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Albert Collins

Albert Collins, "The Master of the Telecaster," "The Iceman," and "The Razor Blade" was robbed of his best years as a blues performer by a bout with liver cancer that ended with his premature death on November 24, 1993. He was just 61 years old. The highly influential, totally original Collins, like the late John Campbell, was on the cusp of a much wider worldwide following via his deal with Virgin Records' Pointblank subsidiary. However, unlike Campbell, Collins had performed for many more years, in obscurity, before finally finding a following in the mid-'80s.

Collins was born October 1, 1932, in Leona, TX. His family moved to Houston when he was seven. Growing up in the city's Third Ward area with the likes of Johnny "Guitar" Watson and Johnny "Clyde" Copeland, Collins started out taking keyboard lessons. His idol when he was a teen was Hammond B-3 organist Jimmy McGriff. But by the time he was 18 years old, he switched to guitar, and hung out and heard his heroes, Clarence "Gatemouth" Brown, John Lee Hooker, T-Bone Walker and Lightnin' Hopkins (his cousin) in Houston-area nightclubs. Collins began performing in these same clubs, going after his own style, characterized by his use of minor tunings and a capo, by the mid-'50s. It was also at this point that he began his "guitar walks" through the audience, which made him wildly popular with the younger white audiences he played for years later in the 1980s. He led a ten-piece band, the Rhythm Rockers, and cut his first single in 1958 for the Houston-based Kangaroo label, "The Freeze." The single was followed by a slew of other instrumental singles with catchy titles, including "Sno-Cone," "Icy Blue" and "Don't Lose Your Cool." All of these singles brought Collins a regional following. After recording "De-Frost" b/w "Albert's Alley" for Hall-Way Records of Beaumont, TX, he hit it big in 1962 with "Frosty," a million-selling single. Teenagers Janis Joplin and Johnny Winter, both raised in Beaumont, were in the studio when he recorded the song. According to Collins, Joplin correctly predicted that the single would become a hit. The tune quickly became part of his ongoing repertoire, and was still part of his live shows more than 30 years later, in the mid-'80s. Collins' percussive, ringing guitar style became his trademark, as he would use his right hand to pluck the strings. Blues-rock guitarist Jimi Hendrix cited Collins as an influence in any number of interviews he gave.

Through the rest of the 1960s, Collins continued to work day jobs while pursuing his music with short regional tours and on weekends. He recorded for other small Texas labels, including Great Scott, Brylen and TFC. In 1968, Bob "The Bear" Hite from the blues-rock group Canned Heat took an interest in the guitarist's music, traveling to Houston to hear him live. Hite took Collins to California, where he was immediately signed to Imperial Records. By later 1968 and 1969, the '60s blues revival was still going on, and Collins got wider exposure opening for groups like the Allman Brothers at the Fillmore West in San Francisco. Collins based his operations for many years in Los Angeles before moving to Las Vegas in the late '80s.

He recorded three albums for the Imperial label before jumping to Tumbleweed Records. There, several singles were produced by Joe Walsh, since the label was owned by the Eagles' producer Bill Szymczyk. The label folded in 1973. Despite the fact that he didn't record much through the 1970s and into the early '80s, he had gotten sufficient airplay around the U.S. with his singles to be able to continue touring, and so he did, piloting his own bus from gig to gig until at least 1988, when he and his backing band were finally able to use a driver. Collins' big break came about in 1977, when he was signed to the Chicago-based Alligator Records, and he released his brilliant debut for the label in 1978, Ice Pickin'. Collins recorded six more albums for the label, culminating in 1986's Cold Snap, on which organist Jimmy McGriff performs. It was at Alligator Records that Collins began to realize that he could sing adequately, and working with his wife Gwen, he co-wrote many of his classic songs, including items like "Mastercharge," and "Conversation With Collins."

His other albums for Alligator include Live in Japan, Don't Lose Your Cool, Frozen Alive! and Frostbite. An album he recorded with fellow guitarists Robert Cray and Johnny "Clyde" Copeland for Alligator in 1985, Showdown! brought a Grammy award for all three musicians. His Cold Snap, released in 1986, was nominated for a Grammy award.

In 1989, Collins signed with the Pointblank subsidiary of major label Virgin Records, and his debut, Iceman, was released in 1991. The label released the compilation Collins Mix in 1993. Other compact-disc reissues of his early recordings were produced by other record companies who saw Collins' newfound popularity on the festival and theater circuit, and they include Complete Imperial Recordings on EMI Records (1991) and Truckin' With Albert Collins (1992) on MCA Records. Collins' sessionography is also quite extensive. The albums he performs on include David Bowie's Labyrinth, John Zorn's Spillane, Jack Bruce's A Question of Time, John Mayall's Wake Up Call, B.B. King's Blues Summit, Robert Cray's Shame and a Sin, and Branford Marsalis' Super Models in Deep Conversation.

Although he'd spent far too much time in the 1970s without recording, Collins could sense that the blues were coming back stronger in the mid-'80s, with interest in Stevie Ray Vaughan at an all-time high. Collins enjoyed some media celebrity in the last few years of his life, via concert appearances at Carnegie Hall, on Late Night with David Letterman, in the Touchstone film, Adventures in Babysitting, and in a classy Seagram's Wine Cooler commercial with Bruce Willis. The blues revival that Collins, Vaughan and the Fabulous Thunderbirds helped bring about in the mid-'80s has continued into the mid-'90s. But sadly, Collins has not been able to take part in the ongoing evolution of the music. ~ Richard Skelly, Rovi
full bio

Selected Discography

Comments

haha
The Master of the Telecaster, Mr. Frosty my 2nd fave Blues Guitarist after B.B. and Buddy (tied at 1st place)
FROSTY!!! RIP AC...
yup
very good
oh yeah
Radical. Ain't no doubt ‘bout it. A true blue BLUES musician- epic talent. ‘nough said.
ouch
H-TOWN is Blue too. 3m 14y
the man!!!
Sweet loving Blues
Ooppppp
bevbevan
Collins showed what that Telecaster was for!!!
Dude put you right there in a bar room at the bar with bout 8 hard drinks under your belt an can get up
He is definetly in a class!
no one leaves this bar with out singing the blues,
Best album eva showdown
Didn't seem like no walk at all
A true original. Gotta love the Iceman.
Taste, hit me.
One of the best, I was lucky to meet hlm at the Fillmore. R.I.P. ALBERT
Just awesome.
I saw this guy once in Joliet, IL @ the (newly renovated at the time)
Rialto Theatre. Also, Robert Cray performed. It was truly one of the best concerts that I ever attended. I love this man's music!
The Iceman cometh!
never hear or seen the man,but from all the comments he was one of the greats blue-man around sorry i missed him.
My brother once talked his way into Albert's tour bus when he was playing in NJ , and said he was the coolest, nicest guy! RIP, Mr. Collins...
kvons1
Blue great up with all the best
I drove him to his hotel in Portland .we stopped at Denny's and he ordered us 2 GRAND SLAMS
one of the biggest thrills of my days! RIP Albert
i use2 play with Albert Collins he was the best blues guitarist i ever played with im a bass player,i live in Dallas tx my name is yogie
Awesome!
chriscunning h a m 3
Maybe the good Lord had the blues oneday and called Albert home? He's chillin regardless.
cohenmike56
saw him at carnegie hall with roy buchanan gone too soon...
Eric Clapton's Favorite Guitar Player. I saw The STAR 7 times. Damn Good Shows! He used a wireles STRAT and would often walk out into the street and jamb!
I saw him at the Fillmore West w/ BB King,Albert Collins, and Buddy guy! What a show! Saw him a number of times up there. I loved going up there for the REAL blues concerts! AWESome memories
Albert Collins is often imitated, but never dulicated.
We are so lucky to have the chance to experience all of the greats!
In my younger day. I could' not get enough of CHUNK BERRY
,but LIKE MY SON who likes this artist of music . Albert Collins
Now I CAN AGREE THE GRATE '' ALBERT COLLINS ''
I was lucky enough to see him perform about a year before his passing. Yep, he was absolutely great my friends.
just think of the good things he would of done had GOD not called him home
susanmarsh47
Got to see him at Tipatina's in the early '80's. Awesome! Simply awesome! :D
"nobody leaves this place without singin the blues"
As good as it gets! Albert bent them with the best.
psm1970
Not only can this guy tell a story with his licks, he can do it with his lyrics as well. "Snowed In and Too Many Dirty Dishes" can speak volumes of his ability to do such.
Undoubtly, one of the most soulful of all the blues players.Trag i c he's not around any longer.
Certainly my favorite blues man. Interesting reference to John Campbell. I love that guy too. You can hear Albert in Dave Navarro's sound when doing Jane's Addiction's solos.
booga booga
NOT MANY BETER...HOW BOUT THEM TEXUNS PLAYERS
jrlac2000
One of the best all time PLAYERS
2coolguys
I ain't drunk, I jest drinkin'!!!! ! ! ! !
Thanks for a ice ride, it ended way to early. RIP AK!
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