the Beach Boys its Band of the Year at the end of the year. Another collection, Spirit of America, hit the Top Ten in 1974, and the Beach Boys were hustled into the studio to begin new recordings.

Trumpeted by the barely true marketing campaign "Brian's Back!," 1976's 15 Big Ones balanced a couple of '50s oldies with some justifiably exciting Brian Wilson oddities like "Had to Phone Ya." It also hit the Top Ten and went gold, despite many critical misgivings. Brian took a much more involved position for the following year's The Beach Boys Love You (it was almost titled Brian Loves You and released as a solo album). In marked contrast to the fatalistic early-'70s pop of "Til I Die" and others, Brian sounded positively jubilant on gruff proto-synth pop numbers like "Let Us Go on This Way" and "Mona." However idiosyncratic compared to what oldies fans expected of the Beach Boys, Love You was the group's best album in years. (A suite of beautiful, tender ballads on side two was quite reminiscent of 1965's Today.)

After 1979's M.I.U. Album, the group signed a large contract with CBS that stipulated Brian's involvement on each album. However, his brief return to the spotlight ended with two dismal efforts, L.A. (Light Album) and Keepin' the Summer Alive. The Beach Boys began splintering by the end of the decade, with financial mismanagement by Mike Love's brothers Stan and Steve fostering tension between him and the Wilsons. By 1980, both Dennis and Carl had left the Beach Boys for solo careers. (Dennis had already released his first album, Pacific Ocean Blue, in 1977, and Carl released his eponymous debut in 1981.) Brian was removed from the group in 1982 after his weight ballooned to over 300 pounds, though the tragic drowning death of Dennis in 1983 helped bring the group back together. In 1985, the Beach Boys released a self-titled album that returned them to the Top 40 with "Getcha Back." It would be the last proper Beach Boys album of the '80s, however.

Brian had been steadily improving in both mind and body during the mid-'80s, though the rest of the group grew suspicious of his mentor, Dr. Eugene Landy. Landy was a dodgy psychiatrist who reportedly worked wonders with the easily impressionable Brian but also practically took over his life. He collaborated with Brian on the autobiography Wouldn't It Be Nice and wrote lyrics for Brian's first solo album, 1988's Brian Wilson. Critics and fans enjoyed Wilson's return to the studio, but the charts were unforgiving, especially with attention focused on the Beach Boys once more. The single "Kokomo," from the soundtrack to Cocktail, hit number one in the U.S. late that year, prompting a haphazard collection named Still Cruisin'. The group also sued Brian, more to force Landy out of the picture than anything, and Mike Love later sued Brian for songwriting royalties (Brian had frequently admitted Love's involvement on most of them).

Despite the many quarrels, the Beach Boys kept touring during the early '90s, and Mike and Brian actually began writing songs together in 1995. Instead of a new album, though, the Beach Boys returned with Stars and Stripes, Vol. 1, a collection of remade hits with country stars singing lead and the group adding backing vocals. Also, a Brian Wilson documentary titled I Just Wasn't Made for These Times aired on the Disney Channel, with an accompanying soundtrack featuring spare renditions of Beach Boys classics by Brian himself. Just as the band appeared to be pulling together for a proper studio album, though, Carl died of cancer in 1998.

Ten years after his first solo album, Brian became aware of his immense influence on the alternative rock community; he worked with biggest fans Sean O'Hagan (of the High Llamas) and Andy Paley on a series of recordings. Again, good intentions failed to carry through as the recordings were ditched in favor of another overly produced, mainstream-slanted work, Imagination. By early 1999, no less than three Beach Boys-connected units were touring the country -- a Brian Wilson solo tour, the "official" Beach Boys led by Mike Love, and the "Beach Boys Family" led by Al Jardine.

In 2000, Capitol instituted a long-promised reissue campaign, focusing on the group's long out of print '70s LPs, and updated remastering of the '60s LPs followed soon after. Brian Wilson continued his solo career into the 2000s with a string of popular albums, including a live run-though of Pet Sounds (Pet Sounds Live) and, in 2004, a concert tour as well as a re-recording around SMiLE. The surviving members next united in 2006 to commemorate the 40th anniversary of Pet Sounds. Two years later, however, Jardine was forced to settle a lawsuit brought by Love and Carl Wilson's estate over the use of the Beach Boys' name in his touring band (which was renamed the Endless Summer Band).

Regardless of legal actions and strained relations, all of the band's surviving members were on hand in June 2011 for a special announcement: forthcoming were new live dates, reissues (including the first-ever release of The Smile Sessions; it appeared at the end of 2011), new recordings, and a spate of planned releases for 2012 that would feature all of the surviving members of the band who contributed the most to their '60s prime: Brian Wilson, Mike Love, Al Jardine, Bruce Johnston, and even David Marks. The new recordings included a version of their 1968 hit "Do It Again" and, by June 2012, a full album, including 12 original songs produced by Wilson and given the title of its first single, That's Why God Made the Radio; the album generated generally positive reviews and debuted at number three on the Billboard 200. Just before their 50th anniversary tour ended, in late September, Love announced that additional tour dates for the rest of 2012 would not include Brian Wilson, Jardine, or Marks. The brief reunion was commemorated on the May 2013 live album The Beach Boys Live: The 50th Anniversary Tour. Three years later a couple of archival releases appeared: a 50th anniversary reissue of Pet Sounds and a compilation of their earliest recordings called Becoming the Beach Boys: The Complete Hite & Dorinda Morgan Sessions. ~ John Bush
full bio

Selected Discography


Track List: The Beach Boys Live - The 50th Anniversary Tour

Disc 1

1. Do It Again (Live)

2. Little Honda (Live)

3. Catch A Wave (Live)

4. Hawaii (Live)

5. Don't Back Down (Live)

6. Surfin' Safari (Live)

7. Surfer Girl (Live)

8. The Little Girl I Once Knew (Live)

9. Wendy (Live)

10. Getcha Back (Live)

11. Then I Kissed Her (Live)

12. Marcella (Live)

13. Isn't It Time (Live)

14. Why Do Fools Fall In Love (Live)

15. When I Grow Up (To Be A Man) (Live)

16. Disney Girls (Live)

17. Be True To Your School (Live)

18. Little Deuce Coupe (Live)

19. 409 (Live)

20. Shut Down (Live)

21. I Get Around (Live)

Disc 2

1. Pet Sounds (Live)

2. Add Some Music To Your Day (Live)

3. Heroes And Villains (Live)

4. Sail On, Sailor (Live)

5. California Saga: California (Live)

6. In My Room (Live)

7. All This Is That (Live)

8. That's Why God Made The Radio (Live)

9. Forever (Live)

10. God Only Knows (Live)

11. Sloop John B (Live)

12. Wouldn't It Be Nice (Live)

13. Good Vibrations (Live)

14. California Girls (Live)

15. Help Me Rhonda (Live)

16. Rock And Roll Music (Live)

17. Surfin' U.S.A. (Live)

18. Kokomo (Live)

19. Barbara Ann (Live)

20. Fun, Fun, Fun (Live)


Track List: That's Why God Made The Radio

1. Think About The Days

2. That's Why God Made The Radio

3. Isn't It Time

4. Spring Vacation

5. The Private Life Of Bill And Sue

6. Shelter

7. Daybreak Over The Ocean

8. Beaches In Mind

9. Strange World

10. From There To Back Again

11. Pacific Coast Highway

12. Summer's Gone


Track List: The Smile Sessions

Disc 1

1. Our Prayer

2. Gee

3. Heroes And Villains

4. Do You Like Worms (Roll Plymouth Rock)

5. I'm In Great Shape

6. Barnyard

7. My Only Sunshine (The Old Master Painter / You Are My Sunshine)

8. Cabin Essence

10. Look (Song For Children)

11. Child Is Father Of The Man

12. Surf's Up

13. I Wanna Be Around / Workshop

14. Vega-Tables

15. Holidays

17. The Elements: Fire (Mrs. O'Leary's Cow)

18. Love To Say Dada

19. Good Vibrations

20. You're Welcome

21. Heroes And Villains (Stereo Mix)

22. Heroes And Villains Sections (Stereo Mix)

23. Vega-Tables Demo

24. He Gives Speeches

25. Smile Backing Vocals Montage

26. Surf's Up (1967 Solo Version)

27. Psycodelic Sounds. Brian Falls Into A Piano

Disc 2

13. Good Vibrations Session Highlights


Track List: Sounds of Summer

1. California Girls

2. I Get Around

3. Surfin' Safari

4. Surfin' U.S.A.

5. Fun, Fun, Fun

6. Surfer Girl

7. Don't Worry Baby (Single Version)

8. Little Deuce Coupe

9. Shut Down

10. Help Me, Rhonda (Single Version)

11. Be True To Your School (Single Version)

12. When I Grow Up (To Be A Man)

13. In My Room

14. God Only Knows

15. Sloop John B

16. Woudn't It Be Nice

17. Getcha Back

18. Come Go With Me

19. Rock And Roll Music

20. Dance, Dance, Dance

21. Barbara Ann (Single Version)

22. Do You Wanna Dance?

23. Heroes And Villains

24. Good Timin'

25. Kokomo

26. Do It Again

27. Wild Honey

28. Darlin'

29. I Can Hear Music

30. Good Vibrations


Track List: Sunflower / Surf's Up

1. Slip On Through

3. Add Some Music To Your Day

4. Got To Know The Woman

5. Deirdre

6. It's About Time

7. Tears In The Morning

8. All I Wanna Do

9. Forever

10. Our Sweet Love

11. At My Window

12. Cool Cool Water

13. Don't Go Near The Water

14. Long Promised Road

15. Take A Load Off Your Feet

16. Disney Girls (1957)

17. Student Demonstration Time

18. Feel Flows

19. Lookin' At Tomorrow (A Welfare Song)

20. A Day In The Life Of A Tree

21. 'Til I Die

22. Surf's Up


Track List: Greatest Hits - Volume 3: Best Of The Brother Years 1970-1986

1. Add Some Music To Your Day

2. Susie Cincinnati

3. This Whole World

4. Long Promised Road

5. Disney Girls (1957)

6. 'Til I Die

7. Surf's Up

8. Marcella

9. Sail On, Sailor

10. The Trader

12. Rock And Roll Music

13. It's O.K.

14. Honkin' Down The Highway

15. Peggy Sue

16. Good Timin'

17. Goin' On

18. Come Go With Me

19. Getcha Back

20. California Dreamin'


Track List: Greatest Hits Vol. 1

1. Surfin' Safari

2. 409

3. Surfin' U.S.A

4. Shut Down

5. Surfer Girl

6. Little Deuce Coupe

7. Catch A Wave

8. Be True To Your School

9. Fun, Fun, Fun

10. I Get Around

11. Dance, Dance, Dance

12. Do You Wanna Dance?

13. Help Me, Rhonda

14. California Girls

15. Barbara Ann

16. Sloop John B.

17. Wouldn't It Be Nice

18. God Only Knows

19. Good Vibrations

20. Kokomo


Track List: Greatest Hits - Volume 2

1. In My Room

2. The Warmth Of The Sun

3. Don't Worry, Baby

4. All Summer Long

5. Wendy

6. Little Honda

7. When I Grow Up (To Be A Man)

8. Please Let Me Wonder

9. You're So Good To Me

10. The Little Girl I Once Knew

11. Caroline No

12. Heroes And Villains

13. Wild Honey

14. Darlin'

15. Friends

16. Do It Again

18. I Can Hear Music

19. Break Away


Track List: Smiley Smile / Wild Honey

1. Heroes And Villains

2. Vegetables

3. Fall Breaks And Back To Winter (Woody Woodpecker Symphony)

4. She's Goin' Bald

5. Little Pad

6. Good Vibrations

7. With Me Tonight

8. Wind Chimes

9. Gettin' Hungry

10. Wonderful

11. Whistle In

12. Wild Honey

13. Aren't You Glad

14. I Was Made To Love Her

15. Country Air

16. A Thing Or Two

17. Darlin'

18. I'd Love Just Once To See You

19. Here Comes The Night

20. Let The Wind Blow

21. How She Boogalooed It

22. Mama Says

23. Heroes And Villains (Alternate Take)

24. Good Vibrations (Various Sessions)

26. You're Welcome

27. Their Hearts Were Full Of Spring

28. Can't Wait Too Long


Track List: Friends / 20-20

1. Meant For You

2. Friends

3. Wake The World

4. Be Here In The Mornin'

6. Passing By

7. Anna Lee, The Healer

8. Little Bird

9. Be Still

10. Busy Doin' Nothin'

11. Diamond Head

12. Transcendental Meditation

13. Do It Again

14. I Can Hear Music

15. Bluebirds Over The Mountain

16. Be With Me

17. All I Want To Do

18. The Nearest Faraway Place

19. Cotton Fields (The Cotton Song)

20. I Went To Sleep

21. Time To Get Alone

22. Never Learn Not To Love

23. Our Prayer

24. Cabinessence

25. Break Away

26. Celebrate The News

27. We're Together Again

29. Ol' Man River


Track List: Little Deuce Coupe / All Summer Long

1. Little Deuce Coupe

2. Ballad Of Ole' Betsy

3. Be True To Your School

4. Car Crazy Cutie

5. Cherry, Cherry Coupe

6. 409

7. Shut Down

8. Spirit Of America

9. Our Car Club

10. No-Go Showboat

11. A Young Man Is Gone

12. Custom Machine

13. I Get Around

14. All Summer Long

15. Hushabye

16. Little Honda

17. We'll Run Away

18. Carl's Big Chance

19. Wendy

20. Do You Remember?

21. Girls On The Beach

22. Drive-In

23. Our Favorite Recording Sessions

24. Don't Back Down

26. All Dressed Up For School


Track List: Today / Summer Days (And Summer Nights!!)

1. Do You Wanna Dance

2. Good To My Baby

3. Don't Hurt My Little Sister

4. When I Grow Up (To Be A Man)

6. Dance, Dance, Dance

7. Please Let Me Wonder

8. I'm So Young

9. Kiss Me Baby

10. She Knows Me Too Well

11. In The Back Of My Mind

12. Bull Session With "Big Daddy"

13. The Girl From New York City

14. Amusement Parks U.S.A.

15. Then I Kissed Her

16. Salt Lake City

17. Girl Don't Tell Me

18. Help Me, Rhonda

19. California Girls

20. Let Him Run Wild

21. You're So Good To Me

22. Summer Means New Love

23. I'm Bugged At My Ol' Man

29. Graduation Day (Studio Version)


Track List: Surfin' Safari / Surfin' U.S.A.

1. Surfin' Safari

2. County Fair

3. Ten Little Indians

4. Chug-A-Lug

6. 409

7. Surfin'

8. Heads You Win, Tails I Lose

9. Summertime Blues

10. Cuckoo Clock

11. Moon Dawg

12. The Shift

13. Surfin' U.S.A.

14. Farmer's Daughter

15. Misirlou

16. Stoked

17. Lonely Sea

18. Shut Down

19. Noble Surfer

20. Honky Tonk

21. Lana

22. Surf Jam

23. Let's Go Trippin'

24. Finders Keepers

25. Cindy, Oh Cindy

26. The Baker Man

27. Land Ahoy


Track List: Surfer Girl / Shut Down Volume 2

1. Surfer Girl

2. Catch A Wave

3. The Surfer Moon

4. South Bay Surfer

5. The Rocking Surfer

6. Little Deuce Coupe

7. In My Room

8. Hawaii

9. Surfer's Rule

10. Our Car Club

11. Your Summer Dream

12. Boogie Woodie

13. Fun, Fun, Fun

14. Don't Worry Baby

15. In The Parkin' Lot

16. "Cassius" Love vs. "Sonny" Wilson

17. The Warmth Of The Sun

18. This Car Of Mine

19. Why Do Fools Fall In Love

20. Pom Pom Play Girl

21. Keep An Eye On Summer

23. Louie Louie

24. Denny's Drums

27. I Do


Track List: Pet Sounds

1. Wouldn't It Be Nice

2. You Still Believe In Me

3. That's Not Me

5. I'm Waiting For The Day

6. Let's Go Away For A While

7. Sloop John B

8. God Only Knows

9. I Know There's An Answer

10. Here Today

11. I Just Wasn't Made For These Times

12. Pet Sounds

13. Caroline No

14. Hang On To Your Ego

15. Wouldn't It Be Nice (Stereo Mix)

16. You Still Believe In Me (Stereo Mix)

17. That's Not Me (Stereo Mix)

18. Don't Talk (Put Your Head On My Shoulder) (Stereo Mix)

19. I'm Waiting For The Day (Stereo Mix)

20. Let's Go Away For Awhile (Stereo Mix)

21. Sloop John B (Stereo Mix)

22. God Only Knows (Stereo Mix)

23. I Know There's An Answer (Stereo Mix)

24. Here Today (Stereo Mix)

25. I Just Wasn't Made For These Times (Stereo Mix)

26. Pet Sounds (Stereo Mix)

27. Caroline No (Stereo Mix)


Track List: All Summer Long

5. We'll Run Away

6. Carl's Big Chance

11. Our Favorite Recording Sessions


Track List: Balboa Blue (Single)


Track List: Becoming The Beach Boys: The Complete Hite & Dorinda Morgan Sessions

1. Surfin' (Demo)

2. Surfin' (Takes 1-2)

3. Surfin' (Take 3)

4. Surfin' (Take 4)

5. Surfin' (Take 5)

6. Surfin' (Take 6)

7. Surfin' (Take 7)

8. Surfin' (Take 8)

9. Surfin' (Master)

10. Luau (Demo - Take 1)

11. Luau (Demo - Take 2)

12. Luau (Demo - Take 3)

13. Luau (Takes 1-2)

14. Luau (Takes 3, 5-6)

15. Luau (Take 7)

16. Luau (Takes 8-11)

17. Luau (Take 12)

18. Luau (Master)

19. Lavender (Rehearsal - Take 1)

20. Lavender (Rehearsal - Take 2)

21. Lavender (Rehearsal - Take 3)

22. Lavender (Take 1)

23. Lavender (Take 2)

24. Lavender (Take 4)

25. Surfin' Safari (Takes 3-4)

26. Surfin' Safari (Takes 5-6)

27. Surfin' Safari (Take 10)

28. Surfin' Safari (Overdub - Take 1 On Take 6)

29. Surfin' Safari (Overdub - Take 2 On Take 10)

30. Surfin' Safari (Stereo Overdub)

31. Surfin' Safari (Master)

32. Surfer Girl (Take 1)

33. Surfer Girl (Take 2)

34. Surfer Girl (Take 3)

35. Surfer Girl (Take 4)

36. Surfer Girl (Take 5)

37. Surfer Girl (Take 6)

38. Surfer Girl (Master)

39. Surfer Girl (Overdub - Background Vocals)

40. Judy (Take 1)

41. Judy (Take 2)

42. Judy (Overdub - Takes 1-2)

43. Judy (Overdub - Take 4)

44. Judy (Master)

45. Judy (Demo - April 1962 Guitar Solo)

46. Beach Boy Stomp/Karate (Take 1)

47. Beach Boy Stomp/Karate (Rehearsal - Take 2)

48. Beach Boy Stomp/Karate (Overdub - Take 1 On Take 1)

49. Beach Boy Stomp/Karate (Overdub - Take 2 On Take 1)

50. Beach Boy Stomp/Karate (Master)

51. Barbie (Overdub - Take 1)

52. Barbie (Overdub - Take 3)

53. Barbie (Overdub - Takes 4-5)

54. Barbie (Overdub - Take 6)

55. Barbie (Overdub - Take 7)

56. Barbie (Master)

57. What Is A Young Girl Made Of (Demo)

58. What Is A Young Girl Made Of (Overdub - Take 1)

59. What Is A Young Girl Made Of (Overdub - Take 3)

60. What Is A Young Girl Made Of (Overdub - Takes 4-5)

61. What Is A Young Girl Made Of (Overdub - Take 6)

62. What Is A Young Girl Made Of (Overdub - Take 7)

63. What Is A Young Girl Made Of (Master)


Track List: Carl & The Passions / Holland

Disc 1

1. You Need A Mess Of Help To Stand Alone

2. Here She Comes

3. He Come Down

4. Marcella

5. Hold On Dear Brother

6. Make It Good

7. All This Is That

8. Cuddle Up

Disc 2

1. Sail On, Sailor

2. Steamboat

3. California Saga - Big Sur

4. California Saga - The Beaks Of Eagles

5. California Saga - California

6. The Trader

7. Leaving This Town

8. Only With You

9. Funky Pretty

10. Mt. Vernon And Fairway (Theme)

12. Better Get Back In Bed

13. Magic Transistor Radio

14. I'm The Pied Piper

15. Radio King Dom


Track List: Endless Harmony

1. Soulful Old Man Sunshine (Writing Session Excerpt)

2. Soulful Old Man Sunshine

3. Radio Concert Promo 1

5. Surfer Girl (Binaural Mix)

8. California Girls (Stereo Remix)

10. Heroes And Villains (Demo)

11. Heroes And Villains (Live)

13. Radio Concert Promo 2

16. Do It Again (Early Version)

17. Break Away (Demo)

18. Sail Plane Song

19. Loop De Loop (Flip Flop Flyin' In An Aeroplane)

20. Barbara

21. 'Til I Die (Alternate Mix)

23. All Alone

24. Brian's Back


Track List: Endless Summer

3. Catch A Wave

4. The Warmth Of The Sun

6. Be True To Your School

7. Little Deuce Coupe

8. In My Room

9. Shut Down

10. Fun, Fun, Fun

11. I Get Around

12. Girls On The Beach

13. Wendy

15. Don't Worry Baby

20. All Summer Long


Track List: Pet Sounds (50th Anniversary Deluxe Edition)

Disc 1

1. Wouldn't It Be Nice (Mono)

2. You Still Believe In Me (Mono)

3. That's Not Me (Mono)

4. Don't Talk (Put Your Head On My Shoulder) [Mono]

5. I'm Waiting For The Day (Mono)

6. Let's Go Away For Awhile (Mono)

7. Sloop John B (Mono)

8. God Only Knows (Mono)

9. I Know There's An Answer (Mono)

10. Here Today (Mono)

11. I Just Wasn't Made For These Times (Mono)

12. Pet Sounds (Mono)

13. Caroline, No (Mono)

14. Wouldn't It Be Nice

15. You Still Believe In Me

16. That's Not Me

17. Don't Talk (Put Your Head On My Shoulder)

18. I'm Waiting For The Day

19. Let's Go Away For Awhile

20. Sloop John B

21. God Only Knows

22. I Know There's An Answer

23. Here Today

24. I Just Wasn't Made For These Times

25. Pet Sounds

26. Caroline, No

Disc 2

Track List: Spirit Of America

1. Dance, Dance, Dance

2. Break Away

3. A Young Man Is Gone

4. 409

5. The Little Girl I Once Knew

6. Spirit Of America

7. Little Honda

8. Hushabye

9. Hawaii

10. Drive-In

11. Good To My Baby

13. Do You Remember

14. This Car Of Mine

15. Please Let Me Wonder

16. Why Do Fools Fall In Love

17. Custom Machine

18. Barbara Ann

20. Don't Back Down

21. When I Grow Up (To Be A Man)

22. Do You Wanna Dance?


Track List: Summer Days (And Summer Nights!!) (Remastered)

1. The Girl From New York City

2. Amusement Parks U.S.A.

3. Then I Kissed Her

4. Salt Lake City

5. Girl Don't Tell Me

6. Help Me, Rhonda

8. Let Him Run Wild

9. You're So Good To Me

10. Summer Means New Love

11. I'm Bugged At My Ol' Man


Track List: That's Why God Made The Radio (Single)

1. That's Why God Made The Radio


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taramvanbusk i r k
Say iPhone five times say a color look under your pillow
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mariejames34 7 9
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Such an awesome classic jam, and one of my favorites by The Beach Boys. I Get around, totally rocks a**! And this is true: I get around! Rock on!
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God only knows what i'd be without you... i just had my ❤️ stabbed. sad & eating ben n jerrys. thanks so much gregory37388 .
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Sure beats the British Invasion .
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To HECK with this


Time to grab the hunny , board & HIT the sand & surf!

Come on!!

Life's S

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metallicagur l 1 8
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Had a daughter who was in such a rush
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First heard this and thought wow , no parents
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I love the Beach Boys!! And the Beatles, etc. I wish those were the kinda songs sung today. The music today stinks. I'm a 14 year old girl and I don't like Justin Bieber (if that's how you spell it) anyway, I know, it's a shocking truth. But there you have it. I'm a Christian as well, and I really don't enjoy a lot of the music out there today. Well, I've said it.
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Old Guys



Turn it


Good vibrations!! !

'I don't know where ,
But she sends me there....,..
Gotta keep those love good vibrations with her'......❤️

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elliecupcake 2 0 1 5
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If EVER u have the opportunity to see them perform live...

Do NOT hesitate✝❣❣❣
Old guys DO rule!!!!


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Brian from hawthorn ca grew up with the beach boys 61-63 none better
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I'm from hawthorn ca and went to luezinger high school 1961-1963 love the beach boys
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never hold them before
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the Beatles I love it is b ������������ � is so cool
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is my favorite song I love ������������ � is b
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I love the song Kokomo!!!!!�
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I saw Brian wilson play at the Hollywood bowl. He played pet sounds
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justinjenny4 9 5
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get it on with me my Mike your mimi
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it would be nice be married now I want to hold you all night long your mimi
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dragonlady60 8 8
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Teen Wolf brought me here.
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This is my favorite band! California girls just came on! LOVING IT ALL! Music sucks nowadays. I wish this type of music would come back��
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Why is the album called pet sounds??
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Jersey girls are not that bad
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I'm young and I think some of the music that these"singer s " make in this century just sucks.
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37 yrs ago met hubby and he would sing Beach Boys, Johnny Rivers and I would melt. True love then and now!!
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They emerged the year I was these songs❤
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musicgurl210 8 3
Beach boooooyys!
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Kay.(won't work... trust me)!!!!!!!!!
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justinjenny4 9 5
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Fun, Fun, Fun
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I really love that I grew up in an era with all the great music.
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you don't need to worry I would never I need my sunshine my Mike your mimi
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Oh let's go there Baby !!!!!
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See m see each l3sell
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Źe3eeeeeeeee e e e 3 e e e e e è r r r d d e d e 3 e r 3 e e e e e e e 3 e 3 e e e 3 è 4 3 r e r r r 4 e r e 3 3 e e e 3 e e e
Show more

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