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Barbara Carroll Trio

In the year 2005, Barbara Carroll could boast that she has began playing piano for a grand total of 75 years. Not without a pause to sleep and eat, obviously, but with a determination that might suggest such extremes. Born Barbara Carole Coppersmith, she began the instrument at only five-years-old and went on to classical training three years later, eventually graduating from the New England Conservatory. In terms of professional stagecraft, her initial training ground was a USO tour during the second World War in which she was part of an all-girl trio. This was quickly followed by leading her own trio on New York City's famous lane of jazz, 52nd Street, where she adopted her middle name of Carole as a stage name. The pianist was associated with such fine players as guitarist Chuck Wayne and bassist Clyde Lombardi, but what would develop into an extensive discography began in 1949 with a recording session backing up multi-instrumentalist Eddie Shu for the Rainbow label.

Among female piano players, Carroll is known as the first to venture into the progressive bebop style that was especially associated with Bud Powell. Unlike the infamous Billy Tipton, Carroll also did not think it was necessary to hide the fact that she was a woman in jazz -- but this was New York City, not Oklahoma or Washington state. Not that Carroll had an easy time in a genre dominated by men. "People tended to put you down before they ever heard you," she has commented in interviews. "If you were a girl piano player, the tendency was to say: 'Oh, how could she possibly play?' You never even got a chance to present what you could do. But then, if you did prove yourself, it almost became a commercial asset, in a sense; you were regarded as unique."

One audience that found Carroll to their liking was the high society crowd, becoming enamored with her during an extended run at the ultra-chic Embers supper club. Her group at the latter venue included the bassist Joe Shulman, whom she married in 1954. Carroll did not ignore the pop styles of subsequent decades, yet always managed to keep a strong jazz flavor present in whatever material she performed. If swing was a bay leaf, it would be said that Carroll has a large bush growing right outside her kitchen window. She has recorded for many of the best labels in the genre including Verve and Atlantic and continues to be in demand at clubs and cabarets. Carroll works as an actress on occasion, such as the Broadway play entitled Me and Juliet. ~ Eugene Chadbourne, Rovi
full bio

Selected Discography

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Track List: Complete 1951-1956 Trio Recordings

Disc 1
Disc 2
Disc 3
Disc 4

Comments

IN 1947, BARBARA CARROLL WAS THE FIRST FEMALE JAZZ PIANIST TO PLAY BEBOP. IN RECENT YEARS, CARROLL BECAME KNOWN AS A CABARET MUSICIAN. HER REVIVAL MET WITH DISAPPROVAL FROM SEVERAL SERIOUS JAZZ CRITICS STATING THAT HER CAREER FELL APART BECAUSE OF MUSICAL PREFERENCE. BARBARA CARROLL REMAINED WELL LIKED BY MANY AUDIENCES, GAINED NEW APPRECIATION IN THE CABARET WORLD, AND HAS CONTINUED WORKING TO THE PRESENT TIME. BARBARA CARROLL HAS BEEN AWARDED A LIFETIME ACHIEVEMENT AWARD.
Love Barbara Carroll, have all her CD's and albums, priviledged in meeting her in NY and St. Louis. Japan has produced many of her early albums to CD's, cudos to Japan
kejones48
She's very much still with us, and has moved up a couple of notches in the cabaret world. She's a headliner at the Algonquin Hotel's Oak Room now.
I had the oportunity to listen to Barbara while seated in a hotel bar years ago. Is she still with us? I hope so. H.E.

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