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The Animals

One of the most important bands originating from England's R&B scene during the early '60s, the Animals were second only to the Rolling Stones in influence among R&B-based bands in the first wave of the British Invasion. The Animals had their origins in a Newcastle-based group called the Kansas City Five, whose membership included pianist Alan Price, drummer John Steel, and vocalist Eric Burdon. Price exited to join the Kontours in 1962, while Burdon went off to London. The Kontours, whose membership included Bryan "Chas" Chandler, eventually were transmuted into the Alan Price R&B Combo, with John Steel joining on drums. Burdon's return to Newcastle in early 1963 heralded his return to the lineup. The final member of the combo, guitarist Hilton Valentine, joined just in time for the recording of a self-produced EP under the band's new name, the Animals. That record alerted Graham Bond to the Animals; he was likely responsible for pointing impresario Giorgio Gomelsky to the group.

Gomelsky booked the band into his Crawdaddy Club in London, and they were subsequently signed by Mickie Most, an independent producer who secured a contract with EMI's Columbia imprint. A studio session in February 1964 yielded their Columbia debut single, "Baby Let Me Take You Home" (adapted from "Baby Let Me Follow You Down"), which rose to number 21 on the British charts. For years, it was rumored incorrectly that the Animals got their next single, "House of the Rising Sun," from Bob Dylan's first album, but it has been revealed that, like "Baby Let Me Take You Home," the song came to them courtesy of Josh White. In any event, the song -- given a new guitar riff by Valentine and a soulful organ accompaniment devised by Price -- shot to the top of the U.K. and U.S. charts early that summer. This success led to a follow-up session that summer, yielding their first long-playing record, The Animals. Their third single, "I'm Crying," rose to number eight on the British charts. The group compiled an enviable record of Top Ten successes, including "Don't Let Me Be Misunderstood" and "We've Gotta Get Out of This Place," along with a second album, Animal Tracks.

In May of 1965, immediately after recording "We've Gotta Get Out of This Place," Alan Price left the band, citing fear of flying as the reason; subsequent biographies of the band have indicated that the reasons were less psychological. When "House of the Rising Sun" was recorded, using what was essentially a group arrangement, the management persuaded the band to put one person's name down as arranger. Price came up the lucky one, supposedly with the intention that the money from the arranger credit would be divided later on. The money was never divided, however, and as soon as it began rolling in, Price suddenly developed his fear of flying and exited the band. Others cite the increasing contentiousness between Burdon and Price over leadership of the group as the latter's reason for leaving. In any case, a replacement was recruited in the person of Dave Rowberry.

In the meantime, the group was growing increasingly unhappy with the material they were being given to record by manager Mickie Most. Not only were the majority of these songs much too commercial for their taste, but they represented a false image of the band, even if many were successful. "It's My Life," a number seven British hit and a similar smash in America, caused the Animals to terminate their association with Most and with EMI Records. They moved over to Decca/London Records and came up with a more forceful, powerful sound on their first album for the new label, Animalisms. The lineup shifts continued, however: Steel exited in 1966, after recording Animalisms, and was replaced by Barry Jenkins, formerly of the Nashville Teens. Chandler left in mid-1966 after recording "Don't Bring Me Down," and Valentine remained until the end of 1966, but essentially "Don't Bring Me Down" marked the end of the original Animals.

Burdon re-formed the group under the aegis of Eric Burdon and the New Animals, with Jenkins on drums, John Weider on guitar and violin, Danny McCulloch on bass, and Vic Briggs on guitar. He remained officially a solo act for a time, releasing a collection of material called Eric Is Here in 1967. As soon as the contract with English Decca was up, Burdon signed with MGM directly for worldwide distribution, and the new lineup made their debut in mid-1967. Eric Burdon and the New Animals embraced psychedelica to the hilt amid the full bloom of the Summer of Love. By the end of 1968, Briggs and McCulloch had departed, to be replaced by Burdon's old friend, keyboard player/vocalist Zoot Money, and his longtime stablemate, guitarist Andy Summers, while Weider switched to bass. Finally, in 1969, Burdon pulled the plug on what was left of the Animals. He hooked up with a Los Angeles-based group called War, and started a subsequent solo career.

The original Animals reunited in 1976 for a superb album called Before We Were So Rudely Interrupted, which picked up right where Animalisms had left off a decade earlier and which was well-received critically but failed to capture the public's attention. In 1983, a somewhat longer-lasting reunion came about between the original members, augmented with the presence of Zoot Money on keyboards. The resulting album, Ark, consisting of entirely new material, was well received by critics and charted surprisingly high, and a world tour followed. By the end of the year and the heavy touring schedule, however, it was clear that this reunion was not going to be a lasting event. The quintet split up again, having finally let the other shoe drop on their careers and history, and walked away with some financial rewards, along with memories of two generations of rock fans cheering their every note. ~ Bruce Eder
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follow me please
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Great song really want to listen to more
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But the mafia III hype
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Going up one of my favorite songs the raising sun and don't let me be misunderstoo d . Especially don't let me be misunderstoo d that song hit home, growing up in the projects I wanted a way out. But it was not in the right path.
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Not even my era, but still managed to make a HUGE fan.....nobo d y makes great music anymore.
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jpd998
Great tune for my garage band back in the sixties..eas y to play and an initial intro to all the(implied) hell raising I knew I had to explore, eventually.. . n o regrets...Sp i l l The Wine...is my all time favorite.... W h e n it hit the am radio dial I was doing a morning radio show in boise, Idaho. But the station owner wouldn't allow the song to be played during the day and only limited play after 9PM!!!
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christinadea n
This song was played at my Catholic baptism in Kleinhosteim , Germany on a church organ in 1970 I'm told. So funny and such a great song! ;)
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Fun music
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⚡️❤️⚡️
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I actually like The Animals musicianship better than The Stones but The STONES just had that undeniable mystique about them.Eric Burden was a much singer Listen to him with War,he's at the top of his game
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ksiever1
Love this band!
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I.ve always loved this bang
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boatracer123
how bout some Zepplin
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Nice, really nice. So many have tried!!!!! None have matched.
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hot stuff!! I loved back when still do!
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mariadefran1 2 3
Don't read this because it actually works you will be kissed on the nearest Friday by the love of your life. Tomorrow will be the best day of your life. However if you don't post this you will die in two days. Now you started don't stop this is so scary put this on at least 5 songs in the next 143 minutes when done press f6 and your lovers name will appear in big letters this is so scary because it actually works
Don't read this because it actually works you will be kissed on the nearest Friday
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Back in the day, the Animals' Don't Let Me Be Misunderstoo d was my theme school. Damn but The Animals were really that good.
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The Animals completely nailed The House Of The Rising Son. Even though they didn't write it this is the one true version. Damn Eric Burdon could sing. Love it!
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christopherc o o k 2 6 6 5
sing gilligan's island theme to this
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Guys, referencing The House of the Rising Sun seems to be blocking out the fact that Don't Let Me Be Misunderstoo d is equally great.
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This songs sick
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This is cool man love this song in the old video the shows him singing it
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tvrranger201 5
Love house of the rising sun. So addicting to play on piano.
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madashap
love the animals
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madashap
there is a house in New Orleans..... . .
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Excelente song.
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Supernatural episode anyone??
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http://www.p a n d o r a . c o m / h u g o - m o n t e n e g r o - h i s - o r c h e s t r a / g o o d - b a d - u g l y / g o o d - b a d - u g l y ? s h a r e I m p = t r u e & i s G o o g l e P l a y = 1 & i s _ t a b l e t = t r u e & s p = 1
Vrilya
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WE GOTTA GET OUT OF THIS PLACE SING IT BABY SING IT!!! ��
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Eric Burdon declares WAR ( war formerly known as the Creators)
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The Byrds and the Airplane they fly down in Monterey.
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For all the poor souls with good intentions. Keep paving hell.
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Burdon looked nothing like how he sounded.
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danrox9675
I love the house of the rising sun.
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Try singing amazing grace to this music. Works great. Great song indeed.
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losangelesra i d e r s 3 2 3 4
This jam reminds me of the Gangster films,
This track plays in a film somebody's gona DIE
HAHAHAAAAAAH A A A A A A H A A
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dawn1916
Eric Burden - definitely didn't get enough notice.
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great song.... just close your eyes and turn it up
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HOUUUUUUSE OF THE RIIIIIIIIISI N G SUUUUUN!!! Me when i sing this in the car ��
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Like them or leave them !
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HOUSE OF THE RISING SUN Is lifFE DUDe
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i love house of the rising sun . FFDP ruined it. althought i like them too.
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megadeath
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j.schossow9
Every time I hear "Long Cool Woman" and "House of the Rising Sun" I have to turn the radio WAY up. Two of my absolute favorite tunes.
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This band was always the baddest band in the world to me! "It's my life" is my all time favorite! I'm glad I'm glad I grew up during their tenure on earth.
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emcalamari
Long cool woman!
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Oh Yeah! That House In New Orleans, Is A Masterpiece, f o r sho
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House of the rising Sun
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casino
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So many great versions of this song over the years. A classic
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